{"id":124011,"date":"2018-04-10T13:00:35","date_gmt":"2018-04-10T17:00:35","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=124011"},"modified":"2018-04-10T13:04:11","modified_gmt":"2018-04-10T17:04:11","slug":"redux-a-poem-is-a-suitcase","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2018\/04\/10\/redux-a-poem-is-a-suitcase\/","title":{"rendered":"Redux: A Poem Is a Suitcase"},"content":{"rendered":"<p>Every week, the editors of\u00a0The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0<a href=\"https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSfnx3y2sMXUtu-ZwAQeTN1iAYh_S21I2df71FY0mU5GxosjAw\/viewform\" target=\"_blank\" rel=\"noopener\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-3.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-124012 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-3.png\" alt=\"\" width=\"1000\" height=\"666\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-3.png 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-3-300x200.png 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-3-768x511.png 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/em><\/p>\n<p>&nbsp;<\/p>\n<p>It\u2019s National Poetry Month, so this week, we bring you \u2026 poetry: our 2008\u00a0<a href=\"https:\/\/www.theparisreview.org\/interviews\/5889\/kay-ryan-the-art-of-poetry-no-94-kay-ryan\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D555878b835%26e%3D22801f508d&amp;source=gmail&amp;ust=1523369292299000&amp;usg=AFQjCNF18TL6q4Z9EzBKVg6-4DIuQAscyA\">Art of Poetry<\/a>\u00a0interview with\u00a0Kay Ryan; Simon Worrall\u2019s feature on literary forgery, \u201c<a href=\"https:\/\/www.theparisreview.org\/letters-essays\/735\/emily-dickinson-goes-to-las-vegas-simon-worrall\" target=\"_blank\" rel=\"noopener\">Emily Dickinson Goes to Las Vegas<\/a>\u201d; and Caroline Knox\u2019s poem \u201c<a href=\"https:\/\/www.theparisreview.org\/poetry\/7163\/sleepers-wake-caroline-knox\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D2e760b2788%26e%3D22801f508d&amp;source=gmail&amp;ust=1523369292299000&amp;usg=AFQjCNGGQQDIC71haTmyoNLoQhrpDtQwtQ\">Sleepers Wake<\/a>.\u201d\u00a0<!--more--><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/interviews\/5889\/kay-ryan-the-art-of-poetry-no-94-kay-ryan\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3Dccdeb7411b%26e%3D22801f508d&amp;source=gmail&amp;ust=1523369292300000&amp;usg=AFQjCNH4iSJ_YZOyrkZ_x79RpfQXtaUrTA\">Kay Ryan, The Art of Poetry No. 94<\/a><br \/>\n<em><a href=\"https:\/\/store.theparisreview.org\/collections\/back-issues\/products\/the-paris-review-no-187\" target=\"_blank\" rel=\"noopener\">Issue no. 187 (Winter 2008)<\/a><\/em><\/p>\n<blockquote>\n<p style=\"text-align: center;\">INTERVIEWER<\/p>\n<p>What did you mean when you said that a poem should act like an empty suitcase?<\/p>\n<p style=\"text-align: center;\">KAY RYAN<\/p>\n<p>It\u2019s a clown suitcase: the clown flips open the suitcase and pulls out a ton of stuff. A poem is an empty suitcase that you can never quit emptying.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/letters-essays\/735\/emily-dickinson-goes-to-las-vegas-simon-worrall\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-124013 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-1-1.png\" alt=\"\" width=\"1000\" height=\"695\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-1-1.png 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-1-1-300x209.png 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-1-1-768x534.png 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/letters-essays\/735\/emily-dickinson-goes-to-las-vegas-simon-worrall\" target=\"_blank\" rel=\"noopener\">Emily Dickinson Goes to Las Vegas<\/a><br \/>\nBy Simon Worrall<br \/>\n<em><a href=\"https:\/\/store.theparisreview.org\/collections\/back-issues\/products\/the-paris-review-no-154\" target=\"_blank\" rel=\"noopener\">Issue no. 154 (Spring 2000)<\/a>\u00a0 \u00a0 \u00a0<\/em><\/p>\n<blockquote><p>On May 31, 1997, Daniel Lombardo drove from his home, in West Hampton, Massachusetts\u2014a small hill town above the Connecticut River\u2014to the Jones Library, in Amherst, where he has worked as the curator of special collections since 1983. The Jones Library has a privately endowed collection of local historical and literary documents, and Lombardo has devoted much of his professional life to Amherst\u2019s most famous resident, Emily Dickinson. He is the author of a recent study, \u201cA Hedge Away: The Other Side of Emily Dickinson\u2019s Amherst.\u201d He is also a member of the Emily Dickinson International Society, and he was on his way to its annual meeting, with an announcement to make.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-2-1.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-124014 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-2-1.png\" alt=\"\" width=\"1000\" height=\"665\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-2-1.png 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-2-1-300x200.png 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-2-1-768x511.png 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/7163\/sleepers-wake-caroline-knox\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D9559f2190b%26e%3D22801f508d&amp;source=gmail&amp;ust=1523369292300000&amp;usg=AFQjCNG1_x3LF_AAXJqCp-0n0-CZm-vYxA\">Sleepers Wake<\/a><br \/>\nBy Caroline Knox<br \/>\n<em><em><a href=\"https:\/\/store.theparisreview.org\/collections\/back-issues\/products\/the-paris-review-no-125\" target=\"_blank\" rel=\"noopener\">Issue no. 125 (Winter 1992)<\/a><\/em><\/em><\/p>\n<blockquote><p>Karen made a poem<br \/>\nwalking to rehearsal<br \/>\nabout children making angels<br \/>\nseeing angels in the chimney flames<br \/>\nKaren is the tall one<br \/>\nwith braids down her back<br \/>\nShe\u2019s old enough to be<br \/>\nlike a lady and have the braids<br \/>\non her head like a princess\u00a0\u2026<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><em>If you like what you read,\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=EDTNS17&amp;type=S&amp;gift_key=TESTFXG\" target=\"_blank\" rel=\"noopener\">get a year of<\/a>\u00a0<\/em>The Paris Review<em>\u2014four new issues, plus instant access to everything we\u2019ve ever published.\u00a0<\/em><em>Order now and you\u2019ll get a copy of our new\u00a0book,\u00a0<\/em><a href=\"https:\/\/goo.gl\/SFUpVD\" target=\"_blank\" rel=\"noopener\">The Writer\u2019s Chapbook<\/a>,\u00a0<em>for only ten dollars more.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter. &nbsp; &nbsp; It\u2019s National Poetry Month, so this week, we bring you \u2026 poetry: our 2008\u00a0Art [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[33664,2056,1971,33675,33661,33663,33676,33665],"class_list":["post-124011","post","type-post","status-publish","format-standard","hentry","category-redux","tag-caroline-knox","tag-emily-dickinson","tag-kay-ryan","tag-literary-forgery","tag-national-poetry-month","tag-poet-and-philosopher","tag-simon-worrall","tag-sleepers-wake"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Redux: A Poem Is a Suitcase<\/title>\n<meta name=\"description\" content=\"This week, in honor of National Poetry Month, we\u2019re giving you free access to \u2026 poetry.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2018\/04\/10\/redux-a-poem-is-a-suitcase\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redux: A Poem Is a Suitcase by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"April 10, 2018 \u2013 Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. 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