{"id":118115,"date":"2017-11-16T12:00:21","date_gmt":"2017-11-16T17:00:21","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=118115"},"modified":"2017-11-15T16:51:38","modified_gmt":"2017-11-15T21:51:38","slug":"rhyming-photographs-rebecca-norris-webb-alex-webb","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/11\/16\/rhyming-photographs-rebecca-norris-webb-alex-webb\/","title":{"rendered":"The Rhyming Photographs of Rebecca Norris Webb and Alex Webb"},"content":{"rendered":"<div id=\"attachment_118156\" style=\"width: 1010px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-118156\" class=\"size-full wp-image-118156\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-1.jpg\" alt=\"\" width=\"1000\" height=\"316\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-1.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-1-300x95.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-1-768x243.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-118156\" class=\"wp-caption-text\">Left: Alex Webb, Havana, Cuba.\u00a0Right:Rebecca Norris Webb, Havana, Cuba. \u00a9 Alex Webb &amp; Rebecca Norris Webb<\/p><\/div>\n<p><em>In<\/em> Slant Rhymes<em>,<\/em><em>\u00a0published in August, photographers\u00a0Rebecca Norris Webb and Alex Webb paired\u00a0eighty images taken over the course of their nearly thirty-year relationship. The photographs appear side by side\u2014one of Alex\u2019s, one of Rebecca\u2019s\u2014to create \u201ca series of visual rhymes that talk to one another\u2014often at a \u2018slant\u2019 and in intriguing and revealing ways.\u201d\u00a0Below,\u00a0a selection, with locales ranging from Cuba to India to Indiana, the rhymes bridging the geographic spans.\u00a0\u00a0<\/em><\/p>\n<div id=\"attachment_118159\" style=\"width: 1010px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-3.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-118159\" class=\"size-full wp-image-118159\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-3.jpg\" alt=\"\" width=\"1000\" height=\"316\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-3.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-3-300x95.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-3-768x243.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-118159\" class=\"wp-caption-text\">Left: Havana, Cuba A.W.\u00a0Right: Near Gray Goose, South Dakota, R.N.W. \u00a9 Alex Webb &amp; Rebecca Norris Webb<\/p><\/div>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_118161\" style=\"width: 1010px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-4.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-118161\" class=\"wp-image-118161 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-4.jpg\" width=\"1000\" height=\"314\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-4.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-4-300x94.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-4-768x241.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-118161\" class=\"wp-caption-text\">Left: Caibarien, Cuba R.N.W. Right: Alappuzha, India A.W. \u00a9 Alex Webb &amp; Rebecca Norris Webb<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_118162\" style=\"width: 1010px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-5.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-118162\" class=\"size-full wp-image-118162\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-5.jpg\" alt=\"\" width=\"1000\" height=\"317\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-5.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-5-300x95.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-5-768x243.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-118162\" class=\"wp-caption-text\">Left: Indianapolis, Indiana A.W.\u00a0Right: Rush Country, Indiana R.N.W. \u00a9 Alex Webb &amp; Rebecca Norris Webb<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_118172\" style=\"width: 851px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-6-copy.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-118172\" class=\"size-full wp-image-118172\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-6-copy.jpg\" alt=\"\" width=\"841\" height=\"482\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-6-copy.jpg 841w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-6-copy-300x172.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-6-copy-768x440.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-118172\" class=\"wp-caption-text\">Left: Near Hermosa, South Dakota R.N.W.\u00a0Right: Allahabad, India A.W. \u00a9 Alex Webb &amp; Rebecca Norris Webb<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_118163\" style=\"width: 1010px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-7.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-118163\" class=\"size-full wp-image-118163\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-7.jpg\" alt=\"\" width=\"1000\" height=\"318\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-7.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-7-300x95.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-7-768x244.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-118163\" class=\"wp-caption-text\">Left: Paris, France R.N.W.\u00a0Right: Tehuantepec, Mexico A.W. \u00a9 Alex Webb &amp; Rebecca Norris Webb<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_118165\" style=\"width: 1010px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-9.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-118165\" class=\"size-full wp-image-118165\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-9.jpg\" alt=\"\" width=\"1000\" height=\"320\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-9.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-9-300x96.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-9-768x246.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-118165\" class=\"wp-caption-text\">Left: Rush County, Indiana R.N.W.\u00a0Right: Ayvazlilar, Azerbaijan A.W. \u00a9 Alex Webb &amp; Rebecca Norris Webb<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_118171\" style=\"width: 1010px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-10.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-118171\" class=\"size-full wp-image-118171\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-10.jpg\" alt=\"\" width=\"1000\" height=\"316\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-10.jpg 1000w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-10-300x95.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/image-10-768x243.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-118171\" class=\"wp-caption-text\">Left: Havana, Cuba A.W.\u00a0Right: Havana, Cuba R.N.W.\u00a0\u00a9 Alex Webb &amp; Rebecca Norris Webb<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><em>Rebecca Norris Webb, originally a poet, often interweaves her text and photographs in her books, most notably\u00a0in\u00a0the monograph, <\/em>My Dakota<em>. She was the subject of\u00a0a solo exhibition at the Cleveland Museum of Art in 2015, and her\u00a0photography has appeared in <\/em>The New Yorker<em>,<\/em> The New York Times Magazine<em>,<\/em>\u00a0<em>and<\/em> Le Monde<em>, among other publications.<\/em><\/p>\n<p><em>Alex Webb\u00a0has published\u00a0sixteen\u00a0books, including <\/em>The Suffering of Light<em>,\u00a0a survey of\u00a0thirty years of color work.\u00a0He has shown his work at the Whitney Museum of American Art, New York; the High Museum of Art, Atlanta; and the Museum of Fine Arts, Boston. Webb has been a Magnum Photos member since 1979, and his\u00a0photography has appeared in the <\/em>New York Times Magazine<em>, <\/em>National Geographic,<em> and other publications.\u00a0<\/em><\/p>\n<p><em>Excerpted\u00a0from\u00a0<\/em>Alex Webb &amp; Rebecca Norris Webb: Slant Rhymes<em>, published by La Fabrica, 2017. \u00a9 La Fabrica\u201d<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Slant Rhymes,\u00a0published in August, photographers\u00a0Rebecca Norris Webb and Alex Webb paired\u00a0eighty images taken over the course of their nearly thirty-year relationship. The photographs appear side by side\u2014one of Alex\u2019s, one of Rebecca\u2019s\u2014to create \u201ca series of visual rhymes that talk to one another\u2014often at a \u2018slant\u2019 and in intriguing and revealing ways.\u201d\u00a0Below,\u00a0a selection, with [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[22714,25166,566,31684,1048,100,22708,31685],"class_list":["post-118115","post","type-post","status-publish","format-standard","hentry","category-look","tag-alex-webb","tag-azerbaijan","tag-cuba","tag-fabrica","tag-india","tag-photography","tag-rebecca-norris-webb","tag-slant-rhymes"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Rhyming Photographs of Rebecca 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