{"id":107688,"date":"2017-02-13T18:58:24","date_gmt":"2017-02-13T23:58:24","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=107688"},"modified":"2017-02-14T06:50:24","modified_gmt":"2017-02-14T11:50:24","slug":"temple-tomb-fortress-ruin","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/13\/temple-tomb-fortress-ruin\/","title":{"rendered":"Temple Tomb Fortress Ruin"},"content":{"rendered":"<p><em>\u201c<a href=\"http:\/\/www.thelodgegallery.com\/john-wellington-temple-tomb-fortress-ruin\/\" target=\"_blank\">Temple Tomb Fortress Ruin<\/a>,\u201d an exhibition of paintings by John Wellington, is at the Lodge Gallery through March 5. Wellington embraces the formal tactics\u00a0of the old masters to depict a bleak, surreal, new world order\u2014seemingly both ancient and modern, Eastern and Western\u2014animated above all by a kind of perverted militarism. His work fixates, as his gallery writes, on \u201clost worlds, passing empires, false prophets, unlikely heroes, and the allure of idolatry.\u201d<\/em><\/p>\n<div id=\"attachment_107695\" style=\"width: 754px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/youandme.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-107695\" class=\"wp-image-107695 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/youandme.jpg\" width=\"744\" height=\"1050\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/youandme.jpg 744w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/youandme-213x300.jpg 213w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/youandme-726x1024.jpg 726w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-107695\" class=\"wp-caption-text\">John Wellington, <i>You and Me<\/i>, 2009, oil and copper leaf on aluminum, 68&#8243; x 48&#8243;.<\/p><\/div>\n<p><!--more--><\/p>\n<div id=\"attachment_107696\" style=\"width: 623px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/this_is_a_comedy.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-107696\" class=\"wp-image-107696 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/this_is_a_comedy.jpg\" width=\"613\" height=\"1050\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/this_is_a_comedy.jpg 613w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/this_is_a_comedy-175x300.jpg 175w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/this_is_a_comedy-598x1024.jpg 598w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-107696\" class=\"wp-caption-text\"><i>THIS IS A COMEDY<\/i>, 2010, oil and aluminum leaf on aluminum, 48&#8243; x 28.25&#8243;.<\/p><\/div>\n<div id=\"attachment_107697\" style=\"width: 1060px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/prophete.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-107697\" class=\"wp-image-107697 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/prophete.jpg\" width=\"1050\" height=\"1050\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/prophete.jpg 1050w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/prophete-150x150.jpg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/prophete-300x300.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/prophete-768x768.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/prophete-1024x1024.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-107697\" class=\"wp-caption-text\"><i>PROPHETE<\/i>, 2011, oil on wood panel, 48&#8243; diameter.<\/p><\/div>\n<div id=\"attachment_107698\" style=\"width: 690px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/come_nearer_the_fire.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-107698\" class=\"wp-image-107698 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/come_nearer_the_fire.jpg\" width=\"680\" height=\"1050\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/come_nearer_the_fire.jpg 680w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/come_nearer_the_fire-194x300.jpg 194w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/come_nearer_the_fire-663x1024.jpg 663w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-107698\" class=\"wp-caption-text\"><i>COME NEARER THE FIRE<\/i>, 2008, oil and copper leaf on aluminum, 75&#8243; x 48&#8243;.<\/p><\/div>\n<div id=\"attachment_107699\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/bathing_diana_main.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-107699\" class=\"wp-image-107699\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/bathing_diana_main.jpg\" width=\"1000\" height=\"632\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/bathing_diana_main.jpg 2303w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/bathing_diana_main-300x190.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/bathing_diana_main-768x485.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/bathing_diana_main-1024x647.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-107699\" class=\"wp-caption-text\"><i>BATHING DIANA (with guards)<\/i>, 2013, oil on aluminum, 30&#8243; x 48&#8243;.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The artist\u2019s latest exhibition is at Lodge Gallery through March 5.<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[35,7676,20760,27264,27266,27267,7738,4154,7318,27265],"class_list":["post-107688","post","type-post","status-publish","format-standard","hentry","category-look","tag-art","tag-galleries","tag-gallery-openings","tag-john-wellington","tag-lodge-gallery","tag-militarism","tag-military","tag-paintings","tag-surrealism","tag-temple-tomb-fortress-ruin"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Temple Tomb Fortress Ruin: Paintings by John Wellington<\/title>\n<meta name=\"description\" content=\"The artist\u2019s latest exhibition is at Lodge Gallery through March 5.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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