{"id":134626,"date":"2019-03-20T19:22:28","date_gmt":"2019-03-20T23:22:28","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=134626"},"modified":"2019-03-20T19:22:28","modified_gmt":"2019-03-20T23:22:28","slug":"hernan-diaz-fiction","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/","title":{"rendered":"Hernan Diaz, Fiction"},"content":{"rendered":"<div id=\"attachment_134627\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz-hernan_credit-jason-fulford.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-134627\" class=\"size-full wp-image-134627\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz-hernan_credit-jason-fulford.jpg\" alt=\"\" width=\"1000\" height=\"811\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz-hernan_credit-jason-fulford.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz-hernan_credit-jason-fulford-300x243.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz-hernan_credit-jason-fulford-768x623.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-134627\" class=\"wp-caption-text\">Hernan Diaz. Photo: Jason Fulford.<\/p><\/div>\n<p>Hernan Diaz edits an academic journal for Columbia University and is the author of <em>Borges, between History and Eternity<\/em> (Bloomsbury, 2012). His first novel, <em>In the Distance<\/em>, was a <em>Publishers Weekly<\/em> Top 10 Book of 2017 and a finalist for the 2018 <small>PEN<\/small>\/Faulkner Award and the Pulitzer Prize. His fiction has been published by the <em>Kenyon Review<\/em>, <em>Playboy<\/em>, <em>Granta<\/em>, and <em>The Paris Review<\/em>.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p><em>An excerpt from\u00a0<\/em>In the Distance<em>:<\/em><\/p>\n<p>He was overwhelmed by an active, all-consuming hollowness\u2014a corrosive shadow wiping out the world in its progress, a stillness that had nothing to do with peace, a voracious silence craving total desolation, an infectious nothingness colonizing everything. All that remained in its soundless, barren wake was an almost undetectable vibration. But in the absence of everything else, this faint drone was unbearable. H\u00e5kan had neither the will to make it stop (a simple task carried out with some sense of purpose, like keeping his course or cooking a meal, would probably have been enough) nor the strength to endure it. With the last dregs of consciousness he was able to scrape up, he managed to find a more or less hospitable spot with some water in it, surrounded by decent pasture fields. He tied the horse and the burro with long ropes, unpacked his tin box, and, from one of the vials kept there, took a few drops of Lorimer\u2019s sedative tincture.<\/p>\n<p>For a few moments\u2014it was so fleeting\u2014he did not matter, and that did not matter. There was sky. There was a body. And a planet underneath it. And it was all lovely. And it did not matter. He had never been happy before.<\/p>\n<p>And it did not matter. <!--more--><\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>Like a sphinx, the burro was stretched out next to him. He thought it was a dream, since he had never seen the burro lying down. They looked at each other. Dawn hummed on the horizon, but how many nights had preceded this daybreak, he could not tell. His piercing sunburn reached his bones. The lines defining the things around him\u2014the bush, the beasts, his feet\u2014were brittle. His body felt tingly and hollow. He walked to the pond and drank the cloudy, creamy water. After making sure his animals had all they needed, he ate some charqui and a lump of sugar. With a blanket, the saddle, and a few bags, he built a simple shelter to block out the sun. He crawled under it and took another dose of the tincture.<\/p>\n<p>This time, he did not experience the bliss of irrelevance. He was merely snuffed out. His eyes rolled back, but he was surprised to discover they were still able to see in the dark. They looked back into his cranium, at his own brain. With the part of his perception that was not involved in the process of seeing, he understood that his brain was receiving the images of itself from the eyes attached to it. It took his brain a moment to understand how extraordinary the situation was.<\/p>\n<p>\u201cWhat brain has ever seen itself?\u201d it thought.<\/p>\n<p>It also thought that its crevices, color, and texture were unique and entirely different from other human brains it had studied in the past. For a moment, the brain found the vertigo of having its own image of itself within itself dizzying and even amusing. Then it thought that it should pay attention and learn. And with that, the brain\u2019s surface turned from gray to brown. While retaining their shape, the pearly waves became bristly knolls, and the gelatinous surface was harshened by dust and sagebrush. A gang of buffalo came out from behind the eyes and ambled through the hills.<\/p>\n<p>Now H\u00e5kan knew he was dreaming and lost interest. He sank into annihilation.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Read an excerpt from \u2018In the Distance,\u2019 by Hernan Diaz, winner of a 2019 Whiting Award for fiction.<\/p>\n","protected":false},"author":1325,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[51046],"tags":[71,30404,1253],"class_list":["post-134626","post","type-post","status-publish","format-standard","hentry","category-whiting-awards-2019","tag-fiction","tag-hernan-diaz","tag-whiting-awards"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Whiting Awards 2019: Hernan Diaz, Fiction<\/title>\n<meta name=\"description\" content=\"Read an excerpt from \u2018In the Distance,\u2019 by Hernan Diaz, winner of a 2019 Whiting Award for fiction.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Whiting Awards 2019: Hernan Diaz, Fiction\" \/>\n<meta property=\"og:description\" content=\"Read an excerpt from \u2018In the Distance,\u2019 by Hernan Diaz, winner of a 2019 Whiting Award for fiction.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-03-20T23:22:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz_facebook_1200x6273.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"627\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Hernan Diaz\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Whiting Awards 2019\" \/>\n<meta name=\"twitter:description\" content=\"Read an excerpt from \u2018In the Distance,\u2019 by Hernan Diaz, winner of a 2019 Whiting Award for fiction.\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz_twitter_440x220_103.jpg\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Hernan Diaz\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/\"},\"author\":{\"name\":\"Hernan Diaz\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/482ddac02f5eea32864d70c87d6a1458\"},\"headline\":\"Hernan Diaz, Fiction\",\"datePublished\":\"2019-03-20T23:22:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/\"},\"wordCount\":643,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz-hernan_credit-jason-fulford.jpg\",\"keywords\":[\"fiction\",\"Hernan Diaz\",\"Whiting Awards\"],\"articleSection\":[\"Whiting Awards 2019\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/\",\"name\":\"Whiting Awards 2019: Hernan Diaz, Fiction\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz-hernan_credit-jason-fulford.jpg\",\"datePublished\":\"2019-03-20T23:22:28+00:00\",\"description\":\"Read an excerpt from \u2018In the Distance,\u2019 by Hernan Diaz, winner of a 2019 Whiting Award for fiction.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz-hernan_credit-jason-fulford.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz-hernan_credit-jason-fulford.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Hernan Diaz, Fiction\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/482ddac02f5eea32864d70c87d6a1458\",\"name\":\"Hernan Diaz\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/3f282b274a86d4707a5f72df3275d37ce26fe7e2eb160a19ea1501f30b275b77?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/3f282b274a86d4707a5f72df3275d37ce26fe7e2eb160a19ea1501f30b275b77?s=96&d=mm&r=g\",\"caption\":\"Hernan Diaz\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/hdiaz\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Whiting Awards 2019: Hernan Diaz, Fiction","description":"Read an excerpt from \u2018In the Distance,\u2019 by Hernan Diaz, winner of a 2019 Whiting Award for fiction.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/","og_locale":"en_US","og_type":"article","og_title":"Whiting Awards 2019: Hernan Diaz, Fiction","og_description":"Read an excerpt from \u2018In the Distance,\u2019 by Hernan Diaz, winner of a 2019 Whiting Award for fiction.","og_url":"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2019-03-20T23:22:28+00:00","og_image":[{"width":1200,"height":627,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz_facebook_1200x6273.jpg","type":"image\/jpeg"}],"author":"Hernan Diaz","twitter_card":"summary_large_image","twitter_title":"Whiting Awards 2019","twitter_description":"Read an excerpt from \u2018In the Distance,\u2019 by Hernan Diaz, winner of a 2019 Whiting Award for fiction.","twitter_image":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz_twitter_440x220_103.jpg","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Hernan Diaz","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/"},"author":{"name":"Hernan Diaz","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/482ddac02f5eea32864d70c87d6a1458"},"headline":"Hernan Diaz, Fiction","datePublished":"2019-03-20T23:22:28+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/"},"wordCount":643,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz-hernan_credit-jason-fulford.jpg","keywords":["fiction","Hernan Diaz","Whiting Awards"],"articleSection":["Whiting Awards 2019"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/","url":"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/","name":"Whiting Awards 2019: Hernan Diaz, Fiction","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz-hernan_credit-jason-fulford.jpg","datePublished":"2019-03-20T23:22:28+00:00","description":"Read an excerpt from \u2018In the Distance,\u2019 by Hernan Diaz, winner of a 2019 Whiting Award for fiction.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz-hernan_credit-jason-fulford.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/03\/diaz-hernan_credit-jason-fulford.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2019\/03\/20\/hernan-diaz-fiction\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Hernan Diaz, Fiction"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/482ddac02f5eea32864d70c87d6a1458","name":"Hernan Diaz","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/3f282b274a86d4707a5f72df3275d37ce26fe7e2eb160a19ea1501f30b275b77?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3f282b274a86d4707a5f72df3275d37ce26fe7e2eb160a19ea1501f30b275b77?s=96&d=mm&r=g","caption":"Hernan Diaz"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/hdiaz\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/134626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/1325"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=134626"}],"version-history":[{"count":5,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/134626\/revisions"}],"predecessor-version":[{"id":134774,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/134626\/revisions\/134774"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=134626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=134626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=134626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}