{"id":121752,"date":"2018-02-20T13:00:23","date_gmt":"2018-02-20T18:00:23","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=121752"},"modified":"2018-02-20T15:32:02","modified_gmt":"2018-02-20T20:32:02","slug":"redux-hunter-s-thompson-amie-barrodale-pablo-neruda","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/","title":{"rendered":"Redux: Hunter S. Thompson, Amie Barrodale, Pablo Neruda"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

This week, we bring you our first-ever Art of Journalism interview, with Hunter S. Thompson<\/span><\/a>;\u00a0Amie Barrodale<\/span><\/a>\u2019s short story \u201cWilliam Wei\u201d; and Pablo Neruda<\/span><\/a>\u2019s poem \u201cEmerging.\u201d
\n<\/span><\/p>\n

You can listen to Barrodale\u2019s story and Neruda<\/a>\u2019s poem\u2014as well as Terry McDonell\u2019s tale about his 1984 visit, with George Plimpton, to Thompson\u2019s home in Colorado\u2014in \u201cTomorrow\u2019s Reason<\/span><\/a>,\u201d the latest episode of The Paris Review Podcast<\/em>. If you like what you hear, tell your friends!<\/span><\/p>\n

Hunter S. Thompson, The Art of Journalism No. 1<\/span>
\n<\/b><\/a><\/span>Issue no. 156 (Fall 2000)<\/span><\/em><\/p>\n

Journalism is fun because it offers immediate work. You get hired and at least you can cover the fucking City Hall.\u00a0It\u2019s exciting. It\u2019s a guaranteed chance to write. It\u2019s a natural place to take refuge in if you\u2019re not selling novels. Writing novels is a lot lonelier work.<\/span><\/p>\n

\u201cWilliam Wei,\u201d by\u00a0Amie Barrodale<\/span>
\n<\/b><\/a><\/span>Issue no. 197 (Summer 2011)\u00a0\u00a0<\/span><\/em><\/p>\n

I once brought a girl home because I liked her shoes. That was the only thing I noticed about her.<\/span><\/p>\n

\u201cEmerging,\u201d by\u00a0Pablo Neruda<\/span>
\n<\/b><\/a><\/span>Issue no. 57 (Spring 1974)<\/span><\/em><\/p>\n

A man says yes without knowing
\n<\/span>how to decide even what the question is \u2026<\/span><\/p>\n

If you like what you read, why not\u00a0become a subscriber<\/b><\/span><\/a>? You\u2019ll get instant access\u00a0to our entire sixty-four-year archive, not to mention four issues of new interviews, poetry, and fiction.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter.     This week, we bring you our first-ever Art of Journalism interview, with Hunter S. […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[1678,2563,33000,32753,32999,26228,29612,14,1292,5466,3104,2161,26526,31384,9166,33004,33001,2572,33003],"class_list":["post-121752","post","type-post","status-publish","format-standard","hentry","category-redux","tag-acid-trip","tag-amie-barrodale","tag-art-of-journalism","tag-chilean-poetry","tag-emerging","tag-fear-and-loathing-in-las-vegas","tag-fear-and-loathing-on-the-campaign-trail-72","tag-george-plimpton","tag-golf","tag-hunter-s-thompson","tag-lsd","tag-pablo-neruda","tag-podcast","tag-redux","tag-terry-mcdonell","tag-the-captains-verses","tag-tomorrows-reason","tag-william-wei","tag-you-are-having-a-good-time"],"acf":[],"yoast_head":"\nRedux: Hunter S. Thompson, Amie Barrodale, Pablo Neruda<\/title>\n<meta name=\"description\" content=\"This week, we\u2019re giving you free access to the work featured in \u201cTomorrow\u2019s Reason,\u201d the eleventh episode of our podcast.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redux: Hunter S. Thompson, Amie Barrodale, Pablo Neruda by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"February 20, 2018 \u2013 Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-02-20T18:00:23+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-02-20T20:32:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/hunter-s-thompson.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"788\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"The Paris Review\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Paris Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/\"},\"author\":{\"name\":\"The Paris Review\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\"},\"headline\":\"Redux: Hunter S. Thompson, Amie Barrodale, Pablo Neruda\",\"datePublished\":\"2018-02-20T18:00:23+00:00\",\"dateModified\":\"2018-02-20T20:32:02+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/\"},\"wordCount\":279,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/hunter-s-thompson.jpg\",\"keywords\":[\"acid trip\",\"Amie Barrodale\",\"Art of Journalism\",\"Chilean poetry\",\"Emerging\",\"Fear and Loathing in Las Vegas\",\"Fear and Loathing on the Campaign Trail \u201972\",\"George Plimpton\",\"golf\",\"Hunter S. Thompson\",\"LSD\",\"Pablo Neruda\",\"podcast\",\"Redux\",\"Terry McDonell\",\"The Captain\u2019s Verses\",\"Tomorrow's Reason\",\"William Wei\",\"You Are Having a Good Time\"],\"articleSection\":[\"Redux\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/\",\"name\":\"Redux: Hunter S. Thompson, Amie Barrodale, Pablo Neruda\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/hunter-s-thompson.jpg\",\"datePublished\":\"2018-02-20T18:00:23+00:00\",\"dateModified\":\"2018-02-20T20:32:02+00:00\",\"description\":\"This week, we\u2019re giving you free access to the work featured in \u201cTomorrow\u2019s Reason,\u201d the eleventh episode of our podcast.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/hunter-s-thompson.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/hunter-s-thompson.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Redux: Hunter S. Thompson, Amie Barrodale, Pablo Neruda\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\",\"name\":\"The Paris Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"caption\":\"The Paris Review\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Redux: Hunter S. Thompson, Amie Barrodale, Pablo Neruda","description":"This week, we\u2019re giving you free access to the work featured in \u201cTomorrow\u2019s Reason,\u201d the eleventh episode of our podcast.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/","og_locale":"en_US","og_type":"article","og_title":"Redux: Hunter S. Thompson, Amie Barrodale, Pablo Neruda by The Paris Review","og_description":"February 20, 2018 \u2013 Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can","og_url":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2018-02-20T18:00:23+00:00","article_modified_time":"2018-02-20T20:32:02+00:00","og_image":[{"width":1000,"height":788,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/hunter-s-thompson.jpg","type":"image\/jpeg"}],"author":"The Paris Review","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"The Paris Review","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/"},"author":{"name":"The Paris Review","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e"},"headline":"Redux: Hunter S. Thompson, Amie Barrodale, Pablo Neruda","datePublished":"2018-02-20T18:00:23+00:00","dateModified":"2018-02-20T20:32:02+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/"},"wordCount":279,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/hunter-s-thompson.jpg","keywords":["acid trip","Amie Barrodale","Art of Journalism","Chilean poetry","Emerging","Fear and Loathing in Las Vegas","Fear and Loathing on the Campaign Trail \u201972","George Plimpton","golf","Hunter S. Thompson","LSD","Pablo Neruda","podcast","Redux","Terry McDonell","The Captain\u2019s Verses","Tomorrow's Reason","William Wei","You Are Having a Good Time"],"articleSection":["Redux"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/","url":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/","name":"Redux: Hunter S. Thompson, Amie Barrodale, Pablo Neruda","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/hunter-s-thompson.jpg","datePublished":"2018-02-20T18:00:23+00:00","dateModified":"2018-02-20T20:32:02+00:00","description":"This week, we\u2019re giving you free access to the work featured in \u201cTomorrow\u2019s Reason,\u201d the eleventh episode of our podcast.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/hunter-s-thompson.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/hunter-s-thompson.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/20\/redux-hunter-s-thompson-amie-barrodale-pablo-neruda\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Redux: Hunter S. Thompson, Amie Barrodale, Pablo Neruda"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e","name":"The Paris Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","caption":"The Paris Review"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/121752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=121752"}],"version-history":[{"count":9,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/121752\/revisions"}],"predecessor-version":[{"id":121800,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/121752\/revisions\/121800"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=121752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=121752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=121752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}