{"id":13176,"date":"2011-03-18T14:59:20","date_gmt":"2011-03-18T18:59:20","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=13176"},"modified":"2011-03-18T14:59:20","modified_gmt":"2011-03-18T18:59:20","slug":"staff-picks-anne-roiphe-fanny-howe-now%e2%80%99ruz","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2011\/03\/18\/staff-picks-anne-roiphe-fanny-howe-now%e2%80%99ruz\/","title":{"rendered":"Staff Picks: Anne Roiphe, Fanny Howe, Now\u2019ruz"},"content":{"rendered":"<p><div id=\"attachment_13187\" style=\"width: 290px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-13187\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/03\/roiphe_BLOG.jpg\" alt=\"\" title=\"Anne Roiphe\" width=\"280\" height=\"405\" class=\"size-full wp-image-13187\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/03\/roiphe_BLOG.jpg 280w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/03\/roiphe_BLOG-207x300.jpg 207w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><p id=\"caption-attachment-13187\" class=\"wp-caption-text\">Katie and Anne Roiphe.<\/p><\/div>Two nights ago, in one long fit of insomnia, I read Anne Roiphe\u2019s memoir of midcentury <em>Paris Review<\/em> shenanigans, <em><a href=\"http:\/\/www.amazon.com\/Art-Madness-Memoir-Without-Reason\/dp\/0385531648\/\">Art and Madness<\/a><\/em>. \u2014<strong>Lorin Stein<\/strong><\/p>\n<p>At night, I have been switching between Fanny Howe\u2019s new collection of poems, <em><a href=\"http:\/\/www.amazon.com\/Come-See-Poems-Fanny-Howe\/dp\/1555975860\">Come and See<\/a><\/em>, and David Orr\u2019s <em><a href=\"http:\/\/www.amazon.com\/Beautiful-Pointless-Guide-Modern-Poetry\/dp\/0061673455\/\">Beautiful and Pointless: A Guide to Modern Poetry<\/a><\/em>. Howe is plainspoken, serious, visionary; Orr is companionable, smart, fun. Last night I dreamed they were having a conversation, but this morning I can\u2019t remember what either one said. \u2014<strong>Robyn Creswell<\/strong><\/p>\n<p>I liked Charlotte Silver\u2019s <a href=\"http:\/\/www.nytimes.com\/2011\/03\/06\/fashion\/6Modern.html\">Modern Love essay<\/a> from a few weeks ago, about a young couple obsessed with the romantic rituals from the fifties. \u2014<strong>Thessaly La Force<\/strong><\/p>\n<p>This week is Now\u2019ruz, the Iranian New Year, and I\u2019ll be celebrating on Sunday by trying to synchronize a tricontinental diasporic Skype chat with relatives and friends. For now, the least heart-breaking way into Iranian culture is the cooking, and there\u2019s no better introduction to that than Margaret Shaida\u2019s classic, <em><a href=\"http:\/\/www.amazon.com\/Legendary-Cuisine-Persia-Margaret-Shaida\/dp\/1566564131\/\">The Legendary Cuisine of Persia<\/a><\/em>. Of course, on the day itself, I wouldn\u2019t dream of eating anything other than the customary sabzi polo mahi, but I\u2019ve always been drawn to Shaida\u2019s description of the koofteh Tabrizi, an immense meat dumpling that encases an entire stuffed chicken. Before the advent of the food processor, \u201cconsiderable strength and stamina were required to pound the ingredients together into an adhesive mixture. One lady from Tabriz told me to knead the mixture until my arms fell out.\u201d \u2014<strong>Jonathan Gharraie<\/strong><\/p>\n<p><!--more-->I don\u2019t know if it was the mid-performance cover of \u201cSweet Dreams are Made of You\u201d\u00a0or the presence of a mariachi band in a Shakespeare play, but seeing <em><a href=\"http:\/\/www.bam.org\/view.aspx?pid=2651\">The Comedy of Errors<\/a><\/em> at BAM last night was a novel experience. Antipholus of Syracuse and Antipholus of Ephesus ran around dressed in matching head-to-toe gummy purple, and the rest of the all-male cast is similarly involved in crazed antics and garish attire. I recommend it. \u2014<strong>Rosalind Parry<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Two nights ago, in one long fit of insomnia, I read Anne Roiphe\u2019s memoir of midcentury Paris Review shenanigans, Art and Madness. \u2014Lorin Stein At night, I have been switching between Fanny Howe\u2019s new collection of poems, Come and See, and David Orr\u2019s Beautiful and Pointless: A Guide to Modern Poetry. Howe is plainspoken, serious, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[438],"tags":[2009,1961,1987,2011,2012,2010,948,883,1360],"class_list":["post-13176","post","type-post","status-publish","format-standard","hentry","category-this-weeks-reading","tag-anne-roiphe","tag-brooklyn-academy-of-music","tag-david-orr","tag-fanny-howe","tag-iranian-new-year","tag-modern-love","tag-shakespeare","tag-staff-picks","tag-this-weeks-reading-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Staff Picks: Anne Roiphe, Fanny Howe, Now\u2019ruz by The Paris Review<\/title>\n<meta name=\"description\" content=\"March 18, 2011 \u2013 Two nights ago, in one long fit of insomnia, I read Anne Roiphe\u2019s 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