{"id":129737,"date":"2018-10-02T13:00:37","date_gmt":"2018-10-02T17:00:37","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=129737"},"modified":"2018-10-02T10:40:40","modified_gmt":"2018-10-02T14:40:40","slug":"redux-the-whims-of-men","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2018\/10\/02\/redux-the-whims-of-men\/","title":{"rendered":"Redux: The Whims of Men"},"content":{"rendered":"<p><em>Every week, the editors of<\/em>\u00a0The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0<a href=\"https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSfnx3y2sMXUtu-ZwAQeTN1iAYh_S21I2df71FY0mU5GxosjAw\/viewform\" target=\"_blank\" rel=\"noopener\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/interviews\/1888\/toni-morrison-the-art-of-fiction-no-134-toni-morrison\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-129741 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/10\/toni_morrison_2008-copy.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/10\/toni_morrison_2008-copy.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/10\/toni_morrison_2008-copy-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/10\/toni_morrison_2008-copy-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>This week, we bring you Toni Morrison\u2019s 1993 <a href=\"https:\/\/www.theparisreview.org\/interviews\/1888\/toni-morrison-the-art-of-fiction-no-134-toni-morrison\" target=\"_blank\" rel=\"noopener\">Writers at Work interview<\/a>, Grace Paley\u2019s short story \u201c<a href=\"https:\/\/www.theparisreview.org\/fiction\/3973\/the-little-girl-grace-paley\" target=\"_blank\" rel=\"noopener\">The Little Girl<\/a>,\u201d and Sally W. Bliumis\u2019s poem \u201c<a href=\"https:\/\/www.theparisreview.org\/poetry\/237\/in-the-womens-locker-room-sally-w-bliumis\" target=\"_blank\" rel=\"noopener\">In the Women\u2019s Locker Room<\/a>.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/interviews\/1888\/toni-morrison-the-art-of-fiction-no-134-toni-morrison\" target=\"_blank\" rel=\"noopener\">Toni Morrison, The Art of Fiction No. 134<\/a><br \/>\n<em>Issue no. 128 (Fall 1993)<\/em><\/p>\n<blockquote><p>\u00a0I only know that I will never again trust my life, my future, to the whims of men, in companies or out. Never again will their judgment have anything to do with what I think I can do. That was the wonderful liberation of being divorced and having children. I did not mind failure, ever, but I minded thinking that someone male knew better.<\/p><\/blockquote>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/10\/picasso-3518456_960_720-copy.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-129744\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/10\/picasso-3518456_960_720-copy.jpg\" alt=\"\" width=\"1000\" height=\"666\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/10\/picasso-3518456_960_720-copy.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/10\/picasso-3518456_960_720-copy-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/10\/picasso-3518456_960_720-copy-768x511.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/fiction\/3973\/the-little-girl-grace-paley\" target=\"_blank\" rel=\"noopener\">The Little Girl<\/a><br \/>\nBy Grace Paley<br \/>\n<em>Issue no. 57 (Spring 1974)<\/em><\/p>\n<blockquote><p>My old friend Charley that I\u2019ve known for 20, 25 years stopped me in the street. He said, I\u2019ve got something to tell you. Now, sit down. Right here. That was the steps of the Cafe Zipp in the middle of Macdougal Street. He put his hand on my knee. Then he said, now you listen, this is what happened.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/10\/edvard_munch_-_madonna_-_google_art_project-copy.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-129747\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/10\/edvard_munch_-_madonna_-_google_art_project-copy.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/10\/edvard_munch_-_madonna_-_google_art_project-copy.jpg 800w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/10\/edvard_munch_-_madonna_-_google_art_project-copy-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/10\/edvard_munch_-_madonna_-_google_art_project-copy-768x512.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/237\/in-the-womens-locker-room-sally-w-bliumis\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D30f237289c%26e%3D22801f508d&amp;source=gmail&amp;ust=1537798900465000&amp;usg=AFQjCNGsJ0oMy35oh-eZWrcTchI3_mpcug\">In the Women\u2019s Locker Room<\/a><br \/>\nBy Sally W. Bliumis<br \/>\n<em>Issue no. 166 (Summer 2003)<\/em><\/p>\n<blockquote><p>Over the tops of the lockers,<br \/>\nI hear a woman<\/p>\n<p>talking, talking.<br \/>\nJust the trail of her sentences,<\/p>\n<p>sentencing,<br \/>\nsentencing her listener \u2026<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><em>If you like what you read, <a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=EDTNS17&amp;type=S&amp;gift_key=TESTFXG\" target=\"_blank\" rel=\"noopener\">get a year of<\/a>\u00a0<\/em>The Paris Review<em>\u2014four new issues, plus instant access to everything we\u2019ve ever published. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Every week, editors of \u2018The Paris Review\u2019 lift the paywall on a selection of pieces from our archive. This week, we\u2019re giving you free access to work by Toni Morrison, Grace Paley, and Sally W. Bliumis.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[1016,71,35131,3461,241,165,31384,38104,3829,10113],"class_list":["post-129737","post","type-post","status-publish","format-standard","hentry","category-redux","tag-art-of-fiction","tag-fiction","tag-free","tag-grace-paley","tag-interview","tag-poetry","tag-redux","tag-sally-w-bliumis","tag-toni-morrison","tag-writers-at-work"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Redux: The Whims of Men by The Paris Review<\/title>\n<meta name=\"description\" content=\"Every week, editors of \u2018The Paris Review\u2019 lift the paywall on a selection of pieces from our archive. 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