{"id":12592,"date":"2011-03-09T12:17:23","date_gmt":"2011-03-09T17:17:23","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=12592"},"modified":"2011-03-11T00:55:30","modified_gmt":"2011-03-11T05:55:30","slug":"a-week-in-culture-daniel-okrent-writer-and-editor","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/","title":{"rendered":"A Week in Culture: Daniel Okrent, Writer and Editor"},"content":{"rendered":"

\"\"DAY ONE<\/h3>\n

In just three weeks, I\u2019ve discovered the best way to ruin Sunday morning coffee is to read the New York Times Book Review<\/em>\u2014not because I don\u2019t like the reviews, or the reviewers, or the choice of books (although I could, on any given Sunday, kvetch about each of those). My problem is the continuing metastasis of the best-seller lists\u2014hardcover, mass paperback, trade paperback, kids books, advice, et cetera, now joined by e-books as a separate category. Where once the lists took up a single page of the Book Review<\/em>, they now spill over page after page, every inch they consume necessarily taking away space that could be devoted to … reviews. Maybe the proliferation of lists is an act of spite directed at publishers who have cut their advertising budgets so radically that the accompanying editorial space is already disappearing.<\/p>\n

\"\"My wife and I went downtown to the Mesa Grill, where I hadn\u2019t been for fifteen years, to meet friends for lunch before a matinee performance of Three Sisters<\/a><\/em> at the Classic Stage Company. Mesa is about as authentically Mexican as this production was authentically Chekhovian\u2014which is to say, not nearly enough. Some excellent actors (especially Juliet Rylance, as Irina) nonetheless managed to triumph over a peculiar, modernizing translation that placed contemporary idioms into the mouths of turn-of-the-last-century characters. If you\u2019re going to use modern speech rhythms and colloquialisms\u2014which is certainly a plausible, if peculiar, option\u2014then why put all the characters in nineteenth-century clothing, in a nineteenth-century house? Still, it was well-acted Chekhov, and that\u2019s good enough for me.<\/p>\n

\"\"Dinner afterward in Brooklyn, at the home of poet Vijay Seshadri<\/a> and his wife, Suzanne. Vijay is a spectacular talker, able to bounce from the most recondite literary subjects to Eastern theology to pot-roast recipes without pausing for a comma. The pot roast was damn good, too. Among the other guests was Mark Strand, who is much too tall and handsome for his own good. But at least he\u2019s old.<\/p>\n

DAY TWO<\/h3>\n

Picked up Michael Steinberg\u2019s For the Love of Music<\/a><\/em>, which came in the mail from my Minneapolis pen pal, Katie McCurry. A couple of years ago, Katie sent me an incredibly nice fan e-mail about a book I\u2019d published six years earlier<\/a>, and we\u2019ve been writing to each other ever since. She\u2019s a big music fan, and Steinberg\u2014a past master of program notes for orchestras across the country\u2014was one of her heroes. I see why: The opening piece, about how he fell in love with music as a child, is especially strong. The fact that it was Disney\u2019s Fantasia<\/em> that pulled him in makes me feel less dorky for having myself been seduced by the William Tell Overture. The association I made between classical music and the Lone Ranger\u2019s gallop across the twelve-inch screen of our black-and-white Zenith was so firmly embedded in my eight-year-old skull that when my mother told me she was going to a concert featuring the Robert Shaw Chorale, I heard corral<\/em>\u2014and thought the concert would consist of an orchestra accompanying horse tricks.<\/p>\n

\"\"This week\u2019s subway reading is The Death Instinct<\/a><\/em>, by Jed Rubenfeld. Rubenfeld is better known as a Yale law professor than as a novelist, and of late even better known as the husband of Tiger Mom Amy Chua<\/a>. I picked the book up because of the incredible review in the daily New York Times<\/em> (\u201cTremendous follow-up to his 2006 novel, Interpretation of Murder<\/em> … This novel is great\u201d). I may put it down if I encounter another egregious clam like this one, on page twelve: \u201cTo their right rose up incomprehensibly tall skyscrapers. To their left, the Brooklyn Bridge soared over the Hudson.\u201d Astonishing.<\/p>\n

DAY THREE<\/h3>\n

\"\"Typing typing typing. I\u2019m struggling with a piece I\u2019m writing for an anthology about the Yankees (struggling, probably, because I hate the Yankees), and I\u2019m in ecstasy notating a script for an off-Broadway show I\u2019m coproducing. (If my partners allow it, I\u2019ll even mention what it is in a future culture diary installment.) Ecstasy is enhanced by the feed from my favorite new Web site, calmradio.com. I mostly listen to the \u201cJust Jazz\u201d channel, which would more appropriately be called the American Songbook channel: the last three cuts were Sinatra, Rosie Clooney, and Ray Charles. Excellent accompaniment when you\u2019re writing something that isn\u2019t coming at all, or when something is coming with glorious ease.<\/p>\n

Daniel Okrent is the author of, most recently, <\/em>Last Call: The Rise and Fall of Prohibition<\/a>. Check back tomorrow for the second installment<\/a> of his culture diary. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

DAY ONE In just three weeks, I\u2019ve discovered the best way to ruin Sunday morning coffee is to read the New York Times Book Review\u2014not because I don\u2019t like the reviews, or the reviewers, or the choice of books (although I could, on any given Sunday, kvetch about each of those). My problem is the […]<\/p>\n","protected":false},"author":130,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[23],"tags":[1617,1950,1953,125,1951,1952,282],"class_list":["post-12592","post","type-post","status-publish","format-standard","hentry","category-the-culture-diaries","tag-culture-diary","tag-dan-okrent","tag-last-call-the-rise-and-fall-of-prohibition","tag-new-york-city","tag-public-editor","tag-rotisserie-league-baseball","tag-the-new-york-times"],"acf":[],"yoast_head":"\nA Week in Culture: Daniel Okrent, Writer and Editor by Daniel Okrent<\/title>\n<meta name=\"description\" content=\"March 9, 2011 \u2013 DAY ONE In just three weeks, I\u2019ve discovered the best way to ruin Sunday morning coffee is to read the New York Times Book Review\u2014not because I don\u2019t like\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Week in Culture: Daniel Okrent, Writer and Editor by Daniel Okrent\" \/>\n<meta property=\"og:description\" content=\"March 9, 2011 \u2013 DAY ONE In just three weeks, I\u2019ve discovered the best way to ruin Sunday morning coffee is to read the New York Times Book Review\u2014not because I don\u2019t like\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2011-03-09T17:17:23+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2011-03-11T05:55:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Daniel Okrent\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Daniel Okrent\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/\"},\"author\":{\"name\":\"Daniel Okrent\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/5e81255d163bf1928b4b05f9ee7cfb01\"},\"headline\":\"A Week in Culture: Daniel Okrent, Writer and Editor\",\"datePublished\":\"2011-03-09T17:17:23+00:00\",\"dateModified\":\"2011-03-11T05:55:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/\"},\"wordCount\":792,\"commentCount\":1,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/03\/DanOkrent_BLOG.jpg\",\"keywords\":[\"culture diary\",\"Dan Okrent\",\"Last Call: The Rise and Fall of Prohibition\",\"New York City\",\"public editor\",\"Rotisserie League Baseball\",\"The New York Times\"],\"articleSection\":[\"The Culture Diaries\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/\",\"name\":\"A Week in Culture: Daniel Okrent, Writer and Editor by Daniel Okrent\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/03\/DanOkrent_BLOG.jpg\",\"datePublished\":\"2011-03-09T17:17:23+00:00\",\"dateModified\":\"2011-03-11T05:55:30+00:00\",\"description\":\"March 9, 2011 \u2013 DAY ONE In just three weeks, I\u2019ve discovered the best way to ruin Sunday morning coffee is to read the New York Times Book Review\u2014not because I don\u2019t like\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/#primaryimage\",\"url\":\"\",\"contentUrl\":\"\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"A Week in Culture: Daniel Okrent, Writer and Editor\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/5e81255d163bf1928b4b05f9ee7cfb01\",\"name\":\"Daniel Okrent\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/eef3327cb3ba94cb374fca196b2028938563c58d758e7c823101097d59f2bfe7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/eef3327cb3ba94cb374fca196b2028938563c58d758e7c823101097d59f2bfe7?s=96&d=mm&r=g\",\"caption\":\"Daniel Okrent\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dokrent\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"A Week in Culture: Daniel Okrent, Writer and Editor by Daniel Okrent","description":"March 9, 2011 \u2013 DAY ONE In just three weeks, I\u2019ve discovered the best way to ruin Sunday morning coffee is to read the New York Times Book Review\u2014not because I don\u2019t like","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/","og_locale":"en_US","og_type":"article","og_title":"A Week in Culture: Daniel Okrent, Writer and Editor by Daniel Okrent","og_description":"March 9, 2011 \u2013 DAY ONE In just three weeks, I\u2019ve discovered the best way to ruin Sunday morning coffee is to read the New York Times Book Review\u2014not because I don\u2019t like","og_url":"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2011-03-09T17:17:23+00:00","article_modified_time":"2011-03-11T05:55:30+00:00","og_image":[{"width":1200,"height":675,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png","type":"image\/png"}],"author":"Daniel Okrent","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Daniel Okrent","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/"},"author":{"name":"Daniel Okrent","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/5e81255d163bf1928b4b05f9ee7cfb01"},"headline":"A Week in Culture: Daniel Okrent, Writer and Editor","datePublished":"2011-03-09T17:17:23+00:00","dateModified":"2011-03-11T05:55:30+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/"},"wordCount":792,"commentCount":1,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/03\/DanOkrent_BLOG.jpg","keywords":["culture diary","Dan Okrent","Last Call: The Rise and Fall of Prohibition","New York City","public editor","Rotisserie League Baseball","The New York Times"],"articleSection":["The Culture Diaries"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/","url":"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/","name":"A Week in Culture: Daniel Okrent, Writer and Editor by Daniel Okrent","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/03\/DanOkrent_BLOG.jpg","datePublished":"2011-03-09T17:17:23+00:00","dateModified":"2011-03-11T05:55:30+00:00","description":"March 9, 2011 \u2013 DAY ONE In just three weeks, I\u2019ve discovered the best way to ruin Sunday morning coffee is to read the New York Times Book Review\u2014not because I don\u2019t like","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/#primaryimage","url":"","contentUrl":""},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2011\/03\/09\/a-week-in-culture-daniel-okrent-writer-and-editor\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"A Week in Culture: Daniel Okrent, Writer and Editor"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/5e81255d163bf1928b4b05f9ee7cfb01","name":"Daniel Okrent","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/eef3327cb3ba94cb374fca196b2028938563c58d758e7c823101097d59f2bfe7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/eef3327cb3ba94cb374fca196b2028938563c58d758e7c823101097d59f2bfe7?s=96&d=mm&r=g","caption":"Daniel Okrent"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dokrent\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/12592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/130"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=12592"}],"version-history":[{"count":25,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/12592\/revisions"}],"predecessor-version":[{"id":12696,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/12592\/revisions\/12696"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=12592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=12592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=12592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}