{"id":107592,"date":"2017-02-09T17:28:13","date_gmt":"2017-02-09T22:28:13","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=107592"},"modified":"2017-02-09T17:48:33","modified_gmt":"2017-02-09T22:48:33","slug":"portraits-and-perennials","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/09\/portraits-and-perennials\/","title":{"rendered":"Portraits and Perennials"},"content":{"rendered":"<p><em>\u201c<a href=\"http:\/\/www.dcmooregallery.com\/exhibitions\/robert-kushner-portraits-perennials\" target=\"_blank\">Portraits &amp; Perennials<\/a>,\u201d an exhibition of paintings and works on paper by Robert Kushner, opens tonight at DC Moore Gallery, where it\u2019s on display through March 18. In an essay accompanying the exhibition catalog, \u201cDo REAL Men Paint Flowers?\u201d, Kushner writes, \u201cSo, are geometry and botany at peace? In dialogue? At each other\u2019s throats? I would like to think that when I am done after working on it for weeks and sometimes months, there is an interesting and\u00a0intentionally confusing juxtaposition between pure abstraction and linear form\u2014that they each balance one another and create their own tightrope act.\u201d<\/em><\/p>\n<div id=\"attachment_107593\" style=\"width: 560px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner1.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-107593\" class=\"wp-image-107593 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner1.jpeg\" width=\"550\" height=\"792\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner1.jpeg 550w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner1-208x300.jpeg 208w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-107593\" class=\"wp-caption-text\">Robert Kushner, <i>Taro Leaves<\/i>, 2016, acrylic, gold leaf, and collage on paper, 49&#8243; x 33 1\/2&#8243;.<\/p><\/div>\n<p><!--more--><\/p>\n<div id=\"attachment_107596\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-107596\" class=\"wp-image-107596\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner.jpeg\" width=\"1000\" height=\"629\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner.jpeg 1259w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner-300x189.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner-768x483.jpeg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner-1024x644.jpeg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-107596\" class=\"wp-caption-text\"><i>Palm Frond II<\/i>, 2016, acrylic and collage on paper, 25&#8243; x 40&#8243;.<\/p><\/div>\n<div id=\"attachment_107595\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner5.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-107595\" class=\"wp-image-107595\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner5.jpeg\" width=\"1000\" height=\"682\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner5.jpeg 1161w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner5-300x205.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner5-768x524.jpeg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner5-1024x699.jpeg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-107595\" class=\"wp-caption-text\"><i>Purple Pond Frond II<\/i>, 2016, acrylic and collage on paper, 17 1\/2&#8243; x 26&#8243;.<\/p><\/div>\n<div id=\"attachment_107594\" style=\"width: 802px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner2.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-107594\" class=\"wp-image-107594 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner2.jpeg\" width=\"792\" height=\"797\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner2.jpeg 792w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner2-150x150.jpeg 150w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner2-298x300.jpeg 298w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner2-768x773.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-107594\" class=\"wp-caption-text\"><i>Three King Alfreds<\/i>, 2016, oil, acrylic, and gold leaf on canvas, 72&#8243; x 72&#8243;.<\/p><\/div>\n<div id=\"attachment_107597\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner4.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-107597\" class=\"wp-image-107597\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner4.jpeg\" width=\"1000\" height=\"675\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner4.jpeg 1173w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner4-300x203.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner4-768x519.jpeg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/kushner4-1024x691.jpeg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-107597\" class=\"wp-caption-text\"><i>Pink Peony-Dark Background<\/i>, 2016, acrylic and collage on paper, 26&#8243; x 39&#8243;.<\/p><\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Robert Kushner has new work at D.C. Moore Gallery this month, along with an essay called \u201cDo REAL Men Paint Flowers?\u201d (Hint: yes.)<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[35,20832,12976,16425,4367,20760,4154,27194],"class_list":["post-107592","post","type-post","status-publish","format-standard","hentry","category-look","tag-art","tag-d-c-moore-gallery","tag-drawings","tag-exhibitions","tag-flowers","tag-gallery-openings","tag-paintings","tag-robert-kushner"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Portraits and Perennials: Art by Robert Kushner<\/title>\n<meta name=\"description\" content=\"Kushner has new work at D.C. 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