{"id":11090,"date":"2011-02-04T14:52:57","date_gmt":"2011-02-04T19:52:57","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=11090"},"modified":"2011-05-26T17:01:35","modified_gmt":"2011-05-26T21:01:35","slug":"competition","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2011\/02\/04\/competition\/","title":{"rendered":"Competition"},"content":{"rendered":"<div id=\"attachment_11092\" style=\"width: 584px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/02\/5-WQ_Competition.jpg\"><img decoding=\"async\" aria-describedby=\"caption-attachment-11092\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2011\/02\/5-WQ_Competition1.jpg\" alt=\"TK\" title=\"5 Wang Qingsong, <em>Competition<\/em>, 2004, Chromogenic print, \u00a9 Wang Qingsong, Courtesy the artist.&#8221; width=&#8221;574&#8243; height=&#8221;325&#8243; class=&#8221;aligncenter size-full wp-image-11092&#8243; \/><\/a><p id=\"caption-attachment-11092\" class=\"wp-caption-text\">2004 \u00a9 Wang Qingsong, Courtesy the artist.<\/p><\/div>\n<p>Here, Chinese painter-turned-photographer Wang Qingsong draws from his memories of the Cultural Revolution, when the walls of China\u2019s cities were covered with handmade posters pasted up by rival Red Guard factions. He filled the walls of a rented Beijing movie sound stage with more than six hundred mock advertising posters that he drew by hand, mimicking corporate logos. If you look closely at the photograph, you can spot him, megaphone in hand. <\/p>\n<p>From the exhibition \u201c<a href=\"http:\/\/www.icp.org\/museum\/exhibitions\/wang-qingsong-when-worlds-collide\">When Worlds Collide<\/a>,\u201d on view at the International Center of Photography, New York, through May 8, 2011. Click to enlarge. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here, Chinese painter-turned-photographer Wang Qingsong draws from his memories of the Cultural Revolution, when the walls of China\u2019s cities were covered with handmade posters pasted up by rival Red Guard factions. He filled the walls of a rented Beijing movie sound stage with more than six hundred mock advertising posters that he drew by hand, [&hellip;]<\/p>\n","protected":false},"author":115,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[1815,107,100,1814],"class_list":["post-11090","post","type-post","status-publish","format-standard","hentry","category-look","tag-china","tag-international-center-of-photography","tag-photography","tag-wang-qingsong"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Competition by Wang Qingsong<\/title>\n<meta name=\"description\" content=\"February 4, 2011 \u2013 Here, Chinese painter-turned-photographer Wang Qingsong draws from his memories of the Cultural Revolution, when the walls of China\u2019s 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