{"id":124557,"date":"2018-04-24T13:00:26","date_gmt":"2018-04-24T17:00:26","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=124557"},"modified":"2018-04-24T14:25:57","modified_gmt":"2018-04-24T18:25:57","slug":"redux-excessive-doom-scenarios","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2018\/04\/24\/redux-excessive-doom-scenarios\/","title":{"rendered":"Redux: Excessive Doom Scenarios"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Sunday was Earth Day, but before you head outside to explore the wonders of nature, linger a moment with\u00a0The Paris Review.<\/em><\/p>\n

This week, we bring you\u00a0Gary Snyder\u2019s\u00a0Art of Poetry interview<\/a>, in which he urges us to love the world;\u00a0Roger Salloch\u2019s story \u201cRomantic Landscape<\/a>\u201d; and Mark Strand\u2019s poem \u201cAfter Our Planet<\/a>.\u201d<\/p>\n

Gary Snyder, The Art of Poetry No. 74<\/a>
\nIssue no. 141 (Winter 1996)<\/a> \u00a0\u00a0<\/em><\/p>\n

I feel that the condition of our social and ecological life is so serious that we\u2019d better have a sense of humor. That it\u2019s too serious just to be angry and despairing. Also, frankly, the environmental movement in the last twenty years has never done well when it threw out excessive doom scenarios. Doom scenarios, even though they might be true, are not politically or psychologically effective. The first step, I think, and that\u2019s why it\u2019s in my poetry, is to make us love the world rather than to make us fear for the end of the world. Make us love the world, which means the nonhuman as well as the human, and then begin to take better care of it.<\/p><\/blockquote>\n

<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Romantic Landscape<\/a>
\nBy Roger Salloch
\nIssue no. 87 (Spring 1983)<\/a>\u00a0 \u00a0 \u00a0\u00a0<\/em><\/p>\n

The Sky Trail was steep and it was too late to walk two hours down Bear Valley to the coast. By taking the Limantour Road, Walter could get his mother to the top of the ridge, then walk with her through the huckleberry thickets and the Douglas firs. It was an easy path. It would take twenty minutes. They could get to the meadow and back before the sun went down.<\/p>\n

Do you come here often? Walter\u2019s mother wanted to know. Yes, Walter said, parking the car, I come here often, whenever I want to be alone.<\/p><\/blockquote>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

After Our Planet<\/a>
\nBy Mark Strand<\/a>
\nIssue no. 125 (Winter 1992)<\/a>\u00a0 \u00a0\u00a0<\/em><\/p>\n

I am writing from a place you have never been,
\nWhere the trains don\u2019t run, and planes
\nDon\u2019t land, a place to the west,<\/p>\n

Where heavy hedges of snow surround each house,
\nWhere the wind screams at the moon\u2019s blank face,
\nWhere the people are plain, and fashions,<\/p>\n

If they come, come late and are seen
\nAs forms of oppression, sources of sorrow.
\nThis is a place that sparkles a bit at\u00a07 P.M.<\/small>,<\/p>\n

Then goes out, and slides into the funeral home
\nOf the stars, and everyone dreams of floating
\nLike angels in sweet-smelling habits,<\/p>\n

Of being released from sundry services
\nInto the round of pleasures there for the asking\u2014
\nDays like pages torn from a family album,<\/p>\n

Endless reunions, the heavenly choir at the barbecue
\nAdjusting its tone to serve the occasion,
\nAnd everyone staring, stunned into magnitude \u2026<\/p><\/blockquote>\n

 <\/p>\n

If you like what you read,\u00a0get a year of<\/a>\u00a0<\/em>The Paris Review\u2014four new issues, plus instant access to everything we\u2019ve ever published.\u00a0<\/em>Order now and you\u2019ll get a copy of our new\u00a0book,\u00a0<\/em>The Writer\u2019s Chapbook<\/a>,\u00a0for only ten dollars more.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter.     Sunday was Earth Day, but before you head outside to explore the wonders of […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[33832,30435,4992,33830,33831],"class_list":["post-124557","post","type-post","status-publish","format-standard","hentry","category-redux","tag-after-our-planet","tag-gary-snyder","tag-mark-strand","tag-roger-salloch","tag-romantic-landscape"],"acf":[],"yoast_head":"\nRedux: Excessive Doom Scenarios<\/title>\n<meta name=\"description\" content=\"This week, in honor of Earth Day, we\u2019re giving you free access to an interview, story, and poem about the environment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2018\/04\/24\/redux-excessive-doom-scenarios\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redux: Excessive Doom Scenarios by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"April 24, 2018 \u2013 Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. 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