{"id":119769,"date":"2018-01-02T13:00:56","date_gmt":"2018-01-02T18:00:56","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=119769"},"modified":"2018-01-02T13:34:44","modified_gmt":"2018-01-02T18:34:44","slug":"redux-eudora-welty-david-sedaris-sharon-olds","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2018\/01\/02\/redux-eudora-welty-david-sedaris-sharon-olds\/","title":{"rendered":"Redux: Eudora Welty, David Sedaris, Sharon Olds"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter<\/a>.<\/em>
\n<\/em>\"\"
\n<\/a><\/p>\n

Happy New Year, and welcome to your free weekly holiday in the archives of The Paris Review<\/em>.<\/p>\n

This week, we bring you\u00a0Eudora Welty<\/b><\/span><\/a>\u2019s Art of Fiction interview from our Fall 1972 issue; David Sedaris<\/b><\/span><\/a>\u2019s essay \u201cLetter from Emerald Isle,\u201d and Sharon Olds<\/b><\/span><\/a>\u2019s poem \u201cThe Beetle.\u201d<\/span><\/p>\n

And why not ring in the New Year by\u00a0listening to all three in the sixth episode of our podcast, \u201cThe Beetle and the Butterfly<\/b><\/span><\/a>.\u201d\u00a0<\/span><\/p>\n

Eudora Welty, The Art of Fiction No. 47<\/span>
\n<\/b><\/a><\/span>Issue no. 55 (Fall 1972)<\/span><\/em><\/p>\n

My father\u2019s father owned a farm in southern Ohio, and my mother\u2019s father was a country lawyer and farmer in West Virginia, and both my mother\u2019s parents came from Virginia families made up mostly of teachers and preachers. Some of these wrote for newspapers or kept journals, though none wrote fiction. But the family influence I felt came from the important fact that they all loved to read and that I was brought up with books. Yet my parents would have been the people they were, people of character, no matter where they were from, and I would have been their child wherever I was born. I\u2019m a native Southerner, but as a writer I think background matters most in how well it teaches you to look around and see clearly what\u2019s there and in how deeply it nourishes your imagination.<\/span><\/p>\n

\u201cLetter from Emerald Isle,\u201d by\u00a0David Sedaris<\/span>
\n<\/b><\/a><\/span>Issue no. 222 (Fall 2017)<\/span><\/em><\/p>\n

Our house on Emerald Isle, The Sea Section, is divided down the middle, and has an\u00a0E\u00a0beside one front\u00a0door\u00a0and a\u00a0W\u00a0beside the\u00a0other.\u00a0The east side is ruled by Hugh, and the bedroom we share is on the top\u00a0floor.\u00a0It opens onto a deck that overlooks the ocean and is next to\u00a0Amy\u2019s\u00a0room, which is the same size as ours\u00a0but is shaped differently. Unlike Lisa and Paul, who are on the\u00a0west\u00a0side of the house and could probably sleep on burlap without noticing it, Amy likes nice\u00a0sheets.<\/span><\/p>\n

\u201cThe Beetle,\u201d by Sharon Olds<\/span>
\n<\/b><\/a><\/span>Issue no. 101 (Winter 1986)<\/span><\/em><\/p>\n

When I go to the bathroom I see a beetle in the tub,
\n<\/span>black, with a band of stone color
\n<\/span>around the center, granite with a trace of
\n<\/span>lichen on it, luminous on a damp day,
\n<\/span>and I wonder if it’s a death-watch beetle,
\n<\/span>and I think of your death,
\n<\/span>I wonder if the cancer will take
\n<\/span>a long time or a short time
\n<\/span>and I wonder if death-watch beetles are the beetles
\n<\/span>that eat the dead. I think of you buried,
\n<\/span>I think of the beetles that will eat your body, I would like to be one of them \u2026<\/span><\/p>\n

If you like what you read, why not\u00a0become a subscriber<\/b><\/span><\/a>? You\u2019ll get instant access\u00a0to our entire sixty-four-year archive, not to mention four issues of new interviews, poetry, and fiction.\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter. Happy New Year, and welcome to your free weekly holiday in the archives of The Paris […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[5194,3339,32340,26526,31384,3681,32341,32342],"class_list":["post-119769","post","type-post","status-publish","format-standard","hentry","category-redux","tag-david-sedaris","tag-eudora-welty","tag-letter-from-emerald-isle","tag-podcast","tag-redux","tag-sharon-olds","tag-the-beetle","tag-the-beetle-and-the-butterfly"],"acf":[],"yoast_head":"\nRedux: Eudora Welty, David Sedaris, Sharon Olds<\/title>\n<meta name=\"description\" content=\"This week, we\u2019re giving you free access to the work featured in \u201cThe Beetle and the Butterfly,\u201d the sixth episode of our new podcast.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2018\/01\/02\/redux-eudora-welty-david-sedaris-sharon-olds\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redux: Eudora Welty, David Sedaris, Sharon Olds by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"January 2, 2018 \u2013 Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. 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