{"id":119476,"date":"2017-12-19T13:00:29","date_gmt":"2017-12-19T18:00:29","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=119476"},"modified":"2017-12-19T10:17:21","modified_gmt":"2017-12-19T15:17:21","slug":"redux-lucia-berlin-eileen-myles-caleb-crain","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/","title":{"rendered":"Redux: Lucia Berlin, Eileen Myles, Caleb Crain"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter<\/a>. \u00a0<\/em><\/p>\n

\"\"<\/a><\/p>\n

This week, we bring you Lucia Berlin<\/b><\/span><\/a>\u2019s short story \u201cB.F. and Me,\u201d Eileen Myles<\/b><\/span><\/a>\u2019s poem \u201cSweet Heart,\u201d and Caleb Crain<\/b><\/span><\/a>\u2019s story \u201cEnvoy.\u201d<\/span><\/p>\n

If you like what you read, you can also listen to all three in the fifth episode of our podcast, \u201cTo See You Again<\/b><\/span><\/a>\u201d; and if you like what you hear, why not give us a boost in the charts and\u00a0subscribe in iTunes<\/b><\/span><\/a><\/b>. While you\u2019re there, tell us how much you love the show in the comments.<\/span><\/p>\n

\u201cB.F. and Me,\u201d by\u00a0Lucia Berlin<\/span>
\n<\/b><\/a><\/span>Issue no. 213 (Summer 2015)<\/span><\/em><\/p>\n

I liked him right away, just talking to him on the phone. Raspy, easygoing voice with a smile and sex in it, you know what I mean. How is it that we read people by their voices anyway? The phone-company information lady is officious and patronizing and she isn\u2019t even a real person. And the guy at the cable company who says our business means a lot to them and they want to please us, you can hear the sneer in his tone.<\/span><\/p>\n

\u201cSweet Heart,\u201d by Eileen Myles<\/span>
\n<\/b><\/a><\/span>Issue no. 221 (Summer 2017)<\/em>
\n<\/span>
\n<\/span>Fresca\u2019s got a new look<\/span>
\n<\/span>but I\u2019m not drinking<\/span>
\n<\/span>that. My coke<\/span>
\n<\/span>struck the ice<\/span>
\n<\/span>and the ice<\/span>
\n<\/span>cube cracked.<\/span>
\n<\/span>I\u2019m sitting by the little<\/span>
\n<\/span>Buddha<\/span>
\n<\/span>who is sitting in\u00a0<\/span>
\n<\/span>my yard. I imagine<\/span>
\n<\/span>you walking in<\/span>
\n<\/span>gasping at the\u00a0<\/span>
\n<\/span>same couch<\/span>
\n<\/span>the same bed<\/span>
\n<\/span>it\u2019s almost\u00a0<\/span>
\n<\/span>the same<\/span>
\n<\/span>town but this is<\/span>
\n<\/span>what I meant<\/span>
\n<\/span>and there\u2019s<\/span>
\n<\/span>so much pleasure,<\/span>
\n<\/span>difference in<\/span>
\n<\/span>this, that \u2026<\/span><\/p>\n

\u201cEnvoy,\u201d by\u00a0Caleb Crain<\/span><\/strong>
\n<\/b><\/a><\/span>Issue no. 221 (Summer 2017)<\/span><\/em><\/p>\n

As soon as I said I was thirty, I wondered why I had said it. \u201cThirty,\u201d said the woman I was talking to, who had a tousled gamine haircut, dyed white as only a very young woman will risk.<\/span><\/p>\n

\u201cI\u2019m not thirty, I\u2019m fifty,\u201d I confessed. \u201cI don\u2019t know why I said thirty.\u201d<\/span><\/p>\n

\u201cYou can\u2019t be fifty, either,\u201d the woman said.<\/span><\/p>\n

In fact, I wasn\u2019t, but it seemed right to exaggerate slightly in the other direction now. How old was she? I studied the corners of her eyes. At one \u00admoment they were wizened and at another they were fresh, and it occurred to me that she might be of no age because she was the angel of death, who would have to come for me at some point.<\/span><\/p>\n

 <\/p>\n

If you like what you read, why not\u00a0become a subscriber<\/b><\/span><\/a>? You\u2019ll get instant access\u00a0to our entire sixty-four-year archive, not to mention four issues of new interviews, poetry, and fiction.\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter. \u00a0 This week, we bring you Lucia Berlin\u2019s short story \u201cB.F. and Me,\u201d Eileen Myles\u2019s poem […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[19182,953,5365,32229,18318,26526,31384,32228,32230,24116],"class_list":["post-119476","post","type-post","status-publish","format-standard","hentry","category-redux","tag-b-f-and-me","tag-caleb-crain","tag-eileen-myles","tag-envoy","tag-lucia-berlin","tag-podcast","tag-redux","tag-sweet-heart","tag-to-see-you-again","tag-women-at-work"],"acf":[],"yoast_head":"\nRedux: Lucia Berlin, Eileen Myles, Caleb Crain<\/title>\n<meta name=\"description\" content=\"This week, we\u2019re giving you free access to everything featured in \u201cTo See You Again,\u201d the fifth episode of our new podcast.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redux: Lucia Berlin, Eileen Myles, Caleb Crain by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"December 19, 2017 \u2013 Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-12-19T18:00:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/12\/12-e1513609469644.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"629\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"The Paris Review\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Paris Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/\"},\"author\":{\"name\":\"The Paris Review\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\"},\"headline\":\"Redux: Lucia Berlin, Eileen Myles, Caleb Crain\",\"datePublished\":\"2017-12-19T18:00:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/\"},\"wordCount\":483,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/12\/12-e1513609469644.jpg\",\"keywords\":[\"B.F. and Me\",\"Caleb Crain\",\"Eileen Myles\",\"Envoy\",\"Lucia Berlin\",\"podcast\",\"Redux\",\"Sweet Heart\",\"To See You Again\",\"women at work\"],\"articleSection\":[\"Redux\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/\",\"name\":\"Redux: Lucia Berlin, Eileen Myles, Caleb Crain\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/12\/12-e1513609469644.jpg\",\"datePublished\":\"2017-12-19T18:00:29+00:00\",\"description\":\"This week, we\u2019re giving you free access to everything featured in \u201cTo See You Again,\u201d the fifth episode of our new podcast.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/12\/12-e1513609469644.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/12\/12-e1513609469644.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Redux: Lucia Berlin, Eileen Myles, Caleb Crain\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\",\"name\":\"The Paris Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"caption\":\"The Paris Review\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Redux: Lucia Berlin, Eileen Myles, Caleb Crain","description":"This week, we\u2019re giving you free access to everything featured in \u201cTo See You Again,\u201d the fifth episode of our new podcast.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/","og_locale":"en_US","og_type":"article","og_title":"Redux: Lucia Berlin, Eileen Myles, Caleb Crain by The Paris Review","og_description":"December 19, 2017 \u2013 Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can","og_url":"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2017-12-19T18:00:29+00:00","og_image":[{"width":1000,"height":629,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/12\/12-e1513609469644.jpg","type":"image\/jpeg"}],"author":"The Paris Review","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"The Paris Review","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/"},"author":{"name":"The Paris Review","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e"},"headline":"Redux: Lucia Berlin, Eileen Myles, Caleb Crain","datePublished":"2017-12-19T18:00:29+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/"},"wordCount":483,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/12\/12-e1513609469644.jpg","keywords":["B.F. and Me","Caleb Crain","Eileen Myles","Envoy","Lucia Berlin","podcast","Redux","Sweet Heart","To See You Again","women at work"],"articleSection":["Redux"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/","url":"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/","name":"Redux: Lucia Berlin, Eileen Myles, Caleb Crain","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/12\/12-e1513609469644.jpg","datePublished":"2017-12-19T18:00:29+00:00","description":"This week, we\u2019re giving you free access to everything featured in \u201cTo See You Again,\u201d the fifth episode of our new podcast.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/12\/12-e1513609469644.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/12\/12-e1513609469644.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2017\/12\/19\/redux-lucia-berlin-eileen-myles-caleb-crain\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Redux: Lucia Berlin, Eileen Myles, Caleb Crain"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e","name":"The Paris Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","caption":"The Paris Review"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/119476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=119476"}],"version-history":[{"count":6,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/119476\/revisions"}],"predecessor-version":[{"id":119532,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/119476\/revisions\/119532"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=119476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=119476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=119476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}