{"id":106569,"date":"2017-01-09T14:02:21","date_gmt":"2017-01-09T19:02:21","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=106569"},"modified":"2017-01-09T14:25:33","modified_gmt":"2017-01-09T19:25:33","slug":"from-300-arguments","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2017\/01\/09\/from-300-arguments\/","title":{"rendered":"From 300 Arguments<\/i>"},"content":{"rendered":"
<\/a>

Jane Freilicher, Window on the West Village<\/i>, 1999, oil on linen, 24″ x 28″. On display at Derek Eller Gallery through February 5<\/p><\/div>\n

 <\/p>\n

Sarah Manguso\u2019s\u00a0<\/em>300 Arguments<\/a>\u00a0is out in February from Graywolf Press.\u00a0An early excerpt, \u201cShort Days<\/a>,\u201d appeared in the Winter 2014\u00a0issue of\u00a0<\/em>The Paris Review.<\/p>\n

 <\/p>\n

I love word games, in which words are reduced to objects, and which kill the intimacy I maintain with the same words when I\u2019m writing.<\/p>\n

 <\/p>\n

There truly are two kinds of people: you and everyone else.\u00a0<\/p>\n

 <\/p>\n

The best form isn\u2019t always the most efficient form.<\/p>\n

 <\/p>\n

I\u2019m seldom bored at home, but I\u2019m often bored while traveling. At home, where my daily routine is automatic enough that I can almost ignore it, I\u2019m free to think about what I want.<\/p>\n

 <\/p>\n

It\u2019s impossible to fail if one doesn\u2019t know how the end should look. And it\u2019s impossible to succeed. But it\u2019s possible to enjoy.<\/p>\n

 <\/p>\n

I failed Chem 10 and gave up on becoming a physician. Then I became a chronically ill person. I know my case extremely well. I\u2019ve been practicing for more than twenty years.<\/p>\n

 <\/p>\n

Those without taste smugly praise the thrice-belaureled. Poor taste is something else.<\/p>\n

 <\/p>\n

Great talents encourage great incapacities, but maintaining an inability to cook an egg or drive a car won\u2019t make you into a genius.<\/p>\n

 <\/p>\n

The will can achieve some things, but one must exhaust one\u2019s will in order to learn which things they are.<\/p>\n

 <\/p>\n

I wish someone would tell me what I should be doing instead of this, that he\u2019d be right, and that I\u2019d believe him.<\/p>\n

 <\/p>\n

Sometimes ill-informed choices have good outcomes.<\/p>\n

 <\/p>\n

Every success story can be told as a series of failures.<\/p>\n

 <\/p>\n

When a student surpasses my expectations, I feel proud and betrayed.<\/p>\n

 <\/p>\n

I know a woman who runs marathons she doesn\u2019t train for. Isn\u2019t that bad for your joints or something? You just have to be stubborn<\/em>, she says.<\/p>\n

 <\/p>\n

Progress takes place in the dark, when you aren\u2019t trying.<\/p>\n

 <\/p>\n

My long romance with efficiency has made me miserly.<\/p>\n

<\/a><\/p>\n

Given a year\u2019s pay up front, I produce almost nothing. Given a month\u2019s pay, I produce what otherwise would have taken a year. Given nothing, I work when I can. Time and production must bear some relation to each other, but I couldn\u2019t say what it is.<\/p>\n

 <\/p>\n

There\u2019s nothing wrong with being unhappy if you don\u2019t consider unhappiness a pathology.<\/p>\n

 <\/p>\n

I used to have a handwriting. Now I just have a signature.<\/p>\n

 <\/p>\n

Lack of effort poorly conceals lack of ability.<\/p>\n

 <\/p>\n

My friend who runs marathons, throws elaborate parties, sews quilts for everyone she knows, works full-time, and has three children does all of this not in spite of her useless husband but because of him.<\/p>\n

 <\/p>\n

It takes time to recover from having run somewhere. But sometimes one just wants to run. Anywhere.<\/p>\n

 <\/p>\n

Someone I knew prevented me from getting a job. I fantasized about his death. Years later, he was fired publicly and shamefully. Then he was divorced. Then he developed a disabling illness. With each of his new misfortunes I\u2019m punished further, with secret guilt, for wishing all of it on him, long ago.<\/p>\n

 <\/p>\n

After I submitted the final draft of my book about a train-track suicide, the art department produced sketches for my book cover: a needle and a long skein of red thread; a length of fluffy pinkish lace; a yellow hand mirror lying on a patch of green grass. I gave my editor a note for the designers, and the next day they delivered a perfect cover design: a photograph of the book\u2019s subject, a man sitting on a train. This was the note: Pretend this book was written by a man.<\/em><\/p>\n

\u00a0<\/em><\/p>\n

Everything has to be paid for, especially money.<\/p>\n

 <\/p>\n

Sarah Manguso is the author of six previous books including\u00a0<\/em>Ongoingness, <\/em>The Guardians,\u00a0<\/em>and\u00a0<\/em>The Two Kinds of Decay.\u00a0Honors for her writing include a Guggenheim Fellowship and the Rome Prize.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Sarah Manguso\u2019s collection of arguments about desire, ambition, and failure is out next month from Graywolf.<\/p>\n","protected":false},"author":303,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4393],"tags":[26612,647,13987,10827,35,26613,12877,5208,17905,364,14748,2164,8281,21086,8476,1080,23979,24773,3988],"class_list":["post-106569","post","type-post","status-publish","format-standard","hentry","category-first-person","tag-300-arguments","tag-ambition","tag-aphorisms","tag-arguments","tag-art","tag-creative-nonfiction","tag-decisions","tag-desire","tag-envy","tag-essays","tag-failure","tag-graywolf-press","tag-illness","tag-marathons","tag-medicine","tag-money","tag-pride","tag-recovery","tag-romance"],"acf":[],"yoast_head":"\nFrom \u2018300 Arguments\u2019<\/title>\n<meta name=\"description\" content=\"Sarah Manguso\u2019s collection of arguments 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