{"id":112352,"date":"2017-07-10T18:10:27","date_gmt":"2017-07-10T22:10:27","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=112352"},"modified":"2017-07-11T17:46:07","modified_gmt":"2017-07-11T21:46:07","slug":"so-i-traveled-a-great-deal","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/07\/10\/so-i-traveled-a-great-deal\/","title":{"rendered":"So I Traveled a Great Deal\u2026"},"content":{"rendered":"<p><i>\u201c<a href=\"http:\/\/www.matthewmarks.com\/new-york\/exhibitions\/2017-07-06\/\" target=\"_blank\">So I traveled a great deal. I met George, Ebbe, Joy, Philip, Jack, Robert, Dora, Harold, Jerome, Ed, Mike, Tom, Bill, Harvey, Sheila, Irene, John, Michael, Mertis, Gai-fu, Jay, Jim, Anne, Kirby, Allen, Peter, Charles, Drummond, Cassandra, Pamela, Marilyn, Lewis, Ted, Clayton, Cid, Barbara, Ron, Richard, Tony, Paul, Anne, Russell, Larry, Link, Anthea, Martin, Jane, Don, Fatso, Clark, Anja, Les, Sue, and Brian<\/a>,\u201d a group exhibition at Matthew Marks Gallery, is up through August 18. Organized by Vincent Fecteau and Jordan Stein, the show includes six Northern California artists, and it aims to capture \u201cthe lesser-known, the ahead-of-its-time, the hard-to-classify, the ecstatic, the hermetic, and the strange.\u201d Works by two of the artists, Isabella Kirkland and Jack Mendenhall, are below.<\/i><\/p>\n<div id=\"attachment_112368\" style=\"width: 2410px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/shell1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-112368\" class=\"wp-image-112368 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/shell1.jpg\" width=\"2400\" height=\"2400\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/shell1.jpg 2400w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/shell1-150x150.jpg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/shell1-300x300.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/shell1-768x768.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/shell1-1024x1024.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-112368\" class=\"wp-caption-text\">Isabella Kirkland, <em>Egg Cases<\/em>, 2014, oil and alkyd on wood panel, 7 3\/4&#8243; x 7 3\/4&#8243;. \u00a9Isabella Kirkland, Courtesy Matthew Marks Gallery<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><!--more--><\/p>\n<div id=\"attachment_112354\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/isa2.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-112354\" class=\"wp-image-112354\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/isa2.png\" width=\"1000\" height=\"1000\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/isa2.png 2400w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/isa2-150x150.png 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/isa2-300x300.png 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/isa2-768x768.png 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/isa2-1024x1024.png 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-112354\" class=\"wp-caption-text\">Isabella Kirkland, <i>Appendages<\/i>, 2014, oil and alkyd on wood panel, 7 3\/4&#8243; x 7 3\/4&#8243;.\u00a0\u00a9Isabella Kirkland, Courtesy Matthew Marks Gallery<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_112355\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/isa3.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-112355\" class=\"wp-image-112355\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/isa3.png\" width=\"1000\" height=\"800\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/isa3.png 2880w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/isa3-300x240.png 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/isa3-768x615.png 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/isa3-1024x820.png 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-112355\" class=\"wp-caption-text\">Isabella Kirkland , <i>Nudibranchia<\/i>, 2015, oil and alkyd on polyester over wood panel, 48&#8243; x 60&#8243;.\u00a0\u00a9Isabella Kirkland, Courtesy Matthew Marks Gallery<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_112356\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/jack1.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-112356\" class=\"wp-image-112356\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/jack1.png\" width=\"1000\" height=\"1250\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/jack1.png 1920w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/jack1-240x300.png 240w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/jack1-768x960.png 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/jack1-819x1024.png 819w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-112356\" class=\"wp-caption-text\">Jack Mendenhall, <i>Yellow Tulips<\/i>, 1973, oil on linen, 76&#8243; x 80&#8243;.\u00a0\u00a9Jack Mendenhall, Courtesy Matthew Marks Gallery<\/p><\/div>\n<div id=\"attachment_112357\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/jack2.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-112357\" class=\"wp-image-112357\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/jack2.png\" width=\"1000\" height=\"1250\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/jack2.png 1920w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/jack2-240x300.png 240w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/jack2-768x960.png 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/07\/jack2-819x1024.png 819w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-112357\" class=\"wp-caption-text\">Jack Mendenhall, <i>Mirrored Table with Decanters<\/i>, 1981, oil on canvas, 72&#8243; x 68&#8243;.\u00a0\u00a9Jack Mendenhall, Courtesy Matthew Marks Gallery<\/p><\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>At Matthew Marks Gallery, a new group show by Northern Californian artists casts an admirably wide net.<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[35,775,7676,20760,29487,29485,29486,29489,20198,29488],"class_list":["post-112352","post","type-post","status-publish","format-standard","hentry","category-look","tag-art","tag-california","tag-galleries","tag-gallery-openings","tag-group-shows","tag-isabella-kirkland","tag-jack-mendenhall","tag-jordan-stein","tag-matthew-marks-gallery","tag-vincent-fecteau"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201cThe Ecstatic, The Hermetic, and the Strange\u201d<\/title>\n<meta name=\"description\" content=\"At Matthew Marks Gallery, a new group show by Northern Californian artists casts an admirably wide net.\" \/>\n<meta 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