{"id":107428,"date":"2017-02-06T09:33:31","date_gmt":"2017-02-06T14:33:31","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=107428"},"modified":"2017-02-06T16:10:20","modified_gmt":"2017-02-06T21:10:20","slug":"celebrating-the-everyday-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/06\/celebrating-the-everyday-and-other-news\/","title":{"rendered":"Celebrating the Everyday, and Other News"},"content":{"rendered":"<div id=\"attachment_107429\" style=\"width: 788px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/1ae75b4d-6497-40ca-8462-aa2b40da5b20_size4.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-107429\" class=\"wp-image-107429 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/1ae75b4d-6497-40ca-8462-aa2b40da5b20_size4.jpeg\" width=\"778\" height=\"647\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/1ae75b4d-6497-40ca-8462-aa2b40da5b20_size4.jpeg 778w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/1ae75b4d-6497-40ca-8462-aa2b40da5b20_size4-300x249.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/1ae75b4d-6497-40ca-8462-aa2b40da5b20_size4-768x639.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-107429\" class=\"wp-caption-text\">Detail from an 1870s photograph in the Loewentheil Collection.<\/p><\/div>\n<p>&nbsp;<\/p>\n<ul>\n<li>In June 1941, Stefan Zweig, having fled Austria for England and then New York, sat down to elaborate on the circumstances of Hitler\u2019s rise\u2014a story he feared would be lost to history if it weren\u2019t told often and in great detail. George Prochnik explains, \u201c<a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/when-its-too-late-to-stop-fascism-according-to-stefan-zweig?intcid=mod-latest\" target=\"_blank\">Zweig set to furious work on his autobiography\u2014laboring like \u2018seven devils without a single walk,\u2019 as he put it<\/a>. Some four hundred pages poured out of him in a matter of weeks. His productivity reflected his sense of urgency: the book was conceived as a kind of message to the future. It is a law of history, he wrote, \u2018that contemporaries are denied a recognition of the early beginnings of the great movements which determine their times.\u2019 For the benefit of subsequent generations, who would be tasked with rebuilding society from the ruins, he was determined to trace how the Nazis\u2019 reign of terror had become possible, and how he and so many others had been blind to its beginnings.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Jane Jacobs\u2019s <em>The Death and Life of Great American Cities <\/em>sprang from a brilliant, contentious speech she gave in 1956\u2014one that defied the doctrines of urban planning before an audience who\u2019d staked their careers on those doctrines. It was also, as Rebecca Tuhus-Dubrow writes, a tightrope walk between conservatism and liberalism: \u201c<a href=\"https:\/\/www.thenation.com\/article\/jane-jacobss-radical-vision-of-humanity\/\" target=\"_blank\">Jacobs was celebrating commerce and condemning government overreach in the form of public housing, and thereby showing some sympathy with the values of the right<\/a>. Yet she was doing so on behalf of low-income people who, she believed, had been ill served. Like any good leftist, she was defending the underdogs: the mom-and-pop stores as well as the residents of these projects, many of whom hated their bleak housing as much as she did.\u201d<\/li>\n<\/ul>\n<p><!--more--><\/p>\n<ul>\n<li>Cornell University\u2019s <a href=\"https:\/\/digital.library.cornell.edu\/?f%5bcollection_tesim%5d%5b%5d=Loewentheil+Collection+of+African-American+Photographs\" target=\"_blank\">Loewentheil Collection of African-American Photographs<\/a> has been fully digitized: it features 645 images of black lives from the 1860s through the 1960s, all of which eschew stereotypes: \u201c<a href=\"https:\/\/www.nytimes.com\/2017\/02\/01\/arts\/design\/cornell-university-loewentheil-collection-of-african-american-photographs.html?smid=tw-nytimesarts&amp;smtyp=cur\" target=\"_blank\">One of the goals\u2014both the Loewentheils in putting the collection together and ours in putting the digital collection online\u2014is to push back against the predominance of material on African-Americans as enslaved people<\/a> or working in menial jobs or other stereotypical situations \u2026 We wanted to show a broader swath of people in everyday settings.\u201d<\/li>\n<\/ul>\n<ul>\n<li>A book of Gerhard Richter\u2019s early drawings really captures the good old-fashioned soul-sucking loneliness that comes with being a biped, J. Hoberman writes: \u201c<a href=\"http:\/\/www.nybooks.com\/daily\/2017\/02\/05\/gerhard-richter-lost-cartoons-comic-strip\/\" target=\"_blank\">Shortly after the Berlin Wall went up and the painter defected, or as he would say \u2018relocated,\u2019 from Dresden to the West, Richter drew a series of images featuring a single protagonist going through an abstract landscape<\/a>. Recently discovered in a 1962 notebook, these have been published by his archives in a facsimile edition titled\u00a0<em>Comic Strip <\/em>\u2026 More elemental than the exaggerated two-dimensional Walking Woman that Michael Snow incorporated into his early paintings, photographs, and films, or the armless Falling Man that figured in Ernest Trova\u2019s sculptures and paintings, Richter\u2019s Biped Silhouette makes his way through a series of laconic, not-quite-narrative situations. Often standing alone, the Biped is a loner in a world of the replicas.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Prince\u2019s longtime recording engineer, Susan Rogers, elaborates on the key to his creative success and his prolific, generative spirit\u2014he made the space for himself, and he stayed there: \u201c<a href=\"http:\/\/tapeop.com\/interviews\/117\/susan-rogers\/\" target=\"_blank\">Here\u2019s why his life was possible. He was that much of a genius. Joseph Campbell talked about this in <em>The Hero with a Thousand Faces<\/em>, about the archetypal myth<\/a>. In order to express a universal, archetypal truth, you have to go to a deep place in your psyche. You have to go into that deep well of creativity \u2026 In order to write that much, and be that prolific, you must protect your psyche, because you go to this dangerous place, really easily and often. You put up a wall, and you tell your management, \u2018Don\u2019t let anyone approach me. I\u2019ve got my system. Here\u2019s the system that allows me to create. These are my people who I\u2019m familiar with. These are my places. This is a system where, within this circle, I can create.\u2019 That allows you to have a very long career, because you\u2019ve figured out an armor to protect yourself \u2026 Prince was smart enough, as a young man, to know that he\u2019d need to do that if he wanted to have a long career, so he did it. But, to the outside world, he appeared as a big enigma \u2026 He valued being invisible, because he valued the work.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>In today\u2019s roundup: the Loewentheil Collection of African-American Photographs has been digitized; Stefan Zweig on fascism; and more.<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[13504,131,27118,25366,14957,2962,3152,27117,9032,27119,1329,8197,27120,15098],"class_list":["post-107428","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-austria","tag-comics","tag-cornell-university","tag-creation","tag-digital-humanities","tag-fascism","tag-gerhard-richter","tag-jane-jacobs","tag-joseph-campbell","tag-loewentheil-collection-of-african-american-photographs","tag-prince","tag-stefan-zweig","tag-susan-rogers","tag-urban-planning"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Online Now: Hundreds of Photos of Black Lives, Eschewing Stereotypes<\/title>\n<meta name=\"description\" content=\"In today\u2019s arts and culture news roundup: the Loewentheil Collection of African-American Photographs has been digitized; 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