{"id":123715,"date":"2018-04-03T13:00:31","date_gmt":"2018-04-03T17:00:31","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=123715"},"modified":"2018-04-03T13:07:00","modified_gmt":"2018-04-03T17:07:00","slug":"redux-on-rising-from-the-dead","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2018\/04\/03\/redux-on-rising-from-the-dead\/","title":{"rendered":"Redux: On Rising from the Dead"},"content":{"rendered":"<p><em>Every week, the editors of\u00a0<\/em>The Paris Review<em>\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0<a href=\"https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSfnx3y2sMXUtu-ZwAQeTN1iAYh_S21I2df71FY0mU5GxosjAw\/viewform\" target=\"_blank\" rel=\"noopener\">signing up for the Redux newsletter<\/a>.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-123716\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed.png\" alt=\"\" width=\"1000\" height=\"800\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed.png 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-300x240.png 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-768x614.png 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>This week, we bring we bring you Blaise Cendrars\u2019s\u00a0<a href=\"https:\/\/www.theparisreview.org\/interviews\/4388\/blaise-cendrars-the-art-of-fiction-no-38-blaise-cendrars\" target=\"_blank\" rel=\"noopener\">Art of Fiction<\/a>\u00a0interview, in which he remembers the Easter Sunday he wrote\u00a0<em>Les P\u00e2ques \u00e0 New-York<\/em>, one of the founding texts of modern poetry;\u00a0Leonard Gardner\u2019s story of summer\u2019s promise, \u201c<a href=\"https:\/\/www.theparisreview.org\/fiction\/4428\/christ-has-returned-to-earth-and-preaches-here-nightly-leonard-gardner\" target=\"_blank\" rel=\"noopener\">Christ Has Returned to Earth and Preaches Here Nightly<\/a>\u201d; and\u00a0Carolyn Kizer\u2019s poem \u201c<a href=\"https:\/\/www.theparisreview.org\/poetry\/4731\/on-rising-from-the-dead-carolyn-kizer\" target=\"_blank\" rel=\"noopener\">On Rising from the Dead<\/a>.\u201d\u00a0<!--more--><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/interviews\/4388\/blaise-cendrars-the-art-of-fiction-no-38-blaise-cendrars\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3De16dd75a56%26e%3D22801f508d&amp;source=gmail&amp;ust=1522764013382000&amp;usg=AFQjCNEjMpdxsai1Wewt9WRuA0o-8Ni8tw\">Blaise Cendrars, The Art of Fiction No. 38<\/a><br \/>\n<a href=\"https:\/\/store.theparisreview.org\/collections\/back-issues\/products\/the-paris-review-no-37\" target=\"_blank\" rel=\"noopener\"><em>Issue no. 37 (Spring 1966)<\/em><\/a><\/p>\n<blockquote><p>Easter Sunday the library was closed. In the evening I entered a Presbyterian church which was giving an oratorio, Haydn\u2019s\u00a0<em>Creation<\/em>, so said a lighted sign hung to the spire &#8230; A\u00a0wretched bishop interrupted the oratorio every five minutes to preach I-know-not-what pious sanctimony and make an appeal to the good hearts of the faithful and, when the oratorio continued, another croaker of a preacher as tiresome as the first entered the stall where I had taken a place, and tried to convert me by surreptitious exhortation.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-1.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-123719\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-1.png\" alt=\"\" width=\"1000\" height=\"594\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-1.png 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-1-300x178.png 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-1-768x456.png 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/fiction\/4428\/christ-has-returned-to-earth-and-preaches-here-nightly-leonard-gardner\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=https:\/\/theparisreview.us17.list-manage.com\/track\/click?u%3Db6c161007733f0d4c084f3fde%26id%3D97e0f69371%26e%3D22801f508d&amp;source=gmail&amp;ust=1522764013382000&amp;usg=AFQjCNGFie_LTCugdJ0IhZ4SOvy6A2NprA\">Christ Has Returned to Earth and Preaches Here Nightly<\/a><br \/>\nBy Leonard Gardner<br \/>\n<em><a href=\"https:\/\/store.theparisreview.org\/collections\/back-issues\/products\/the-paris-review-no-35\" target=\"_blank\" rel=\"noopener\">Issue no. 35 (Fall 1965)<\/a>\u00a0<\/em><\/p>\n<blockquote><p>Nearing the city limits of Stockton, Ernest and Harry encountered several homemade signs\u2014HAVE YOU BEEN CHOSEN? COULD YOU FACE JUDGMENT\u00a0<em>TODAY<\/em>?\u2014before approaching a large tent sagging next to a wrecking yard. Over the entrance of the tent a banner announced:\u00a0CHRIST HAS RETURNED TO EARTH AND PREACHES HERE NIGHTLY. Harry, a student of advertising, approved it as a good gimmick.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-2.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-123720\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-2.png\" alt=\"\" width=\"1000\" height=\"685\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-2.png 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-2-300x206.png 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/04\/unnamed-2-768x526.png 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/poetry\/4731\/on-rising-from-the-dead-carolyn-kizer\" target=\"_blank\" rel=\"noopener\">On Rising from the Dead<\/a><br \/>\nBy Carolyn Kizer<br \/>\n<em><a href=\"https:\/\/store.theparisreview.org\/collections\/back-issues\/products\/the-paris-review-no-22\" target=\"_blank\" rel=\"noopener\">Issue no. 22 (Autumn\u2013Winter 1959\u20131960)<\/a><\/em><\/p>\n<blockquote><p>Saturday\u00a0noon: the morning of the mind<br \/>\nMoves through a mist to breakfast: damp from sleep,<br \/>\nRustic and rude, the partial self comes down<br \/>\nTo face a frozen summer, self-imposed:<br \/>\nThen, as the numb shades lift, becomes aware<br \/>\nOf its other half, buried overhead,<br \/>\nA corpse in twisted sheets, a foggy portrait<br \/>\nSmudged in the bathroom mirror\u2014elegies<br \/>\nSung on the nerves of a pillow-muffled phone\u00a0\u2026<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><em>If you like what you read, why not\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=EDTNS17&amp;type=S&amp;gift_key=TESTFXG\" target=\"_blank\" rel=\"noopener\"><span class=\"s2\">become a subscriber<\/span><\/a>? You\u2019ll get instant access\u00a0to our entire sixty-five-year archive, not to mention four issues of new interviews, poetry, and fiction.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter. &nbsp; &nbsp; This week, we bring we bring you Blaise Cendrars\u2019s\u00a0Art of Fiction\u00a0interview, in which he [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[33560,8071,33562,19408,33561,33563],"class_list":["post-123715","post","type-post","status-publish","format-standard","hentry","category-redux","tag-blaise-cendrar","tag-carolyn-kizer","tag-christ-has-returned-to-earth-and-preaches-here-nightly","tag-leonard-gardner","tag-les-paques-a-new-york","tag-on-rising-from-the-dead"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Redux: On Rising from the Dead<\/title>\n<meta name=\"description\" content=\"This week, in honor of Easter, we\u2019re giving you free access to an interview, a story, and a poem on resurrection.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2018\/04\/03\/redux-on-rising-from-the-dead\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redux: On Rising from the Dead by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"April 3, 2018 \u2013 Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. 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