{"id":106788,"date":"2017-01-17T19:12:48","date_gmt":"2017-01-18T00:12:48","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=106788"},"modified":"2017-01-17T19:12:48","modified_gmt":"2017-01-18T00:12:48","slug":"clusterfuck","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/01\/17\/clusterfuck\/","title":{"rendered":"Clusterfuck"},"content":{"rendered":"<p><em>Ivan Morley\u2019s latest exhibition is at <a href=\"http:\/\/bortolamigallery.com\/exhibitions\/ivan-morley-4\/\" target=\"_blank\">Bortolami Gallery through February 18<\/a>. A lifelong Californian, Morley partakes of a tradition Jerry Saltz has called \u201cclusterfuck aesthetics,\u201d fusing pop images to emblems of American subcultures. Among the materials he\u2019s used in these works: tooled leather, mother of pearl, and KY jelly. By his own account, the two recurring titles in this series, \u201cTehachepi\u201d and \u201cA True Tale,\u201d refer to apocryphal stories from the Old West\u2014the former concerns\u00a0\u201cnative family life in a town where the wind was so strong it could alter the trajectory of a bullet,\u201d where the latter involves\u00a0\u201can entrepreneur who made a fortune shipping cats to a rat-infested city.\u201d\u00a0<\/em><\/p>\n<div id=\"attachment_106795\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7894.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-106795\" class=\"wp-image-106795\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7894.jpg\" width=\"1000\" height=\"1267\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7894.jpg 1616w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7894-237x300.jpg 237w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7894-768x973.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7894-808x1024.jpg 808w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-106795\" class=\"wp-caption-text\">Ivan Morley, <i>Tehachepi (sic)<\/i>, 2003, acrylic, oil, thread, batik and u.v. varnish on denim, 60&#8243; x 45&#8243;<\/p><\/div>\n<p><!--more--><\/p>\n<div id=\"attachment_106794\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7893.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-106794\" class=\"wp-image-106794\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7893.jpg\" width=\"1000\" height=\"1250\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7893.jpg 1120w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7893-240x300.jpg 240w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7893-768x960.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7893-819x1024.jpg 819w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-106794\" class=\"wp-caption-text\"><i>Logo<\/i>, 2005, oil, acrylic dye, wax, KY jelly and u.v. varnish on linen over panel, 43 1\/4&#8243; x 36&#8243;<\/p><\/div>\n<div id=\"attachment_106793\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7892.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-106793\" class=\"wp-image-106793\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7892.jpg\" width=\"1000\" height=\"1267\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7892.jpg 1105w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7892-237x300.jpg 237w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7892-768x973.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7892-808x1024.jpg 808w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-106793\" class=\"wp-caption-text\"><i>Emblem<\/i>, 2005, acrylic and dye on tooled leather over panel, 44&#8243; x 25 1\/2&#8243;<\/p><\/div>\n<div id=\"attachment_106792\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7886.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-106792\" class=\"wp-image-106792\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7886.jpg\" width=\"1000\" height=\"1333\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7886.jpg 1500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7886-225x300.jpg 225w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7886-768x1024.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-106792\" class=\"wp-caption-text\"><i>A True Tale<\/i>, 2016, thread on canvas, 50&#8243; x 43&#8243;<\/p><\/div>\n<div id=\"attachment_106791\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7885.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-106791\" class=\"wp-image-106791\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7885.jpg\" width=\"1000\" height=\"1500\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7885.jpg 1500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7885-200x300.jpg 200w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7885-768x1152.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7885-683x1024.jpg 683w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-106791\" class=\"wp-caption-text\"><i>A True Tale<\/i>, 2016, thread on canvas, 72&#8243; x 39&#8243;<\/p><\/div>\n<div id=\"attachment_106790\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7821.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-106790\" class=\"wp-image-106790\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7821.jpg\" width=\"1000\" height=\"1333\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7821.jpg 1500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7821-225x300.jpg 225w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7821-768x1024.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-106790\" class=\"wp-caption-text\"><i>Tehachepi (sic)<\/i>, 2016, oil with gold, and mother of pearl on glass 32&#8243; x 24&#8243;<\/p><\/div>\n<div id=\"attachment_106789\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7820.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-106789\" class=\"wp-image-106789\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7820.jpg\" width=\"1000\" height=\"1500\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7820.jpg 1500w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7820-200x300.jpg 200w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7820-768x1152.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2017\/01\/im7820-683x1024.jpg 683w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-106789\" class=\"wp-caption-text\"><i>A True Tale<\/i>, 2016, thread on canvas, 33&#8243; x 29&#8243;<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The artist has new work at Bortolami Gallery this month. Among the materials he\u2019s used here: tooled leather, mother of pearl, and KY jelly.<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[35,24386,775,7676,26760,13916,4154],"class_list":["post-106788","post","type-post","status-publish","format-standard","hentry","category-look","tag-art","tag-bortolami-gallery","tag-california","tag-galleries","tag-ivan-morley","tag-openings","tag-paintings"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Paintings by Ivan Morley<\/title>\n<meta name=\"description\" content=\"The artist has new work at Bortolami Gallery this month. 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