{"id":117758,"date":"2017-11-07T13:00:24","date_gmt":"2017-11-07T18:00:24","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=117758"},"modified":"2017-11-07T10:39:43","modified_gmt":"2017-11-07T15:39:43","slug":"redux-emily-wilson-robert-fitzgerald-robert-fagles","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/","title":{"rendered":"Redux: Emily Wilson, Robert Fitzgerald, and Robert Fagles"},"content":{"rendered":"

Every week, the editors of <\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter<\/a>. \u00a0<\/em> <\/a><\/p>\n

This week, we salute Emily Wilson, whose new English-language translation of the\u00a0Odyssey<\/em>\u00a0is (incredibly enough) the first ever published by a woman. We bring you the\u00a0opening pages\u00a0<\/a>of her translation, plus interviews with two of her most famous modern precursors,\u00a0Robert Fitzgerald<\/a>\u00a0and\u00a0Robert Fagles<\/a>.<\/p>\n

If you\u2019re in New York, you can hear Lorin Stein interview Emily Wilson this\u00a0Wednesday, at McNally Jackson Books<\/a>.<\/p>\n

And wherever you are, you can receive instant access to our entire archive\u2014and a new issue quarterly\u2014by\u00a0subscribing now<\/a>.<\/p>\n

\n
\n
\n
\n

From the Odyssey<\/em>, Book I, translated by\u00a0Emily Wilson
\n<\/u><\/a><\/strong>Issue no. 221 (Summer 2017)<\/em><\/p>\n

Tell me about a complicated man.
\nMuse, tell me how he wandered and was lost
\nwhen he had wrecked the holy town of Troy,
\nand where he went, and who he met, the pain
\nhe suffered in the storms at sea, and how
\nhe worked to save his life and bring his men
\nback home. He failed to keep them safe; poor fools,
\nthey ate the Sun God\u2019s cattle, and the god
\nkept them from home. Now goddess, child of Zeus,
\ntell the old story for our modern times.
\nFind the beginning \u2026<\/p>\n

Robert Fitzgerald, The Art of Translation No. 1<\/span>
\n<\/a><\/strong>Issue no. 94 (Winter 1984)<\/em><\/p>\n

Whoever had composed this poem had imagined people in action and people feeling and saying things out of what they felt; that work of imagining had to be redone. I had to reimagine it, so that it would be alive from start to finish. What had kept it fresh for so many centuries was the sensation you had, when reading it, that this was alive.<\/p>\n

Robert Fagles, The Art of Translation No. 2<\/a><\/strong><\/span>
\nIssue no. 151 (Summer 1999)
\n<\/em>
\nWhen you\u2019re translating the\u00a0Iliad<\/em>, by God it\u2019s a tragic activity. When you\u2019re translating the\u00a0Odyssey<\/em>, it\u2019s wonderfully comic. Not only funny, what with the poem\u2019s sneezes, puns and fools, but there\u2019s something restorative about the\u00a0Odyssey<\/em>, a quality that belongs to the comic vision, as I mentioned before\u2014the return home, the reclaiming of one\u2019s roots, and the sensation of rising back to strength and health and wholeness.<\/p>\n

 <\/p>\n

If you like what you read,\u00a0get a year of\u00a0<\/a><\/em>The Paris Review<\/a>\u2014four new issues, plus instant access to everything we\u2019ve ever published.\u00a0<\/em>Order now and you\u2019ll get a copy of our new\u00a0anthology,\u00a0<\/em>Women at Work<\/a>,\u00a0for only $10 more.\u00a0<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Every week, the editors of The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter. \u00a0 This week, we salute Emily Wilson, whose new English-language translation of the\u00a0Odyssey\u00a0is (incredibly enough) […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[29158,456,1394,18601,31541,18314,8387,2683,23138,24116,9477],"class_list":["post-117758","post","type-post","status-publish","format-standard","hentry","category-redux","tag-emily-wilson","tag-lorin-stein","tag-mcnally-jackson","tag-robert-fagles","tag-robert-fitzgerald","tag-the-art-of-translation","tag-the-iliad","tag-the-odyssey","tag-troy","tag-women-at-work","tag-zeus"],"acf":[],"yoast_head":"\nRedux: Emily Wilson, Robert Fitzgerald, and Robert Fagles<\/title>\n<meta name=\"description\" content=\"This week, we salute Emily Wilson, whose new English translation of the \u2018Odyssey\u2019 is the first ever published by a woman.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redux: Emily Wilson, Robert Fitzgerald, and Robert Fagles by The Paris Review\" \/>\n<meta property=\"og:description\" content=\"November 7, 2017 \u2013 Every week, the editors of The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-11-07T18:00:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/wilson-mcnally-22-e1509985584444.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"615\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"The Paris Review\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Paris Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/\"},\"author\":{\"name\":\"The Paris Review\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\"},\"headline\":\"Redux: Emily Wilson, Robert Fitzgerald, and Robert Fagles\",\"datePublished\":\"2017-11-07T18:00:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/\"},\"wordCount\":451,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/wilson-mcnally-22-e1509985584444.jpg\",\"keywords\":[\"Emily Wilson\",\"Lorin Stein\",\"McNally Jackson\",\"Robert Fagles\",\"Robert Fitzgerald\",\"the art of translation\",\"The Iliad\",\"The Odyssey\",\"Troy\",\"women at work\",\"Zeus\"],\"articleSection\":[\"Redux\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/\",\"name\":\"Redux: Emily Wilson, Robert Fitzgerald, and Robert Fagles\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/wilson-mcnally-22-e1509985584444.jpg\",\"datePublished\":\"2017-11-07T18:00:24+00:00\",\"description\":\"This week, we salute Emily Wilson, whose new English translation of the \u2018Odyssey\u2019 is the first ever published by a woman.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/wilson-mcnally-22-e1509985584444.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/wilson-mcnally-22-e1509985584444.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Redux: Emily Wilson, Robert Fitzgerald, and Robert Fagles\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e\",\"name\":\"The Paris Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g\",\"caption\":\"The Paris Review\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Redux: Emily Wilson, Robert Fitzgerald, and Robert Fagles","description":"This week, we salute Emily Wilson, whose new English translation of the \u2018Odyssey\u2019 is the first ever published by a woman.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/","og_locale":"en_US","og_type":"article","og_title":"Redux: Emily Wilson, Robert Fitzgerald, and Robert Fagles by The Paris Review","og_description":"November 7, 2017 \u2013 Every week, the editors of The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can","og_url":"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2017-11-07T18:00:24+00:00","og_image":[{"width":1000,"height":615,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/wilson-mcnally-22-e1509985584444.jpg","type":"image\/jpeg"}],"author":"The Paris Review","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"The Paris Review","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/"},"author":{"name":"The Paris Review","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e"},"headline":"Redux: Emily Wilson, Robert Fitzgerald, and Robert Fagles","datePublished":"2017-11-07T18:00:24+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/"},"wordCount":451,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/wilson-mcnally-22-e1509985584444.jpg","keywords":["Emily Wilson","Lorin Stein","McNally Jackson","Robert Fagles","Robert Fitzgerald","the art of translation","The Iliad","The Odyssey","Troy","women at work","Zeus"],"articleSection":["Redux"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/","url":"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/","name":"Redux: Emily Wilson, Robert Fitzgerald, and Robert Fagles","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/wilson-mcnally-22-e1509985584444.jpg","datePublished":"2017-11-07T18:00:24+00:00","description":"This week, we salute Emily Wilson, whose new English translation of the \u2018Odyssey\u2019 is the first ever published by a woman.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/wilson-mcnally-22-e1509985584444.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/11\/wilson-mcnally-22-e1509985584444.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2017\/11\/07\/redux-emily-wilson-robert-fitzgerald-robert-fagles\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Redux: Emily Wilson, Robert Fitzgerald, and Robert Fagles"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/4a14f739935c82f100675b84e220252e","name":"The Paris Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c15ccd1e2629bc3b1a8aa1a407e1186742acfaf923abe2addfec0885197794ff?s=96&d=mm&r=g","caption":"The Paris Review"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/parisreview\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/117758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=117758"}],"version-history":[{"count":8,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/117758\/revisions"}],"predecessor-version":[{"id":117820,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/117758\/revisions\/117820"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=117758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=117758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=117758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}