{"id":107546,"date":"2017-02-08T13:44:57","date_gmt":"2017-02-08T18:44:57","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=107546"},"modified":"2017-02-08T14:28:53","modified_gmt":"2017-02-08T19:28:53","slug":"infinite-mischief","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/08\/infinite-mischief\/","title":{"rendered":"Infinite Mischief"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/bishoplowell.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-107548\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/bishoplowell.jpg\" alt=\"\" width=\"800\" height=\"616\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/bishoplowell.jpg 800w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/bishoplowell-300x231.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/bishoplowell-768x591.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><em>Elizabeth Bishop was born on this day in 1911. In the early seventies, her friend Robert Lowell sent her the poems that would form his collection<\/em>\u00a0The Dolphin<em>\u2014in which, without permission, he\u2019d quoted the distraught letters his partner Elizabeth Hardwick had sent him after he left her. (\u201cyour clowning makes us want to vomit,\u201d one poem goes: \u201cyou bore \/ bore, bore the friends who \u2026 wished to save your image \/ from this genteel, disgraceful hospital.\u201d)<\/em><em>\u00a0Bishop, shocked to read the new work, sent him the impassioned rebuke excerpted below.\u00a0<\/em>The Dolphin<em>, when it was eventually published, won a Pulitzer Prize. Read more of Bishop and Lowell\u2019s letters in\u00a0<\/em><a href=\"https:\/\/www.amazon.com\/Words-Air-Complete-Correspondence-Elizabeth\/dp\/0374531897\" target=\"_blank\">Words in Air: The Complete Correspondence Between Elizabeth Bishop and Robert Lowell<\/a>\u00a0<em>(2008), edited Thomas Travisano with Saskia Hamilton.<\/em><br \/>\n<!--more--><\/p>\n<p>&nbsp;<\/p>\n<p>It\u2019s hell to write this, so please first do believe I think <em>Dolphin<\/em>\u00a0is magnificent poetry \u2026<\/p>\n<p>I\u2019m sure my point is only too plain \u2026 Lizzie is not dead, etc.\u2014but there is a \u201cmixture of fact &amp; fiction,\u201d and you have <em>changed <\/em>her letters. That is \u201cinfinite mischief,\u201d I think. The first one, page 10, is so shocking\u2014well, I don\u2019t know what to say. And page 47 \u2026 and a few after that. One can use one\u2019s life as material\u2014one does, anyway\u2014but these letters\u2014aren\u2019t you violating a trust? IF you were given permission\u2014IF you hadn\u2019t changed them \u2026 etc. But <em>art just isn\u2019t worth that much<\/em>. I keep remembering Hopkins\u2019 marvelous letter to Bridges about the idea of a \u201cgentleman\u201d being the highest thing ever conceived\u2014higher than a \u201cChristian\u201d even, certainly than a poet. It is not being \u201cgentle\u201d to use personal, tragic, anguished letters that way\u2014it\u2019s cruel.<\/p>\n<p>I feel fairly sure that what I\u2019m saying (so badly) won\u2019t influence you very much; you\u2019ll feel sad that I feel this way, but go on with your work &amp; publication just the same. I also think that the thing <em>could <\/em>be done, somehow\u2014the letters used and the conflict presented as forcefully, or almost, without <em>changing <\/em>them, or loading the dice so against E. [(] but you\u2019re a good enough poet to write <em>anything<\/em>\u2014get around anything\u2014after all [)] It would mean a great deal of work, of course\u2014and perhaps you feel it is impossible, that they must stay as written. It makes me feel perfectly awful, to tell the truth\u2014I feel sick for <em>you<\/em>. I don\u2019t want you to appear in that light, to anyone\u2014E, C,\u2014me\u2014your public! And most of all, not to yourself.<\/p>\n<p>[\u2026] In general, I deplore the \u201cconfessional\u201d\u2014however, when you wrote LIFE STUDIES perhaps it was a necessary movement, and it helped make poetry more real, fresh and immediate. But now\u2014ye gods\u2014anything goes, and I am so sick of poems about the students\u2019 mothers &amp; fathers and sex-lives and so on.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the early seventies, when Lowell published scornful personal letters to him without permission, Bishop wrote him a strong letter advising against it.<\/p>\n","protected":false},"author":932,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1900],"tags":[9158,18919,5733,629,631,182,7221,165,2047,630,27173,27174],"class_list":["post-107546","post","type-post","status-publish","format-standard","hentry","category-correspondence","tag-birthdays","tag-confessional-poetry","tag-correspondence-2","tag-elizabeth-bishop","tag-elizabeth-hardwick","tag-letters","tag-poems","tag-poetry","tag-poets","tag-robert-lowell","tag-the-dolphin","tag-words-in-air"],"acf":[],"yoast_head":"<!-- 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