{"id":117439,"date":"2017-10-31T13:00:08","date_gmt":"2017-10-31T17:00:08","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=117439"},"modified":"2024-01-19T13:42:01","modified_gmt":"2024-01-19T18:42:01","slug":"redux-joan-didion-william-faulkner-and-matthew-zapruder","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/10\/31\/redux-joan-didion-william-faulkner-and-matthew-zapruder\/","title":{"rendered":"Redux: Joan Didion, William Faulkner, and Matthew Zapruder"},"content":{"rendered":"

Every week, the editors of\u00a0<\/em>The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter<\/a>. \u00a0<\/em><\/p>\n

\"\"<\/a>

Photograph by Mary Lloyd Estrin, 1977.<\/p><\/div>\n

To celebrate the release of the Netflix documentary Joan Didion: The Center Will Not Hold<\/em>, we bring you our 1978 Art of Fiction interview with the writer<\/a>\u2014plus a Halloween ghost story from William Faulkner<\/span><\/a> and a haunted poem by Matthew Zapruder<\/span><\/a>.<\/p>\n

Joan Didion, The Art of Fiction No. 71
\n<\/strong><\/strong><\/span><\/a>Issue no. 74 (Fall\u2013Winter 1978)<\/em><\/p>\n

I grew up in a dangerous landscape. I think people are more affected than they know by landscapes and weather. Sacramento was a very extreme place. It was very flat, flatter than most people can imagine, and I still favor flat horizons. The weather in Sacramento was as extreme as the landscape. There were two rivers, and these rivers would flood in the winter and run dry in the summer. Winter was cold rain and tulle fog. Summer was 100 degrees, 105 degrees, 110 degrees. Those extremes affect the way you deal with the world. It so happens that if you\u2019re a writer the extremes show up. They don\u2019t if you sell insurance.<\/span><\/p>\n

\u201cThe Werewolf,\u201d by William Faulkner
\n<\/strong><\/span><\/a>Issue no. 79 (Spring 1981)<\/em><\/p>\n

The house stands far off Old Taylor Road in Oxford, Mississippi, hidden behind long rows of tall cedar trees. The driveway which leads up to the house is dirt, marred by deep ruts and holes; and on each side grow tangled brambles of honeysuckle and blackberry thickets. The house cannot be seen from the street, but at the end of the driveway, it looms big, and white, and beautiful. It looks as if it has been there forever, its two story wooden frame rising so high that the second story balcony looks into the very tops of the cedar trees.<\/span><\/p>\n

\u201cCome On All You Ghosts,\u201d by\u00a0Matthew Zapruder
\n<\/b><\/a><\/span>Issue no. 193 (Summer 2010)<\/span><\/em><\/p>\n

I heard a little cough
\n<\/span>in the room, and turned
\n<\/span>but no one was there<\/span><\/p>\n

except the flowers
\n<\/span>Sarah bought me
\n<\/span>and my death\u2019s head<\/span><\/p>\n

glow in the dark key chain
\n<\/span>that lights up and moans
\n<\/span>when I press the button<\/span><\/p>\n

on top of its skull
\n<\/span>and the ghost
\n<\/span>I shyly name Aglow \u2026<\/span><\/p>\n

If you like what you read,\u00a0get a year of\u00a0<\/a><\/em>The Paris Review\u2014four new issues, plus instant access to everything we\u2019ve ever published.\u00a0<\/em>Order now, and you\u2019ll get a copy of our new\u00a0anthology,\u00a0<\/em>Women at Work<\/a>,\u00a0for only $10 more.\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Every week, the editors of\u00a0The Paris Review\u00a0lift the paywall on a selection of interviews, stories, poems, and more from the magazine\u2019s archive. You can have these unlocked\u00a0pieces delivered straight to your inbox every\u00a0Sunday by\u00a0signing up for the Redux newsletter. \u00a0 To celebrate the release of the Netflix documentary Joan Didion: The Center Will Not Hold, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31006],"tags":[31383,1362,26110,31384,31381,31382,3581,24116],"class_list":["post-117439","post","type-post","status-publish","format-standard","hentry","category-redux","tag-come-on-all-you-ghosts","tag-joan-didion","tag-matthew-zapruder","tag-redux","tag-the-center-will-not-hold","tag-the-werewolf","tag-william-faulkner","tag-women-at-work"],"acf":[],"yoast_head":"\nRedux: Joan Didion, William Faulkner, and Matthew Zapruder<\/title>\n<meta name=\"description\" content=\"This week, to celebrate her documentary, we\u2019re unlocking our 1978 interview with Joan Didion. 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