{"id":109989,"date":"2017-04-17T17:32:02","date_gmt":"2017-04-17T21:32:02","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=109989"},"modified":"2017-04-17T18:12:39","modified_gmt":"2017-04-17T22:12:39","slug":"the-quarreling-gondoliers","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/04\/17\/the-quarreling-gondoliers\/","title":{"rendered":"The Quarreling Gondoliers"},"content":{"rendered":"<div id=\"attachment_109991\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/04\/1280px-john_singer_sargent_gondoliers_siesta.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-109991\" class=\"wp-image-109991\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/04\/1280px-john_singer_sargent_gondoliers_siesta.jpg\" width=\"1000\" height=\"695\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/04\/1280px-john_singer_sargent_gondoliers_siesta.jpg 1280w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/04\/1280px-john_singer_sargent_gondoliers_siesta-300x209.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/04\/1280px-john_singer_sargent_gondoliers_siesta-768x534.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/04\/1280px-john_singer_sargent_gondoliers_siesta-1024x712.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-109991\" class=\"wp-caption-text\">John Singer Sargent, <i>Gondoliers\u2019 Siesta<\/i>, ca. 1904.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><em>From a 1952 letter by the playwright and novelist Thornton Wilder, who was born on this day in 1897. \u201c<a href=\"https:\/\/www.theparisreview.org\/interviews\/4887\/thornton-wilder-the-art-of-fiction-no-16-thornton-wilder\" target=\"_blank\">A dramatist is one who believes that the pure event, an action involving human beings, is more arresting than any comment that can be made upon it<\/a>,\u201d Wilder told\u00a0<\/em>The Paris Review\u00a0<em>in his 1956\u00a0Art of Fiction interview. \u201cOn the stage it is always now: the personages are standing on that razor-edge, between the past and the future, which is the essential character of conscious being; the words are rising to their lips in immediate spontaneity.\u201d Read more of Wilder\u2019s correspondence in\u00a0<\/em><a href=\"https:\/\/www.amazon.com\/Selected-Letters-Thornton-Wilder\/dp\/B005IV0UW4\" target=\"_blank\">The Selected Letters of Thornton Wilder<\/a>.<\/p>\n<p>Where do I go next? I don\u2019t know \u2026 I don\u2019t want to go to Paris. I want to go to a little hotel in St. Moritz (already under snow) and work at what only pleases me. What is there to confer about? Let them come to me. I think that Monday or Tuesday I will entrain for Milan and there at 1:25 take the autobus arriving at 6:10 in St. Moritz \u2026 Think of that drive, past Como, up up the dramatic Italian alps and then in the evening light in the square of that Swiss village.\u00a0<!--more--><\/p>\n<p>Oh, how badly I run my life. How I postpone from year to year the establishment of those conditions under which I can work. And I don\u2019t mean <u>work<\/u> in the sense of producing volumes, I mean work in the sense of working on and in and with myself. I am a slow digester and a slow ruminator, altho\u2019 I carry some of the external signs of a \u201cbright\u201d and a fast one. No, no,\u2014I am a monastic and an umbratical type who long since went astray among the volatile and the worldly. This has been my complaint for many years and yet I do nothing about it: you may well say that there must be something about it that I like.<\/p>\n<p>It has been raining all day. The gondoliers under my window have been quarreling with one another, loud, loud, all the time. A barnyard of angry raised voices. There is a beautiful passage in the Wings of the Dove where James describes Venice in bad weather; he does not mention this effect.<\/p>\n<p>This letter shows my incoherence and ill-humor. I shall not be myself until I am settled in Switzerland. And now my ink has given out. I shall go to the Piazza San Marco to buy some ink!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A melancholy 1952 letter from Thornton Wilder describes \u201ca barnyard of angry raised voices.\u201d<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1900],"tags":[5733,28395,182,28396,14371,8467],"class_list":["post-109989","post","type-post","status-publish","format-standard","hentry","category-correspondence","tag-correspondence-2","tag-gondoliers","tag-letters","tag-self-loathing","tag-thornton-wilder","tag-venice"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201cI Want to Go a Little Hotel\u2026and Work at What Only Pleases Me\u201d<\/title>\n<meta name=\"description\" content=\"A 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