{"id":119778,"date":"2018-01-03T09:00:45","date_gmt":"2018-01-03T14:00:45","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=119778"},"modified":"2018-01-02T17:41:26","modified_gmt":"2018-01-02T22:41:26","slug":"the-fuzz","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/","title":{"rendered":"The Fuzz"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-119780\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1.jpg\" alt=\"\" width=\"994\" height=\"796\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1.jpg 994w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1-300x240.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1-768x615.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>A few words about this presentation. The verbal part had a romantic beginning. I was obsessing over the rhythms of Korney Chukovsky\u2019s poem \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=jbTXNoXEMSw&amp;t=33s\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=https:\/\/www.youtube.com\/watch?v%3DjbTXNoXEMSw%26t%3D33s&amp;source=gmail&amp;ust=1514923588138000&amp;usg=AFQjCNH93272rnyXL9jtt-QYXJVvFdhEDw\">Telephone<\/a>.\u201d Suddenly\u2014<i>very<\/i>\u00a0suddenly\u2014occurred to me the first rhymes of what I thought might be an existential masterpiece: \u201cLong time ago there was &#8230; a fuzz.\u201d Note the Russian accent. A great deal more came to me all at once. I was in the car. I felt frightened. I thought I might forget. So I uncapped a marker and wrote what I could on a box that was conveniently in the passenger seat. This is a true story. I kept writing more at stop lights, all the way to Chipotle. More came out on napkins there, but that stuff was trash and I cut it. Time I got to my office at school, I had \u201cThe Fuzz\u201d that you see below, intact. And I was in a sweat to share it with the world. Over the next few days, I developed illustrations. These had no merit, but I sent \u2019em to people anyway. People all over the world: little kids, infirm persons. Part two\u00a0of this story is where I turned to a real illustrator. I know her slightly. She is one of the good ones in Chicago. I had just read her graphic novel,\u00a0<i>Chronicles of Fortune<\/i>, in transports of delight, on an airplane. I doubted she would be able to find time to do pictures for \u201cThe Fuzz,\u201d as she was six or seven months pregnant and had plenty of other things to do, but voil\u00e0, she found the time. I should like to direct your attention to the panel where nobody knows why there was a fuzz. That image is a good meme. The whole thing is memes, all the way down. What else shall I tell you? I plan on writing another piece like \u201cThe Fuzz,\u201d called \u201cThe Slime\u201d (\u201cOnce upon a time &#8230; was a slime\u201d). \u2019Til then, wishing everybody a happy 2018.<\/p>\n<p><!--more--><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/fuzznoheader.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-119783\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/fuzznoheader.jpeg\" alt=\"\" width=\"1000\" height=\"11717\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/fuzznoheader.jpeg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/fuzznoheader-768x8999.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><em>Anthony Madrid\u00a0lives in Victoria, Texas.\u00a0His second book is\u00a0<\/em><a href=\"http:\/\/www.spdbooks.org\/Products\/9780996982757\/try-never.aspx\" target=\"_blank\">Try Never<\/a><em>.\u00a0He is a correspondent for the\u00a0<\/em>Daily<em>.<\/em><\/p>\n<p><em><a href=\"http:\/\/www.cocopicard.com\" target=\"_blank\">Coco Picard<\/a> is a writer, publisher, and curator.\u00a0She is the executive director\u00a0of the<\/em>\u00a0<em>Green Lantern Press and the codirector of Sector 2337. She is the author of the<\/em><em>\u00a0graphic novel\u00a0<\/em>The Chronicles of Fortune<em>.\u00a0<\/em>TSK<em>, a novel inspired by the ghost of Joseph Beuys, is forthcoming from Gold Wake Press in 2019.\u00a0<\/em><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-119780\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1.jpg\" width=\"1\" height=\"1\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1.jpg 994w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1-150x150.jpg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1-300x240.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1-768x615.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; A few words about this presentation. The verbal part had a romantic beginning. I was obsessing over the rhythms of Korney Chukovsky\u2019s poem \u201cTelephone.\u201d Suddenly\u2014very\u00a0suddenly\u2014occurred to me the first rhymes of what I thought might be an existential masterpiece: \u201cLong time ago there was &#8230; a fuzz.\u201d Note the Russian accent. A great deal [&hellip;]<\/p>\n","protected":false},"author":1347,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[22700],"tags":[22908,32343,5869],"class_list":["post-119778","post","type-post","status-publish","format-standard","hentry","category-our-correspondents","tag-anthony-madrid","tag-coco-picard","tag-dr-seuss"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Fuzz<\/title>\n<meta name=\"description\" content=\"An illustrated children\u2019s poem\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Fuzz by Anthony Madrid and Coco Picard\" \/>\n<meta property=\"og:description\" content=\"January 3, 2018 \u2013 &nbsp; A few words about this presentation. The verbal part had a romantic beginning. I was obsessing over the rhythms of Korney Chukovsky\u2019s poem\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-01-03T14:00:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"994\" \/>\n\t<meta property=\"og:image:height\" content=\"796\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Anthony Madrid and Coco Picard\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Anthony Madrid and Coco Picard\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/\"},\"author\":{\"name\":\"Anthony Madrid and Coco Picard\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/0c80c615dbacd11f07b51219773c536d\"},\"headline\":\"The Fuzz\",\"datePublished\":\"2018-01-03T14:00:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/\"},\"wordCount\":405,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1.jpg\",\"keywords\":[\"Anthony Madrid\",\"Coco Picard\",\"Dr. Seuss\"],\"articleSection\":[\"Our Correspondents\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/\",\"name\":\"The Fuzz\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1.jpg\",\"datePublished\":\"2018-01-03T14:00:45+00:00\",\"description\":\"An illustrated children\u2019s poem\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Fuzz\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/0c80c615dbacd11f07b51219773c536d\",\"name\":\"Anthony Madrid and Coco Picard\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/4ec5d83dbf42f41251945570a6d584f3ef41bfa7644e9480616e7cd3bf36a676?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/4ec5d83dbf42f41251945570a6d584f3ef41bfa7644e9480616e7cd3bf36a676?s=96&d=mm&r=g\",\"caption\":\"Anthony Madrid and Coco Picard\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/amadridcpicard\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"The Fuzz","description":"An illustrated children\u2019s poem","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/","og_locale":"en_US","og_type":"article","og_title":"The Fuzz by Anthony Madrid and Coco Picard","og_description":"January 3, 2018 \u2013 &nbsp; A few words about this presentation. The verbal part had a romantic beginning. I was obsessing over the rhythms of Korney Chukovsky\u2019s poem","og_url":"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2018-01-03T14:00:45+00:00","og_image":[{"width":994,"height":796,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1.jpg","type":"image\/jpeg"}],"author":"Anthony Madrid and Coco Picard","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Anthony Madrid and Coco Picard","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/"},"author":{"name":"Anthony Madrid and Coco Picard","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/0c80c615dbacd11f07b51219773c536d"},"headline":"The Fuzz","datePublished":"2018-01-03T14:00:45+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/"},"wordCount":405,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1.jpg","keywords":["Anthony Madrid","Coco Picard","Dr. Seuss"],"articleSection":["Our Correspondents"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/","url":"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/","name":"The Fuzz","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1.jpg","datePublished":"2018-01-03T14:00:45+00:00","description":"An illustrated children\u2019s poem","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2018\/01\/the-fuzz_merged-strip_3-1.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2018\/01\/03\/the-fuzz\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"The Fuzz"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/0c80c615dbacd11f07b51219773c536d","name":"Anthony Madrid and Coco Picard","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/4ec5d83dbf42f41251945570a6d584f3ef41bfa7644e9480616e7cd3bf36a676?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/4ec5d83dbf42f41251945570a6d584f3ef41bfa7644e9480616e7cd3bf36a676?s=96&d=mm&r=g","caption":"Anthony Madrid and Coco Picard"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/amadridcpicard\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/119778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/1347"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=119778"}],"version-history":[{"count":7,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/119778\/revisions"}],"predecessor-version":[{"id":119830,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/119778\/revisions\/119830"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=119778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=119778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=119778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}