{"id":122542,"date":"2018-03-14T13:00:16","date_gmt":"2018-03-14T17:00:16","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=122542"},"modified":"2018-03-13T11:22:08","modified_gmt":"2018-03-13T15:22:08","slug":"where-to-score","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2018\/03\/14\/where-to-score\/","title":{"rendered":"Where to Score: Classified Ads from Haight-Ashbury"},"content":{"rendered":"<p class=\"p2\"><em><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/where-to-score-cover-blu-350.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-122561 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/where-to-score-cover-blu-350.jpg\" alt=\"\" width=\"1000\" height=\"702\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/where-to-score-cover-blu-350.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/where-to-score-cover-blu-350-300x211.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/where-to-score-cover-blu-350-768x539.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/em><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><em><span class=\"s1\">From\u00a0September 1966 to February 1969, the <\/span><\/em><span class=\"s1\">Oracle of the City San Francisco<\/span><em><span class=\"s1\">\u2014better known as the <\/span><\/em><span class=\"s1\">San Francisco Oracle<\/span><em><span class=\"s1\">\u2014published twelve\u00a0issues of poetry, mysticism, and psychedelic art. Produced in Haight-Ashbury, with contributions by Bruce Conner, Rick Griffin, and Allen Ginsberg, among others, the underground newspaper became exceedingly popular among counterculture communities. Its back-of-the-book classified section was full of sexual propositions and pleas. But it was also populated by ads from parents who begged, longingly, that their kids come home, or at least pick up the phone. In <\/span><\/em><a href=\"http:\/\/www.jandlbooks.org\/where.html\" target=\"_blank\"><span class=\"s1\">Where to Score<\/span><\/a><em><span class=\"s1\">, a pocket-size paperback coming out later this month, Jason Fulford and Jordan Stein collect the best of these classifieds and present them anew. Here is a selection. \u00a0<\/span><\/em><!--more--><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3836-bw-lower.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-122544 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3836-bw-lower.jpeg\" alt=\"\" width=\"1000\" height=\"367\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3836-bw-lower.jpeg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3836-bw-lower-300x110.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3836-bw-lower-768x282.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3836-bw.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-122545 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3836-bw.jpeg\" alt=\"\" width=\"1000\" height=\"694\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3836-bw.jpeg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3836-bw-300x208.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3836-bw-768x533.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3840-bw.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-122546 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3840-bw.jpeg\" alt=\"\" width=\"1000\" height=\"278\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3840-bw.jpeg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3840-bw-300x83.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3840-bw-768x214.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3844-bw-lower.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-122547 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3844-bw-lower.jpeg\" alt=\"\" width=\"1000\" height=\"695\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3844-bw-lower.jpeg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3844-bw-lower-300x209.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3844-bw-lower-768x534.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3845-bw-upper.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-122548 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3845-bw-upper.jpeg\" alt=\"\" width=\"1000\" height=\"462\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3845-bw-upper.jpeg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3845-bw-upper-300x139.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3845-bw-upper-768x355.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3849-bw-upper.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-122549 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3849-bw-upper.jpeg\" alt=\"\" width=\"1000\" height=\"425\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3849-bw-upper.jpeg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3849-bw-upper-300x128.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3849-bw-upper-768x326.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3857-bw-lower.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-122550 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3857-bw-lower.jpeg\" alt=\"\" width=\"1000\" height=\"236\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3857-bw-lower.jpeg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3857-bw-lower-300x71.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3857-bw-lower-768x181.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3858-bw-yound-man.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-122551 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3858-bw-yound-man.jpeg\" alt=\"\" width=\"1000\" height=\"366\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3858-bw-yound-man.jpeg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3858-bw-yound-man-300x110.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3858-bw-yound-man-768x281.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3849-bw.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-122655 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3849-bw.jpg\" alt=\"\" width=\"1000\" height=\"330\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3849-bw.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3849-bw-300x99.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3849-bw-768x253.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3858-bw-upper.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-122656 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3858-bw-upper.jpg\" alt=\"\" width=\"1000\" height=\"273\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3858-bw-upper.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3858-bw-upper-300x82.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3858-bw-upper-768x210.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3860-bw.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-122552 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3860-bw.jpeg\" alt=\"\" width=\"1000\" height=\"418\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3860-bw.jpeg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3860-bw-300x125.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3860-bw-768x321.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3864-bw-bullfighter.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-122553 aligncenter\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3864-bw-bullfighter.jpeg\" alt=\"\" width=\"1000\" height=\"119\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3864-bw-bullfighter.jpeg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3864-bw-bullfighter-300x36.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/53a3864-bw-bullfighter-768x91.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><em>From the book\u00a0<\/em><a href=\"http:\/\/www.jandlbooks.org\/where.html\" target=\"_blank\">Where to Score<\/a><em>, edited by Jason Fulford and Jordan Stein. Copyright by San Francisco Oracle.\u00a0Published by arrangement with\u00a0<a href=\"http:\/\/www.jandlbooks.org\/\" target=\"_blank\">J &amp; L Books<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; From\u00a0September 1966 to February 1969, the Oracle of the City San Francisco\u2014better known as the San Francisco Oracle\u2014published twelve\u00a0issues of poetry, mysticism, and psychedelic art. Produced in Haight-Ashbury, with contributions by Bruce Conner, Rick Griffin, and Allen Ginsberg, among others, the underground newspaper became exceedingly popular among counterculture communities. Its back-of-the-book classified section was [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[419],"tags":[699,23284,20009,33261,22406,17581,93,18671],"class_list":["post-122542","post","type-post","status-publish","format-standard","hentry","category-arts-culture","tag-allen-ginsberg","tag-bruce-conner","tag-classifieds","tag-haight-ashbury","tag-psychedelics","tag-rick-griffin","tag-san-francisco","tag-summer-of-love"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Where to Score: Classified Ads from Haight-Ashbury<\/title>\n<meta name=\"description\" content=\"A selection from the classified section of the \u2018San Francisco Oracle\u2019 during the Summer of Love.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2018\/03\/14\/where-to-score\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Where to Score: Classified Ads from Haight-Ashbury by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"March 14, 2018 \u2013 &nbsp; From\u00a0September 1966 to February 1969, the Oracle of the City San Francisco\u2014better known as the San Francisco Oracle\u2014published twelve\u00a0issues of\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2018\/03\/14\/where-to-score\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-03-14T17:00:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/where-to-score-cover-blu-350.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"702\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"The Paris Review\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Paris Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/03\/14\/where-to-score\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/03\/14\/where-to-score\/\"},\"author\":{\"name\":\"The Paris Review\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\"},\"headline\":\"Where to Score: Classified Ads from Haight-Ashbury\",\"datePublished\":\"2018-03-14T17:00:16+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/03\/14\/where-to-score\/\"},\"wordCount\":164,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/03\/14\/where-to-score\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/03\/where-to-score-cover-blu-350.jpg\",\"keywords\":[\"Allen Ginsberg\",\"Bruce Conner\",\"classifieds\",\"Haight-Ashbury\",\"psychedelics\",\"Rick Griffin\",\"San Francisco\",\"Summer of Love\"],\"articleSection\":[\"Arts &amp; 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