{"id":108744,"date":"2017-03-14T19:05:24","date_gmt":"2017-03-14T23:05:24","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=108744"},"modified":"2017-03-14T20:10:20","modified_gmt":"2017-03-15T00:10:20","slug":"the-life-of-paper","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/03\/14\/the-life-of-paper\/","title":{"rendered":"The Life of Paper"},"content":{"rendered":"<p><em>Austin Thomas has <a href=\"http:\/\/www.morganlehmangallery.com\/exhibitions\/austin-thomas\/selected-works?view=slider#5\" target=\"_blank\">an exhibition of new drawings and print work at Morgan Lehman Gallery<\/a> through March 25. Her work\u00a0marries layered collage techniques to printmaking processes, making\u00a0prominent use of\u00a0found paper: book covers, ledger pages, loose-leaf notebooks.\u00a0<\/em><\/p>\n<div id=\"attachment_108745\" style=\"width: 585px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-108745\" class=\"wp-image-108745 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas.jpg\" width=\"575\" height=\"1080\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas.jpg 575w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas-160x300.jpg 160w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas-545x1024.jpg 545w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-108745\" class=\"wp-caption-text\">Austin Thomas, <i>Gray Blue Black X<\/i>, 2016, monoprint with Akua intaglio ink on proofing paper, 37&#8243; x 18&#8243;.<\/p><\/div>\n<p><!--more--><\/p>\n<div id=\"attachment_108746\" style=\"width: 579px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-108746\" class=\"wp-image-108746 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas2.jpg\" width=\"569\" height=\"1080\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas2.jpg 569w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas2-158x300.jpg 158w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas2-539x1024.jpg 539w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-108746\" class=\"wp-caption-text\"><i>Black with Colored Circles<\/i>, 2016, monoprint with Akua intaglio ink on proofing paper, 37&#8243; x 18&#8243;.<\/p><\/div>\n<div id=\"attachment_108747\" style=\"width: 773px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas3.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-108747\" class=\"wp-image-108747\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas3.jpg\" width=\"763\" height=\"1080\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas3.jpg 763w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas3-212x300.jpg 212w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas3-723x1024.jpg 723w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-108747\" class=\"wp-caption-text\"><i>Drawing with Turquoise Square<\/i>, 2016, monoprint with Akua intaglio ink on paper, 10&#8243; x 7&#8243;.<\/p><\/div>\n<div id=\"attachment_108748\" style=\"width: 795px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas5.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-108748\" class=\"wp-image-108748 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas5.jpg\" width=\"785\" height=\"1079\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas5.jpg 785w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas5-218x300.jpg 218w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas5-768x1056.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas5-745x1024.jpg 745w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-108748\" class=\"wp-caption-text\"><i>Change Your Life<\/i>, 2016, monoprint with Akua intaglio ink on book cover, 7&#8243; x 5&#8243;.<\/p><\/div>\n<div id=\"attachment_108749\" style=\"width: 979px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas6.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-108749\" class=\"wp-image-108749\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas6.jpg\" width=\"969\" height=\"1080\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas6.jpg 969w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas6-269x300.jpg 269w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas6-768x856.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas6-919x1024.jpg 919w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-108749\" class=\"wp-caption-text\"><i>Black and Blue X<\/i>, 2016, monoprint with Akua intaglio ink on ledger paper, 9&#8243; x 8&#8243;.<\/p><\/div>\n<div id=\"attachment_108750\" style=\"width: 865px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas4.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-108750\" class=\"wp-image-108750 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas4.jpg\" width=\"855\" height=\"1079\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas4.jpg 855w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas4-238x300.jpg 238w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas4-768x969.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/03\/thomas4-811x1024.jpg 811w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-108750\" class=\"wp-caption-text\"><i>Pen Stenciled Ghost-printed<\/i>, 2016, monoprint with Akua intaglio ink on Pantone paper, 8 1\/2&#8243; x 6 1\/2&#8243;.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Thomas\u2019s prints and collages make prominent use of found paper: book covers, ledger pages, looseleaf notebooks.<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[35,27822,2051,12976,16425,17018,13916,9528],"class_list":["post-108744","post","type-post","status-publish","format-standard","hentry","category-look","tag-art","tag-austin-thomas","tag-collage","tag-drawings","tag-exhibitions","tag-morgan-lehman-gallery","tag-openings","tag-prints"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Life of Paper: New Art by Austin Thomas<\/title>\n<meta name=\"description\" content=\"Thomas\u2019s prints and collages make prominent use of found paper: book covers, ledger pages, looseleaf notebooks.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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