{"id":119996,"date":"2018-01-09T13:00:14","date_gmt":"2018-01-09T18:00:14","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=119996"},"modified":"2018-01-09T12:51:28","modified_gmt":"2018-01-09T17:51:28","slug":"redux-amos-oz-may-swenson-gerard-kornelis-van-het-reve","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2018\/01\/09\/redux-amos-oz-may-swenson-gerard-kornelis-van-het-reve\/","title":{"rendered":"Redux: Amos Oz, May Swenson, Gerard Kornelis van het Reve"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em><\/p>\n

\"\"<\/a><\/p>\n

\n

This week, to soothe your cabin fever, we bring you\u00a0Amos Oz<\/span><\/a>\u2019s Art of Fiction interview from our Fall 1996 issue,\u00a0Gerard Kornelis van het Reve<\/span><\/a>\u2019s short story \u201cThe Winter,\u201d and May Swenson<\/span><\/a>\u2019s poem \u201cFrom a Daybook.\u201d\u00a0<\/span><\/p>\n

Amos Oz, The Art of Fiction No. 148<\/span>
\n<\/b><\/a><\/span>Issue no. 140 (Fall 1996)<\/span><\/em><\/p>\n

INTERVIEWER<\/span><\/p>\n

Does it ever snow in the desert?<\/span><\/p>\n

OZ<\/span><\/p>\n

Oh yes, every two or three years. And then you should see the expression on the faces of the camels crossing the desert! That is when I understand the real meaning of the word\u00a0bewilderment<\/em>! But even without snow, it is bitterly cold in winter, a savage place at dawn, when stormy winds seem determined to sweep away the whole town into the desert.\u00a0<\/span><\/p>\n

\u201cThe Winter,\u201d by\u00a0Gerard Kornelis van het Reve<\/span>
\n<\/b><\/a><\/span>Issue no. 14 (Autumn 1956)<\/span><\/em><\/p>\n

The winter had set in earlier than usual. It was the beginning of November and already wet snow was scudding about, driven along by a storm. Sometimes it seemed as though the wind, rising after a breathing space, would smash the row of low houses and scatter their remains.<\/span><\/p>\n

Henry stood in the narrow bay window of the front room and stared into the flying snow.<\/span><\/p>\n

\u201cI know the soft wood\u2019s growing,\u201d he said to himself. \u201cBut it has to be put where it\u2019s safe. I\u2019ll have to find a safe place and plant it there if the storms go on. Before it\u2019s too late.\u201d<\/span><\/p>\n

\u201cFrom a Daybook,\u201d by May Swenson<\/span>
\n<\/b><\/a><\/span>Issue no. 79 (Spring 1981)<\/span>\u00a0<\/span><\/em><\/p>\n

January 29th<\/span><\/span><\/p>\n

Black-white-black the flock of scaup
\n<\/span>pushing hard against whittles of the tide.
\n<\/span>Each seems to have a window in the side.
\n<\/span>Light might shine right through. The day
\n<\/span>is frozen gray, a steel engraving,
\n<\/span>the bay a pewter plate, sky icy mist.
\n<\/span>Black scaup, bluish bills poked forward,
\n<\/span>float, white middles on dark water are
\n<\/span>transparent squares of light \u2026<\/span><\/p>\n

\n

If you like what you read, why not\u00a0become a subscriber<\/b><\/span><\/a>? You\u2019ll get instant access\u00a0to our entire sixty-four-year archive, not to mention four issues of new interviews, poetry, and fiction.\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter. This week, to soothe your cabin fever, we bring you\u00a0Amos Oz\u2019s Art of Fiction interview from […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[11467,32428,32427,28584,31384,7782,32429],"class_list":["post-119996","post","type-post","status-publish","format-standard","hentry","category-redux","tag-amos-oz","tag-from-a-daybook","tag-gerard-kornelis-van-het-reve","tag-may-swenson","tag-redux","tag-the-art-of-fiction","tag-the-winter"],"acf":[],"yoast_head":"\nRedux: Amos Oz, May Swenson, Gerard Kornelis van het Reve<\/title>\n<meta name=\"description\" content=\"This week, to soothe your cabin fever, we bring you an interview with Amos Oz, fiction by Gerard Kornelis van het Reve, and poetry by May Swenson.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2018\/01\/09\/redux-amos-oz-may-swenson-gerard-kornelis-van-het-reve\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redux: Amos Oz, May Swenson, Gerard Kornelis van het Reve by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"January 9, 2018 \u2013 Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. 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