{"id":119278,"date":"2017-12-18T11:00:25","date_gmt":"2017-12-18T16:00:25","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=119278"},"modified":"2017-12-18T12:32:30","modified_gmt":"2017-12-18T17:32:30","slug":"genuine-motherhood-manly-aphorisms-russian-revolution","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/12\/18\/genuine-motherhood-manly-aphorisms-russian-revolution\/","title":{"rendered":"Ten Aphorisms from the Russian Revolution"},"content":{"rendered":"
<\/a>

Marina Tsvetaeva<\/p><\/div>\n

 <\/p>\n

Marina Tsvetaeva is\u00a0one of Russia\u2019s most acclaimed twentieth-century poets. She was\u00a0born in Moscow, in 1892, to\u00a0a\u00a0classicist father and a pianist\u00a0mother. She published her first book of poems at\u00a0the age of seventeen. She lived through, and wrote about, the Russian Revolution and the Moscow famine that followed. In 1922, Tsvetaeva and her husband, Sergei Efron, along with two of their children, fled\u00a0Russia. They lived in increasing poverty in\u00a0Paris, Berlin, and Prague. In 1939, they returned to Moscow, and two years later, in 1941, her husband and daughter were arrested on espionage charges. Her husband was executed and her daughter imprisoned.\u00a0Tsvetaeva does not seem to have known that her husband was a spy: when the police interrogated her, she read\u00a0them French translations of her poetry and responded to their questions with such\u00a0confusion that the police concluded that she was deranged. Tsvetaeva and her son were evacuated to Yelabuga, where, in August of 1941, Tsvetaeva committed suicide.\u00a0These<\/em>\u00a0aphoristic phrases are taken from the diaries and notebooks she kept while living in Moscow between 1917 and 1922:<\/em><\/p>\n

    \n
      \n
    1. \n

      Betrayal already points to love. You can\u2019t betray an acquaintance.<\/p><\/blockquote>\n<\/li>\n

    2. \n

      You don\u2019t want people to know that you love a certain person? Then say: \u201cI adore him!\u201d But some people know what this means.<\/p><\/blockquote>\n<\/li>\n

    3. \n

      Sensual love and motherhood almost exclude each other. Genuine motherhood is manly.<\/p><\/blockquote>\n<\/li>\n

    4. \n

      I should be drinking you from a mug, but I\u2019m drinking you in drops, which make me cough.<\/p><\/blockquote>\n<\/li>\n

    5. \n

      The heart: it is a musical, rather than a physical organ.<\/p><\/blockquote>\n<\/li>\n

    6. \n

      How many motherly kisses fall on unchildlike heads\u2014and how many unmotherly ones\u2014on children\u2019s heads!<\/p><\/blockquote>\n<\/li>\n

    7. \n

      A saturated solution. Water\u00a0can\u2019t<\/em>\u00a0dissolve more. Such is the law. You are a solution saturated with me. I am not a bottomless vat.<\/p><\/blockquote>\n<\/li>\n

    8. \n

      Everything that is untold is unbroken. Thus, an unrepented murder, for instance\u2014endures.<\/em>\u00a0The same goes for love.<\/p><\/blockquote>\n<\/li>\n

    9. \n

      Kinship by blood is coarse and strong, kinship by choice\u2014is fine. And what is fine can tear.<\/p><\/blockquote>\n<\/li>\n

    10. \n

      To love\u2014is to see a person as God intended him and his parents failed to make him. To not love\u2014is to see a person as his parents made him. To fall out of love: is to see, instead of him, a table, a chair.<\/p><\/blockquote>\n<\/li>\n<\/ol>\n<\/ol>\n

       <\/p>\n

      Excerpted from <\/em>Earthly Signs: Moscow Diaries, 1917\u20131922<\/a>, by Marina Tsvetaeva, translated by Jamey Gambrell. Published with permission from\u00a0the New York Review Books Classics.\u00a0<\/em><\/p>\n

      Jamey Gambrell is a writer on Russian art and culture. Her translations include<\/em> Vladimir Sorokin\u2019s Day of the Oprichnik, <\/em>The Blizzard, and, for NYRB Classics, <\/em>Ice Trilogy.\u00a0In 2016, she was awarded the Thornton Wilder Prize for Translation.<\/em><\/p>\n

      Marina Tsvetaeva is considered one of the most renowned poets of twentieth-century Russia.\u00a0Along with numerous\u00a0verse plays and prose pieces, her works include several long poems, among them <\/em>The Poem of the End,<\/em> The Poem of the Mountain, and <\/em>The Ratcatcher.\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

        Marina Tsvetaeva is\u00a0one of Russia\u2019s most acclaimed twentieth-century poets. She was\u00a0born in Moscow, in 1892, to\u00a0a\u00a0classicist father and a pianist\u00a0mother. She published her first book of poems at\u00a0the age of seventeen. She lived through, and wrote about, the Russian Revolution and the Moscow famine that followed. In 1922, Tsvetaeva and her husband, Sergei Efron, […]<\/p>\n","protected":false},"author":1341,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[419],"tags":[13987,32153,2111,2618,758,28000],"class_list":["post-119278","post","type-post","status-publish","format-standard","hentry","category-arts-culture","tag-aphorisms","tag-jamey-gambrell","tag-love","tag-marina-tsvetaeva","tag-new-york-review-of-books","tag-russian-revolution"],"acf":[],"yoast_head":"\nTen Aphorisms from the Russian Revolution<\/title>\n<meta name=\"description\" content=\"Ten aphorisms from the Moscow diaries of Marina Tsvetaeva, one of Russia\u2019s greatest twentieth-century poets.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/18\/genuine-motherhood-manly-aphorisms-russian-revolution\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ten Aphorisms from the Russian Revolution by Marina Tsvetaeva\" \/>\n<meta property=\"og:description\" content=\"December 18, 2017 \u2013   Marina Tsvetaeva is\u00a0one of Russia\u2019s most acclaimed twentieth-century poets. She was\u00a0born in Moscow, in 1892, to\u00a0a\u00a0classicist father and a\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2017\/12\/18\/genuine-motherhood-manly-aphorisms-russian-revolution\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-12-18T16:00:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-12-18T17:32:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/12\/59db63a485600a2229075c75.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"866\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Marina Tsvetaeva\" \/>\n<meta name=\"twitter:card\" 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