{"id":117239,"date":"2017-11-14T09:00:17","date_gmt":"2017-11-14T14:00:17","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=117239"},"modified":"2017-11-15T12:12:40","modified_gmt":"2017-11-15T17:12:40","slug":"insomniacs-dream-diary-part-two","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/11\/14\/insomniacs-dream-diary-part-two\/","title":{"rendered":"The Insomniac\u2019s Dream Diary: Part Two"},"content":{"rendered":"
<\/a>

Copyright \u00a9 Ellis Rosen<\/p><\/div>\n

This week, we\u2019ll be running a\u00a0series of dreams from the forthcoming\u00a0<\/em>Insomniac Dreams: Experiments\u00a0with Time.\u00a0For nearly three months in 1964, Nabokov recorded\u00a0his dreams upon waking,\u00a0as a\u00a0way of testing J. W. Dunne\u2019s theory that dreams offered\u00a0not only\u00a0\u201cfragments of past impressions,\u201d but also \u201ca proleptic view of an event to come.\u201d In other words, that dreams were a sort of\u00a0reverse\u00a0d\u00e9j\u00e0 vu, a way of\u00a0subconsciously working through\u00a0not only the past but the future.\u00a0<\/em><\/p>\n

In this second installment, Nabokov dreams about\u00a0his childhood tantrums after rereading\u00a0<\/em>Speak, Memory.<\/p>\n

18. \u00a0 \u00a0\u00a0Oct. 31\u20148.00 <\/u>am \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/u><\/p>\n

Among several dreams was a really stunning recollection of early childhood. I was again immersed in these dreadful tantrums, those storms of tears with which my mother had to cope when I was 4\u20135 years of age and we were abroad. The dream beautifully brought back the sensation of utter disaster when letting myself completely go I simultaneously realized that I was removing further and further, with every sob, and howl a reconciliation with my helpless, distraught mother. In to-night\u2019s dream, I was <new card> already in such a tempest as I rushed from my and S.\u2019s[1]<\/sup><\/a> bedroom in a hotel into the white corridor and endeavored to break into mother\u2019s room. She would not let me in\u2014cried out abruptly and jarringly that she was trying on something. I dashed into a water closet and next moment was oddly standing on the lid and hugging the whitewashed pipe that went upward to a basin-like affair in which I plunged my face (the dream rather eccentrically gave the measure <new card> of my height by means of this position which apparently had no other purpose or meaning). My mother with bright eyes and flushed face opened the door at the end of a kind of vestibule leading to the place where I sobbed. There I let myself go completely. Unfortunately at this moment my brother S. whom the English governess was dressing heard my sobbing and joined in. This double performance spoilt the matter and M.[2]<\/sup><\/a> instead of consoling me broke into tears herself.<\/p>\n

Had been rereading (Oct. 29) the Russian version of Speak, Memory<\/em>.[3]<\/sup><\/a><\/p>\n

[1]<\/a>. Here the initial stands for Sergey Nabokov, VN\u2019s younger brother (1900\u20131945). See p. 27, note 27.<\/p>\n

[2]<\/a>. Elena Nabokov, n\u00e9e Rukavishnikov, Nabokov\u2019s mother (1876\u20131939).<\/p>\n

[3]<\/a>. In 1954 Nabokov revised and translated into Russian his autobiography (Speak, Memory, originally Conclusive Evidence, 1951) under the title Drugie berega (Other Shores).<\/p>\n

 <\/p><\/blockquote>\n

Excerpted from <\/em>Insomnia Dreams: Experiments with Time by Vladimir Nabokov. Compiled, edited, and with commentary by Gennady Barabtarlo. Copyright \u00a9 2018 by the Estate of Dmitri Nabokov. Compilation, preface, parts 1 and 5, notes, and other editorial material copyright \u00a9 2018 by Princeton University Press. Reprinted by permission.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

This week, we\u2019ll be running a\u00a0series of dreams from the forthcoming\u00a0Insomniac Dreams: Experiments\u00a0with Time.\u00a0For nearly three months in 1964, Nabokov recorded\u00a0his dreams upon waking,\u00a0as a\u00a0way of testing J. W. Dunne\u2019s theory that dreams offered\u00a0not only\u00a0\u201cfragments of past impressions,\u201d but also \u201ca proleptic view of an event to come.\u201d In other words, that dreams were a […]<\/p>\n","protected":false},"author":1293,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[31272],"tags":[31296,31305,967],"class_list":["post-117239","post","type-post","status-publish","format-standard","hentry","category-dream-diaries","tag-insomniac-dreams","tag-speak-memory","tag-vladimir-nabokov"],"acf":[],"yoast_head":"\nThe Insomniac\u2019s Dream Diary<\/title>\n<meta name=\"description\" content=\"Entries from Nabokov\u2019s dream diary, in which he relives childhood tantrums after rereading \u2018Speak, Memory.\u2019\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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