{"id":107354,"date":"2017-02-02T18:17:20","date_gmt":"2017-02-02T23:17:20","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=107354"},"modified":"2017-02-02T19:47:32","modified_gmt":"2017-02-03T00:47:32","slug":"107354","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/","title":{"rendered":"The Engraver\u2019s Delicate Hammer"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/james-dickey-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-107355\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/james-dickey-2.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/james-dickey-2.jpg 800w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/james-dickey-2-300x225.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/james-dickey-2-768x576.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><em>Our\u00a0complete digital archive is available now.\u00a0Subscribers can read every piece\u2014every story and poem, every essay, portfolio, and interview\u2014from <\/em>The Paris Review<em>\u2019s sixty-three-year history. <a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=GATPRFX\" target=\"_blank\">Subscribe now<\/a> and you can start reading 0ur\u00a0back issues\u00a0right away. You can also try <a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=TA10FX&amp;type=S\" target=\"_blank\">a free ten-day trial period<\/a>.<\/em><\/p>\n<p>James Dickey, who would be ninety-four today, contributed a handful of poems to the\u00a0<em>Review\u00a0<\/em>throughout his career. In our <a href=\"https:\/\/www.theparisreview.org\/miscellaneous\/2868\/proceedings-truman-capote-james-dickey\" target=\"_blank\">Fall 1985 issue<\/a>, he also published, most anomalously, <a href=\"https:\/\/www.theparisreview.org\/miscellaneous\/2868\/proceedings-truman-capote-james-dickey\" target=\"_blank\">a remembrance of Truman Capote<\/a>, whom he\u2019d only met once. \u201cIndeed,\u201d the editors wrote then, \u201chis only firm recollection was a chance meeting in New York\u2019s Gotham Book Mart at which\u2014as Southerners tend to do\u2014the two talked about relatives: Capote had an aunt \u2018up \u2019round Buford way.\u2019 \u201d\u00a0<!--more-->Be that as it may, the\u00a0American Academy and Institute of Arts and Letters had asked Dickey to eulogize Capote at their annual meeting, and he rose to the occasion, determined \u201cto pick up the gauntlet, get up there, and try. I worked on it right hard, because I wanted to say some things about Capote that people would not have thought about him \u2026 to go in there along with what everyone did think about him.\u201d What he wrote was so evocative that the\u00a0<em>Review\u00a0<\/em>picked it up for publication. He lauds Capote\u2019s \u201clenslike detachment,\u201d which suggests \u201cthings wrought by the engraver\u2019s delicate hammer\u201d:<\/p>\n<blockquote><p>This small childlike individual, this self-styled, self-made, self-taught country boy\u2014what did he teach himself? To concentrate: to close out, and close in: to close with. His writing came, first, from a great and very real interest in many things and people, and then from a peculiar frozen detachment that he practiced as one might practice the piano, or a foot position in ballet. Cultivated in this manner, his powers of absorption in a subject became very nearly absolute, and his memory was already remarkable, particularly in its re-creation of small details. He possessed to an unusual degree this ability to encapsulate himself with his subject, whatever or whoever it might be, so that nothing else existed except him and the other; and then he, himself, would begin to fade away and words would appear in his place: words concerning the subject, as though it were dictating itself.<\/p><\/blockquote>\n<p>Read <a href=\"https:\/\/www.theparisreview.org\/miscellaneous\/2868\/proceedings-truman-capote-james-dickey\" target=\"_blank\">Dickey\u2019s remembrance in full here<\/a>,\u00a0and\u00a0<a href=\"https:\/\/ssl.drgnetwork.com\/ecom\/TPR\/app\/live\/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=GATPRFX\" target=\"_blank\">subscribe now<\/a>\u00a0for digital access to every short story, poem, portfolio, and essay from<em>\u00a0The Paris Review.\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In our Fall 1985 issue, James Dickey eulogized Truman Capote, whose \u201clenslike detachment,\u201d suggested \u201cthings wrought by the engraver\u2019s delicate hammer.\u201d<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1188],"tags":[370,25912,26616,364,27075,19907,27076,16738,13136,2705],"class_list":["post-107354","post","type-post","status-publish","format-standard","hentry","category-from-the-archive","tag-back-issues","tag-digital-archive","tag-digital-subscription","tag-essays","tag-eulogies","tag-from-the-archive","tag-issue-97","tag-james-dickey","tag-remembrances","tag-truman-capote"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>James Dickey on Truman Capote<\/title>\n<meta name=\"description\" content=\"In our Fall 1985 issue, James Dickey eulogized Truman Capote, whose \u201clenslike detachment,\u201d suggested \u201cthings wrought by the engraver\u2019s delicate hammer.\u201d\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Engraver\u2019s Delicate Hammer by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"February 2, 2017 \u2013 In our Fall 1985 issue, James Dickey eulogized Truman Capote, whose \u201clenslike detachment,\u201d suggested \u201cthings wrought by the engraver\u2019s delicate hammer.\u201d\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-02-02T23:17:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-02-03T00:47:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/james-dickey-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"The Engraver\u2019s Delicate Hammer\",\"datePublished\":\"2017-02-02T23:17:20+00:00\",\"dateModified\":\"2017-02-03T00:47:32+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/\"},\"wordCount\":412,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/james-dickey-2.jpg\",\"keywords\":[\"back issues\",\"digital archive\",\"digital subscription\",\"essays\",\"eulogies\",\"from the archive\",\"Issue 97\",\"James Dickey\",\"remembrances\",\"truman capote\"],\"articleSection\":[\"From the Archive\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/\",\"name\":\"James Dickey on Truman Capote\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/james-dickey-2.jpg\",\"datePublished\":\"2017-02-02T23:17:20+00:00\",\"dateModified\":\"2017-02-03T00:47:32+00:00\",\"description\":\"In our Fall 1985 issue, James Dickey eulogized Truman Capote, whose \u201clenslike detachment,\u201d suggested \u201cthings wrought by the engraver\u2019s delicate hammer.\u201d\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/james-dickey-2.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/james-dickey-2.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Engraver\u2019s Delicate Hammer\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"James Dickey on Truman Capote","description":"In our Fall 1985 issue, James Dickey eulogized Truman Capote, whose \u201clenslike detachment,\u201d suggested \u201cthings wrought by the engraver\u2019s delicate hammer.\u201d","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/","og_locale":"en_US","og_type":"article","og_title":"The Engraver\u2019s Delicate Hammer by Dan Piepenbring","og_description":"February 2, 2017 \u2013 In our Fall 1985 issue, James Dickey eulogized Truman Capote, whose \u201clenslike detachment,\u201d suggested \u201cthings wrought by the engraver\u2019s delicate hammer.\u201d","og_url":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2017-02-02T23:17:20+00:00","article_modified_time":"2017-02-03T00:47:32+00:00","og_image":[{"width":800,"height":600,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/james-dickey-2.jpg","type":"image\/jpeg"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"The Engraver\u2019s Delicate Hammer","datePublished":"2017-02-02T23:17:20+00:00","dateModified":"2017-02-03T00:47:32+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/"},"wordCount":412,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/james-dickey-2.jpg","keywords":["back issues","digital archive","digital subscription","essays","eulogies","from the archive","Issue 97","James Dickey","remembrances","truman capote"],"articleSection":["From the Archive"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/","url":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/","name":"James Dickey on Truman Capote","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/james-dickey-2.jpg","datePublished":"2017-02-02T23:17:20+00:00","dateModified":"2017-02-03T00:47:32+00:00","description":"In our Fall 1985 issue, James Dickey eulogized Truman Capote, whose \u201clenslike detachment,\u201d suggested \u201cthings wrought by the engraver\u2019s delicate hammer.\u201d","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/james-dickey-2.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/02\/james-dickey-2.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2017\/02\/02\/107354\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"The Engraver\u2019s Delicate Hammer"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/107354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=107354"}],"version-history":[{"count":3,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/107354\/revisions"}],"predecessor-version":[{"id":107359,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/107354\/revisions\/107359"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=107354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=107354"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=107354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}