{"id":133763,"date":"2019-02-19T13:00:41","date_gmt":"2019-02-19T18:00:41","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=133763"},"modified":"2019-02-19T11:29:55","modified_gmt":"2019-02-19T16:29:55","slug":"redux-miles-of-mostly-vacant-lots","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/","title":{"rendered":"Redux: Miles of Mostly Vacant Lots"},"content":{"rendered":"

Every week, the editors of\u00a0<\/i>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/i><\/p>\n

\"\"<\/a>

Toni Morrison, ca. 2008. Photograph by Angela Radulescu.<\/p><\/div>\n

This week, we\u2019re celebrating Toni Morrison\u2019s birthday with her 1993 Art of Fiction interview<\/a>, observing Presidents\u2019 Day with Philip Levine\u2019s poem \u201cA Walk with Tom Jefferson<\/a>,\u201d and delving deep into the archive to retrieve Gisela Elsner\u2019s short story \u201cA Pastoral<\/a>.\u201d<\/p>\n

If you enjoy these free interviews, stories, and poems, why not\u00a0subscribe to read the entire archive<\/a>? You\u2019ll also get four new issues of the quarterly delivered straight to your door.<\/p>\n

 <\/p>\n

Toni Morrison, The Art of Fiction No. 134<\/a>
\nIssue no. 128 (Fall 1993)<\/em><\/p>\n

I don\u2019t trust my writing that is not written, although I work very hard in subsequent revisions to remove the writerly-ness from it, to give it a combination of lyrical, standard, and colloquial language. To pull all these things together into something that I think is much more alive and representative. But I don\u2019t trust something that occurs to me and then is spoken and transferred immediately to the page.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

A Walk with Tom Jefferson<\/a>
\nBy Philip Levine
\nIssue no. 104 (Fall 1987)<\/em><\/p>\n

Between the freeway
\nand the gray conning towers
\nof the ballpark, miles
\nof mostly vacant lots, once
\na neighborhood of small
\ntwo-storey wooden houses\u2014
\ndwellings for immigrants
\nfrom Ireland, Germany,
\nPoland, West Virginia,
\nMexico, Dodge Main.
\nA little world with only
\nthree seasons, or so we said\u2014
\none to get tired, one to get
\nold, one to die \u2026<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

A Pastoral<\/a>
\nBy Gisela Elsner
\nIssue no. 34 (Spring\u2013Summer 1965)<\/em><\/p>\n

\u201cAnyone who looks,\u201d the man called out, quite out of breath, \u201chas only himself to blame! When you get down to it, you have a choice between four points of the compass, and you can always look at the sky if the view everywhere else gets on your nerves!\u201d<\/p><\/blockquote>\n

 <\/p>\n

If you like what you read,\u00a0get a year of<\/a>\u00a0<\/em>The Paris Review\u2014four new issues, plus instant access to everything we\u2019ve ever published.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

This week, we\u2019ve lowered the paywall on Toni Morrison\u2019s Art of Fiction interview, a poem by Philip Levine, and a short story by Gisela Elsner.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[49474,34476,16304,1016,4340,1881,28134,35131,10907,247,49472,13435,1120,504,24897,13106,38793,3199,12890,31384,49473,1836,2292,3829],"class_list":["post-133763","post","type-post","status-publish","format-standard","hentry","category-redux","tag-a-pastoral","tag-a-walk-with-tom-jefferson","tag-archive","tag-art-of-fiction","tag-beloved","tag-birthday","tag-compass","tag-free","tag-german-literature","tag-germany","tag-gisela-elsner","tag-immigrants","tag-ireland","tag-literature","tag-lyrical","tag-lyrics","tag-paywall","tag-philip-levine","tag-presidents-day","tag-redux","tag-song-of-solomon","tag-subscribe","tag-thomas-jefferson","tag-toni-morrison"],"acf":[],"yoast_head":"\nRedux: Miles of Mostly Vacant Lots by The Paris Review<\/title>\n<meta name=\"description\" content=\"This week, we\u2019ve lowered the paywall on Toni Morrison\u2019s Art of Fiction interview, a poem by Philip Levine, and a short story by Gisela Elsner.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redux: Miles of Mostly Vacant Lots by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"February 19, 2019 \u2013 This week, we\u2019ve lowered the paywall on Toni Morrison\u2019s Art of Fiction interview, a poem by Philip Levine, and a short story by Gisela Elsner.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-02-19T18:00:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/02\/toni-morrison.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"667\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"The Paris Review\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Paris Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/\"},\"author\":{\"name\":\"The Paris Review\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\"},\"headline\":\"Redux: Miles of Mostly Vacant Lots\",\"datePublished\":\"2019-02-19T18:00:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/\"},\"wordCount\":380,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/02\/toni-morrison.jpg\",\"keywords\":[\"A Pastoral\",\"A Walk with Tom Jefferson\",\"archive\",\"Art of Fiction\",\"Beloved\",\"birthday\",\"Compass\",\"free\",\"German Literature\",\"Germany\",\"Gisela Elsner\",\"immigrants\",\"Ireland\",\"literature\",\"lyrical\",\"lyrics\",\"paywall\",\"Philip Levine\",\"Presidents Day\",\"Redux\",\"Song of Solomon\",\"subscribe\",\"Thomas Jefferson\",\"Toni Morrison\"],\"articleSection\":[\"Redux\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/\",\"name\":\"Redux: Miles of Mostly Vacant Lots by The Paris Review\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/02\/toni-morrison.jpg\",\"datePublished\":\"2019-02-19T18:00:41+00:00\",\"description\":\"This week, we\u2019ve lowered the paywall on Toni Morrison\u2019s Art of Fiction interview, a poem by Philip Levine, and a short story by Gisela Elsner.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/02\/toni-morrison.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/02\/toni-morrison.jpg\",\"width\":1000,\"height\":667,\"caption\":\"Toni Morrison, ca. 2008. Photograph by Angela Radulescu.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Redux: Miles of Mostly Vacant Lots\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\",\"name\":\"The Paris Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"caption\":\"The Paris Review\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Redux: Miles of Mostly Vacant Lots by The Paris Review","description":"This week, we\u2019ve lowered the paywall on Toni Morrison\u2019s Art of Fiction interview, a poem by Philip Levine, and a short story by Gisela Elsner.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/","og_locale":"en_US","og_type":"article","og_title":"Redux: Miles of Mostly Vacant Lots by The Paris Review","og_description":"February 19, 2019 \u2013 This week, we\u2019ve lowered the paywall on Toni Morrison\u2019s Art of Fiction interview, a poem by Philip Levine, and a short story by Gisela Elsner.","og_url":"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2019-02-19T18:00:41+00:00","og_image":[{"width":1000,"height":667,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/02\/toni-morrison.jpg","type":"image\/jpeg"}],"author":"The Paris Review","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"The Paris Review","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/"},"author":{"name":"The Paris Review","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e"},"headline":"Redux: Miles of Mostly Vacant Lots","datePublished":"2019-02-19T18:00:41+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/"},"wordCount":380,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/02\/toni-morrison.jpg","keywords":["A Pastoral","A Walk with Tom Jefferson","archive","Art of Fiction","Beloved","birthday","Compass","free","German Literature","Germany","Gisela Elsner","immigrants","Ireland","literature","lyrical","lyrics","paywall","Philip Levine","Presidents Day","Redux","Song of Solomon","subscribe","Thomas Jefferson","Toni Morrison"],"articleSection":["Redux"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/","url":"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/","name":"Redux: Miles of Mostly Vacant Lots by The Paris Review","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/02\/toni-morrison.jpg","datePublished":"2019-02-19T18:00:41+00:00","description":"This week, we\u2019ve lowered the paywall on Toni Morrison\u2019s Art of Fiction interview, a poem by Philip Levine, and a short story by Gisela Elsner.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/02\/toni-morrison.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2019\/02\/toni-morrison.jpg","width":1000,"height":667,"caption":"Toni Morrison, ca. 2008. Photograph by Angela Radulescu."},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2019\/02\/19\/redux-miles-of-mostly-vacant-lots\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Redux: Miles of Mostly Vacant Lots"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e","name":"The Paris Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","caption":"The Paris Review"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/133763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=133763"}],"version-history":[{"count":4,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/133763\/revisions"}],"predecessor-version":[{"id":133773,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/133763\/revisions\/133773"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=133763"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=133763"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=133763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}