{"id":134370,"date":"2019-03-12T13:00:28","date_gmt":"2019-03-12T17:00:28","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=134370"},"modified":"2019-03-12T11:12:40","modified_gmt":"2019-03-12T15:12:40","slug":"redux-the-stone-revising-sea","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/03\/12\/redux-the-stone-revising-sea\/","title":{"rendered":"Redux: The Stone-Revising Sea"},"content":{"rendered":"

Every week, the editors of\u00a0<\/i>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/i><\/p>\n

\"\"<\/a>

Frank O\u2019Connor. Sketch by B. Whistler Dabney, 1957.<\/p><\/div>\n

This week, we\u2019re celebrating the writers of Ireland and the Irish diaspora, from Frank O\u2019Connor\u2019s 1957 Art of Fiction interview<\/a> to Edna O\u2019Brien\u2019s short story \u201cDramas<\/a>\u201d to Daniel Tobin\u2019s poem \u201cYeats at Balscadden<\/a>.\u201d<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe to read the entire archive<\/a>? You\u2019ll also get four new issues of the quarterly delivered straight to your door.<\/p>\n

 <\/p>\n

Frank O\u2019Connor, The Art of Fiction No. 19<\/a>
\nIssue no. 17 (Autumn\u2013Winter 1957)<\/em><\/p>\n

\n

INTERVIEWER<\/p>\n

Why do you prefer the short story for your medium?<\/p>\n

O\u2019CONNOR<\/p>\n

Because it\u2019s the nearest thing I know to lyric poetry\u2014I wrote lyric poetry for a long time, then discovered that God had not intended me to be a lyric poet, and the nearest thing to that is the short story. A novel actually requires far more logic and far more knowledge of circumstances, whereas a short story can have the sort of detachment from circumstances that lyric poetry has.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Dramas<\/a>
\nBy Edna O\u2019Brien
\nIssue no. 110 (Spring 1989)<\/em><\/p>\n

When the new shopkeeper arrived in the village he aroused great curiosity along with some scorn. He was deemed refined because his fingernails looked as if they had been varnished a tinted ivory. He had a horse, or as my father was quick to point out, a glorified pony, which he had brought from the Midlands, where he had previously worked. The pony was called Daisy, a name unheard of in our circles, for an animal. The shopkeeper wore a long black coat, a black hat, talked in a low voice, made his own jams and marmalades and could even darn and sew. All that we came to know of, in due course, but at first we only knew him as Barry.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Yeats at Balscadden<\/a>
\nBy Daniel Tobin
\nIssue no. 168 (Winter 2003)<\/em><\/p>\n

He labored above the impassable coast
\nwhere gulls hovered to their nests on rock,
\nshy youth worrying his dream-drenched songs.
\nHe wandered below the Ben of Howth,
\nhis self-conscious cloak flapping in a wind
\nthat lifted the bracken\u2019s leathery fronds
\nin twilight descending on Ireland\u2019s Eye
\nand the gaslit city he would come to hate \u2026<\/p><\/blockquote>\n

 <\/p>\n

If you like what you read,\u00a0get a year of<\/a>\u00a0<\/em>The Paris Review\u2014four new issues, plus instant access to everything we\u2019ve ever published.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

In this week\u2019s Redux, we tip our hat to Ireland by lowering the paywall on Frank O\u2019Connor\u2019s Art of Fiction interview, a short story by Edna O\u2019Brien, and a poem by Daniel Tobin.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[16304,1016,50767,50765,7345,71,30288,23580,241,1120,50768,1142,50764,504,20811,50769,112,38793,31384,10492,261,2035,25553,50766],"class_list":["post-134370","post","type-post","status-publish","format-standard","hentry","category-redux","tag-archive","tag-art-of-fiction","tag-ben-of-howth","tag-daniel-tobin","tag-edna-obrien","tag-fiction","tag-frank-oconnor","tag-horse","tag-interview","tag-ireland","tag-irelands-eye","tag-irish","tag-irish-diaspora","tag-literature","tag-lyric-poetry","tag-midlands","tag-novel","tag-paywall","tag-redux","tag-rocks","tag-short-story","tag-st-patricks-day","tag-village","tag-yeats"],"acf":[],"yoast_head":"\nRedux: The Stone-Revising Sea by The Paris Review<\/title>\n<meta name=\"description\" content=\"In this 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