{"id":111225,"date":"2017-05-24T18:42:14","date_gmt":"2017-05-24T22:42:14","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=111225"},"modified":"2017-06-12T11:56:23","modified_gmt":"2017-06-12T15:56:23","slug":"the-art-of-whipped-cream","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/05\/24\/the-art-of-whipped-cream\/","title":{"rendered":"The Art of Whipped Cream"},"content":{"rendered":"<p><em>\u201c<a href=\"http:\/\/www.paulkasmingallery.com\/exhibition\/the-art-of-whipped-cream\/press-release\" target=\"_blank\">The Art of Whipped Cream<\/a>,\u201d an exhibition of\u00a0drawings, sketches and paintings by Mark Ryden, is at Paul Kasmin Gallery through July 21. Ryden created this work for the American Ballet Theatre\u2019s production of\u00a0<\/em>Whipped Cream<em>, an adaptation of\u00a0a 1924 Richard Strauss ballet\u00a0about a boy who eats too much candy\u00a0and, in the delirium of a world-class sugar high, dreams that his dessert has\u00a0come to life. Ryden designed props, costumes, and backdrops for the production, combining sugary pinks and pastels with a darker palette of grays and neutrals. The result: a candy land that threatens to become\u00a0sickeningly sweet.<\/em><\/p>\n<div id=\"attachment_111227\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-praline-and-her-entourage.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-111227\" class=\"wp-image-111227\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-praline-and-her-entourage.jpg\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-praline-and-her-entourage.jpg 2500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-praline-and-her-entourage-300x200.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-praline-and-her-entourage-768x512.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-praline-and-her-entourage-1024x683.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-111227\" class=\"wp-caption-text\">Mark Ryden, <i>Princess Praline and Her Entourage<\/i>, 2017, oil on canvas, 15&#8243; x 52&#8243;.<\/p><\/div>\n<p><!--more--><\/p>\n<div id=\"attachment_111226\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-tea-flower-alternate.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-111226\" class=\"wp-image-111226\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-tea-flower-alternate.jpg\" width=\"1000\" height=\"1341\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-tea-flower-alternate.jpg 1864w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-tea-flower-alternate-224x300.jpg 224w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-tea-flower-alternate-768x1030.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-tea-flower-alternate-763x1024.jpg 763w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-111226\" class=\"wp-caption-text\"><i>Tea Flower alternate<\/i>, 2016, oil on panel, 17&#8243; x 11&#8243;.<\/p><\/div>\n<div id=\"attachment_111229\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/nurse-corps-de-ballet.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-111229\" class=\"wp-image-111229\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/nurse-corps-de-ballet.jpg\" width=\"1000\" height=\"1162\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/nurse-corps-de-ballet.jpg 2151w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/nurse-corps-de-ballet-258x300.jpg 258w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/nurse-corps-de-ballet-768x893.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/nurse-corps-de-ballet-881x1024.jpg 881w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-111229\" class=\"wp-caption-text\"><i>Nurse Corps de Ballet<\/i>, 2016, oil on panel, 17&#8243; x 11&#8243;.<\/p><\/div>\n<div id=\"attachment_111230\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/nicolo.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-111230\" class=\"wp-image-111230\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/nicolo.jpg\" width=\"1000\" height=\"2071\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/nicolo.jpg 1207w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/nicolo-145x300.jpg 145w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/nicolo-768x1591.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/nicolo-494x1024.jpg 494w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-111230\" class=\"wp-caption-text\"><i>Nicolo<\/i>, 2016, oil on panel, 26&#8243; x 11&#8243;.<\/p><\/div>\n<div id=\"attachment_111231\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/hospital.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-111231\" class=\"wp-image-111231\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/hospital.jpg\" width=\"1000\" height=\"770\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/hospital.jpg 2500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/hospital-300x231.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/hospital-768x591.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/hospital-1024x788.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-111231\" class=\"wp-caption-text\"><i>Hospital<\/i>, 2016, oil on panel, 23&#8243; x 32&#8243;<\/p><\/div>\n<div id=\"attachment_111232\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/dessert-counter.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-111232\" class=\"wp-image-111232\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/dessert-counter.jpg\" width=\"1000\" height=\"824\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/dessert-counter.jpg 2500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/dessert-counter-300x247.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/dessert-counter-768x633.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/dessert-counter-1024x844.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-111232\" class=\"wp-caption-text\"><i>Dessert Counter<\/i>, 2016, oil on panel, 18&#8243; x 24&#8243;.<\/p><\/div>\n<div id=\"attachment_111234\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-praline-procession.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-111234\" class=\"wp-image-111234\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-praline-procession.jpg\" width=\"1000\" height=\"746\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-praline-procession.jpg 2500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-praline-procession-300x224.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-praline-procession-768x573.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/05\/princess-praline-procession-1024x764.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-111234\" class=\"wp-caption-text\"><i>Princess Praline&#8217;s Procession<\/i>, 2016, oil on panel, 17 1\/2&#8243; x 23 1\/2&#8243;.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>For the American Ballet Theatre\u2019s production of \u201cWhipped Cream,\u201d Mark Ryden created work that reflects the dreams and nightmares of a good sugar high.<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[28961,35,1942,3743,17441,17440,28957,25224,13916,4154,13271,16987,28960,28956,28959,28958],"class_list":["post-111225","post","type-post","status-publish","format-standard","hentry","category-look","tag-american-ballet-theatre","tag-art","tag-ballet","tag-candy","tag-confections","tag-desserts","tag-mark-ryden","tag-oil-on-canvas","tag-openings","tag-paintings","tag-paul-kasmin-gallery","tag-richard-strauss","tag-sugar","tag-sweets","tag-the-art-of-whipped-cream","tag-whipped-cream"],"acf":[],"yoast_head":"<!-- This site is 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