{"id":121211,"date":"2018-02-06T13:00:22","date_gmt":"2018-02-06T18:00:22","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=121211"},"modified":"2018-02-06T13:10:00","modified_gmt":"2018-02-06T18:10:00","slug":"redux-frank-ohara-joy-williams-roberto-bolano","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/","title":{"rendered":"Redux: Frank O\u2019Hara, Joy Williams, Roberto Bola\u00f1o"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a><\/p>\n

This week, we bring you\u00a0Frank O\u2019Hara\u2019s poem \u201cA True Account of Talking to the Sun at Fire Island<\/span><\/a>,\u201d\u00a0Joy Williams<\/a>\u2019s short story \u201cMaking Friends<\/span><\/a>,\u201d and\u00a0Roberto Bola\u00f1o\u2019s poem \u201cWhen Lisa Told Me<\/span><\/a>.\u201d\u00a0<\/span><\/p>\n

You can also listen to all three in the tenth episode of our podcast, \u201cThe Occasional Dream<\/span><\/a>.\u201d Hear it on\u00a0Stitcher<\/span><\/a>,\u00a0Apple Podcasts<\/span><\/a>, Google Play<\/span><\/a>, or wherever you get your audio fix.<\/span><\/p>\n

If you subscribe to the magazine today<\/span><\/a>\u2014hallelujah!\u2014you\u2019ll not only help us support the most exciting new writers, you\u2019ll receive four issues full of interviews, poetry, and fiction delivered straight to your door.<\/span><\/p>\n

\u201cA True Account of Talking to the Sun at Fire Island,\u201d by Frank O\u2019Hara<\/span>
\n<\/a><\/b><\/span>Issue no. 45 (Winter 1968)<\/em><\/p>\n

The Sun woke me this morning loud
\n<\/span>and clear, saying \u201cHey! I\u2019ve been
\n<\/span>trying to wake you up for fifteen
\n<\/span>minutes. Don\u2019t be so rude, you are
\n<\/span>only the second poet I\u2019ve ever chosen
\n<\/span>to speak to personally
\n<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 so why
\n<\/span>aren\u2019t you more attentive? If I could
\n<\/span>burn you through the window I would
\n<\/span>to wake you up. I can\u2019t hang around
\n<\/span>Here all day\u201d \u2026<\/span><\/p>\n

\u201cMaking Friends,\u201d by\u00a0Joy Williams
\n<\/b><\/a><\/span><\/span>Issue no. 82 (Winter 1981)\u00a0\u00a0<\/span><\/em><\/p>\n

Willie and Liberty broke into a house on Crab Key and lived there for a week. Crab Key was tiny and exclusive, belonging to an association which had armed security patrol. The houses on Crab Key were owned by people so wealthy that they were hardly ever there. They were elsewhere.<\/span><\/p>\n

Liberty and Willie saw the guard daily. He was an old, lonely man, rather glossy and puffed up, his jaw puckered in and his chest puffed out like a child concentrating on making a muscle. He told Willie he had a cancer but that grapefruit was curing it. Willie and Liberty must have reminded him of people he knew, people who must have looked appropriate living in a $300,000 cypress villa on the beach. He thought they were guests of the owners.<\/span><\/p>\n

\u201cWhen Lisa Told Me,\u201d by Roberto Bola\u00f1o<\/b><\/a><\/span><\/span>
\n<\/span>Issue no. 201 (Summer 2012)<\/span><\/em><\/p>\n

When Lisa told me she\u2019d made love
\n<\/span>to someone else, in that old Tepeyac warehouse
\n<\/span>phone booth, I thought my world
\n<\/span>was over. A tall, skinny guy with
\n<\/span>long hair and a long cock who didn\u2019t wait
\n<\/span>more than one date to penetrate her deep.
\n<\/span>It\u2019s nothing serious, she said, but it\u2019s
\n<\/span>the best way to get you out of my life \u2026<\/span><\/p>\n

If you like what you read, why not\u00a0become a subscriber<\/b><\/span><\/a>? You\u2019ll get instant access\u00a0to our entire sixty-four-year archive, not to mention four issues of new interviews, poetry, and fiction.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter. This week, we bring you\u00a0Frank O\u2019Hara\u2019s poem \u201cA True Account of Talking to the Sun at […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[32827,971,7285,32828,26526,31384,24,32830,32829],"class_list":["post-121211","post","type-post","status-publish","format-standard","hentry","category-redux","tag-a-true-account-of-talking-to-the-sun-at-fire-island","tag-frank-ohara","tag-joy-williams","tag-making-friends","tag-podcast","tag-redux","tag-roberto-bolano","tag-the-occasional-dream","tag-when-lisa-told-me"],"acf":[],"yoast_head":"\nRedux: Frank O\u2019Hara, Joy Williams, Roberto Bola\u00f1o<\/title>\n<meta name=\"description\" content=\"This week, we\u2019re giving you free access to the work featured in \u201cThe Occasional Dream,\u201d the tenth episode of our podcast.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redux: Frank O\u2019Hara, Joy Williams, Roberto Bola\u00f1o by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"February 6, 2018 \u2013 Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-02-06T18:00:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-02-06T18:10:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/baba-bgcut.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"651\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"The Paris Review\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Paris Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/\"},\"author\":{\"name\":\"The Paris Review\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\"},\"headline\":\"Redux: Frank O\u2019Hara, Joy Williams, Roberto Bola\u00f1o\",\"datePublished\":\"2018-02-06T18:00:22+00:00\",\"dateModified\":\"2018-02-06T18:10:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/\"},\"wordCount\":497,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/baba-bgcut.jpg\",\"keywords\":[\"A True Account of Talking to the Sun at Fire Island\",\"Frank O'Hara\",\"Joy Williams\",\"Making Friends\",\"podcast\",\"Redux\",\"Roberto Bola\u00f1o\",\"The Occasional Dream\",\"When Lisa Told Me\"],\"articleSection\":[\"Redux\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/\",\"name\":\"Redux: Frank O\u2019Hara, Joy Williams, Roberto Bola\u00f1o\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/baba-bgcut.jpg\",\"datePublished\":\"2018-02-06T18:00:22+00:00\",\"dateModified\":\"2018-02-06T18:10:00+00:00\",\"description\":\"This week, we\u2019re giving you free access to the work featured in \u201cThe Occasional Dream,\u201d the tenth episode of our podcast.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/baba-bgcut.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/baba-bgcut.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Redux: Frank O\u2019Hara, Joy Williams, Roberto Bola\u00f1o\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\",\"name\":\"The Paris Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"caption\":\"The Paris Review\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Redux: Frank O\u2019Hara, Joy Williams, Roberto Bola\u00f1o","description":"This week, we\u2019re giving you free access to the work featured in \u201cThe Occasional Dream,\u201d the tenth episode of our podcast.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/","og_locale":"en_US","og_type":"article","og_title":"Redux: Frank O\u2019Hara, Joy Williams, Roberto Bola\u00f1o by The Paris Review","og_description":"February 6, 2018 \u2013 Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can","og_url":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2018-02-06T18:00:22+00:00","article_modified_time":"2018-02-06T18:10:00+00:00","og_image":[{"width":1000,"height":651,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/baba-bgcut.jpg","type":"image\/jpeg"}],"author":"The Paris Review","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"The Paris Review","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/"},"author":{"name":"The Paris Review","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e"},"headline":"Redux: Frank O\u2019Hara, Joy Williams, Roberto Bola\u00f1o","datePublished":"2018-02-06T18:00:22+00:00","dateModified":"2018-02-06T18:10:00+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/"},"wordCount":497,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/baba-bgcut.jpg","keywords":["A True Account of Talking to the Sun at Fire Island","Frank O'Hara","Joy Williams","Making Friends","podcast","Redux","Roberto Bola\u00f1o","The Occasional Dream","When Lisa Told Me"],"articleSection":["Redux"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/","url":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/","name":"Redux: Frank O\u2019Hara, Joy Williams, Roberto Bola\u00f1o","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/baba-bgcut.jpg","datePublished":"2018-02-06T18:00:22+00:00","dateModified":"2018-02-06T18:10:00+00:00","description":"This week, we\u2019re giving you free access to the work featured in \u201cThe Occasional Dream,\u201d the tenth episode of our podcast.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/baba-bgcut.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/02\/baba-bgcut.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2018\/02\/06\/redux-frank-ohara-joy-williams-roberto-bolano\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Redux: Frank O\u2019Hara, Joy Williams, Roberto Bola\u00f1o"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e","name":"The Paris Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","caption":"The Paris Review"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/121211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=121211"}],"version-history":[{"count":7,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/121211\/revisions"}],"predecessor-version":[{"id":121294,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/121211\/revisions\/121294"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=121211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=121211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=121211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}