{"id":105990,"date":"2016-12-20T16:14:28","date_gmt":"2016-12-20T21:14:28","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=105990"},"modified":"2016-12-20T18:40:45","modified_gmt":"2016-12-20T23:40:45","slug":"beautiful-animal-of-the-king","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/","title":{"rendered":"Beautiful Animal of the King"},"content":{"rendered":"<p><em>Elena Passarello\u2019s column is about famous animals from history. This week: Zarafa.<\/em><\/p>\n<div id=\"attachment_105991\" style=\"width: 2410px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/zafara-01.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-105991\" class=\"size-full wp-image-105991\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/zafara-01.jpg\" alt=\"\" width=\"2400\" height=\"1800\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/zafara-01.jpg 2400w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/zafara-01-300x225.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/zafara-01-768x576.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/zafara-01-1024x768.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-105991\" class=\"wp-caption-text\">Design by Kristen Radtke.<\/p><\/div>\n<blockquote><p>&nbsp;<\/p>\n<p>All these observations bring to mind the possibility of bringing her to Paris by small daily journeys. No other manner of transport seems preferable to me.\u00a0<em>\u2014<\/em>Count Villeneuve-Bargemon<\/p>\n<p>At each arrival in populous towns \u2026 I had to fight the crowds who rushed tumultuously at the animal.\u00a0<em>\u2014<\/em>\u00c9tienne Geoffroy Saint-Hilaire<\/p>\n<p>The giraffe occupies all the public\u2019s attention; one talks of nothing else in the circles of the capital. \u2014<em>La pandore<\/em><\/p><\/blockquote>\n<p><strong>Name:<\/strong> Zarafa<\/p>\n<p><strong>Species:<\/strong> <em>Giraffa camelopardalis camelopardalis<\/em><\/p>\n<p><strong>Years Active:<\/strong> 1825\u20131845<\/p>\n<p><strong>Distinguishing Features: <\/strong>Sixteen-inch prehensile tongue, tufted ossicones, bedroom eyes<\/p>\n<p><strong>Skills: <\/strong>Long walks, befriending dignitaries<\/p>\n<p><strong>Habitat:<\/strong>\u00a0A parquet-floored wing of the Jardin des Plantes rotunda: \u201ctruly the boudoir of a little lady\u201d<\/p>\n<p><strong>Additional Notes: <\/strong>When Zarafa arrived at the port of Marseilles in the autumn of 1826, she did so unnamed. Though she was occasionally called \u201cthe child of Egypt,\u201d \u201cDame Girafe,\u201d or \u201cthe Beautiful Animal of the King\u201d by dignitaries, newspapers, and her thousands-strong French fan club, Zarafa lived her eighteen years never officially known as anything but <em>la girafe<\/em>. There were no other beasts of her kind, you see, with which to confuse her.\u00a0<!--more--><\/p>\n<p>The last giraffe to set foot on the continent\u2014the prize beast of a Medici prince\u2014did so 340\u00a0years earlier, but that creature never made it onto French soil. A giraffe could only be found in bestiaries, galleries, and picture books, where a lack of information often led to artistic license. See the squat \u201cgirfaunt\u201d of John Mandeville\u2019s medieval travel memoir, with its cat\u2019s head and serpent\u2019s neck; or Bosch\u2019s fancy, snow-white beast, with its sloping back end and the horns of an ibex.<\/p>\n<p>No giraffe had even been to France when King Charles X sent a global request in 1824 for additions to his Jardin des Plantes, which already housed rescued circus bears, exotic birds, and a couple of big cats \u201cliberated\u201d from the defunct menagerie at Versailles. Egypt\u2019s Pasha Muhammad Ali, spotting a diplomatic opportunity, sent word to his Ethiopian contacts to find an even more unforgettable animal for Charles and to keep the delicate creature safe all the way down the Nile and over the Mediterranean.<\/p>\n<p>A hunting party found the two-month-old giraffe in Sennar with her mother. They quickly dispatched the adult and loaded the already six-foot-tall baby onto a camel. Unweaned and vulnerable, she became dependent on the care and affections of the hunters, who had learned from earlier attempts that a giraffe must travel delicately or it would perish. Thus began the first leg of a four-thousand-mile journey\u2014by dromedary, felucca, brigantine, and, finally, foot\u2014that would bring Zarafa within reach of a king.<\/p>\n<p>It took two and a half years to travel from the Sudan to the Mediterranean. In that time, Zarafa nearly doubled in size and soon required six gallons of fresh milk a day. Three cows accompanied her on the ship when it sailed from Alexandria. While other beasts made the crossing at her feet, Zarafa\u2019s head stood a deck above, poking through a little hole padded with straw that her handlers had cut for her. A tarpaulin shielded her head from the elements and she wore an amulet stuffed with Koran verses, tied at the base of her neck with red ribbon, to keep her safe. She rode that way\u2014stuck in place like a fireman\u2019s pole, but guarded like a treasure\u2014for twenty-five days.<\/p>\n<p>The Beautiful Animal of the King first touched French soil on October 31, already an inch taller and surprisingly hale. That she travelled so long with little consequence is nothing short of miraculous; a different giraffe secured by the Pasha for King George IV had barely made it to London the same year. That beast spent the last months of her short life trussed in a harness, her legs too weak to support her own weight.<\/p>\n<p>Zarafa\u2019s French handlers didn\u2019t dare risk a similar fate, so she wintered in a custom-made stable on the grounds of Marseille\u2019s prefect while officials plotted and planned. The best route to Paris, they decided, was not another boat, up the Rh\u00f4ne, but a five-hundred-fifty-mile walk along the gravel roads that led to the capital. Paris sent the esteemed \u00c9tienne Geoffroy Saint-Hilaire\u2014one of Europe\u2019s most prominent men of science\u2014to supervise. A founding professor of France\u2019s natural history museum (and the namesake of <em>Leopardus geoffroyi,<\/em> a wonderful spotted wildcat), Geoffroy traveled extensively, retrieving exotic specimens, cataloguing natural oddities, and investigating concepts that would eventually bolster Evolutionary theory. This request from the king to bring Zarafa safely to Paris must have felt significant to Geoffroy, now near the end of his great career.<\/p>\n<p>It\u2019s impossible to ignore the ardor with which powerful men like Geoffroy described Zarafa. Their writing on her is delighted, avuncular, and on occasion, downright passionate. When Geoffroy saw her letting a lamb cavort on her back, he called her \u201cas debonair as she is intelligent.\u201d Zarafa\u2019s prefect landlord wrote that she was \u201cglorious as a peacock,\u201d and a Marseillais academic wrote in a sixteen-page pamphlet, baffled and in awe of her nymphet guile: \u201cShe seems badly built, unbalanced on her feet, and yet one is seized by astonishment at the sight of her, and one finds her beautiful without being able to say why.\u201d<\/p>\n<p>She walked the road to Paris in a huge two-piece waxed taffeta raincoat\u2014essential for the unusually wet spring. Her entourage included a mounted guard, a pair of sheep, her trusty milk cows, and three footmen, each one holding a leather leash as he walked, to keep any single lead from tugging too harshly on her body. The devoted Geoffroy\u2014though fifty-five and gouty\u2014guided her every step of the trip, which, at two miles an hour, took forty-one days.<\/p>\n<p>They knew the walk would require no small amount of crowd control. Papers had already published essays and illustrations of the fabulous beast at full gallop or reaching to the high branches to snatch a leaf with her shocking tongue. An inn in Tonnerre painted on its shingle the equivalent of <small>THE GIRAFFE SLEPT HERE!<\/small>\u00a0and a hotelier in Maisse renamed his whole business after her. In Aix, she walked the thoroughfare twice\u2014an evening show and a matinee\u2014and they thanked her by embroidering a Fleur-de-lis on her raincoat. In Lyon, the mob of fans spooked the police horses and Zarafa bolted, knocking poor Geoffroy to the ground.<\/p>\n<p>When the party neared Paris, King Charles complained he\u2019d be the last Frenchman to lay eyes on his royal gift. He wanted to meet her on the road, but his wife advised him to act like a king and let the giraffe come to him. And so the longest distance Zarafa ever ambled in a day was her final walk: nine miles through Paris to the palace at Saint-Cloud for her audience with the king, and then nine miles back to her tower in the Jardin des Plantes. At the palace, she showed off her signature gallop and ate rose petals straight from the royal hand.<\/p>\n<p>Though she stayed at the Jardin for her remaining seventeen years (with a live-in handler who slept by her every night), Zarafa\u2019s first year in residence was a mob scene. A steady stream of artisans arrived at her tower to sketch her. One ink-drawn headshot has Zarafa in profile, peering under her eyelashes, gamine like a twelve-foot Natalie Portman. Nicolas Huet\u2019s <em>Study of the Giraffe Given to Charles X by the Viceroy of Egypt<\/em> puts all the bestiary doodles to shame, mastering Zarafa\u2019s long legs, proud, straight neck, and tufted ossicones (though perhaps adding a fashionable arch to her brow).<\/p>\n<p>By that fall, everything in Paris was <em>\u00e0 la girafe<\/em>: serving ware, confections, songs, and skits. George Sand noted in a letter that her son\u2019s stuffed giraffe toy looked \u201cexactly similar\u201d to the belle of the Jardin. Flaubert once wrote to Sand after a laborious day that he was as tired as Zarafa\u2019s handler must be, post-grooming. Plans were made to erect giraffe-shaped gas lamps around the stock exchange, and, in a strange bit of slang, those stricken with that year\u2019s winter grippe were asked, How goes the giraffe?<\/p>\n<p>A magazine spread on that season\u2019s cravats featured a high-necked collar and a low red silk knot, and ladies stepped out with ribboned amulets at their necks, modeled after the charm Zarafa was given for her sea voyage and that she still sported in Paris. <em>Journal des Dames<\/em> touted the season\u2019s hot color\u2014\u201cgiraffe belly\u201d\u2014and said the must-have sleeve was a yellow puff gathered at the elbow (an homage to Zarafa\u2019s knobby knees). Hats were ordered in giraffe-belly moir\u00e9 and plush, or trimmed in satin giraffe-yellow cord. Parisians didn\u2019t just want to own the giraffe image; they wanted to become her.<\/p>\n<p>So they combed that giraffe onto their own heads, ordering the friseurs to pile their hair forward and grease it with bear-fat pomatum. They held rods in the fire and curled wet locks around them\u2014piling their tresses up and up from the crown to the ceiling; hair giddily bolstered with wire, toupees, and ribbons; tall enough so that they had to sit on the carriage floors when they rode to parties\u2014lifting themselves toward the beast of the world that France had the greatest desire to see.<\/p>\n<p><em>Elena Passarello is a Whiting Award winner and the author of<\/em>\u00a0Let Me Clear My Throat <em>and<\/em><em>\u00a0<\/em>Animals Strike Curious Poses<em>, which<\/em><em>\u00a0will be released by Sarabande Books in February. She is one of the <\/em>Daily<em>\u2019s correspondents.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zarafa the giraffe created a national sensation when she arrived in France in 1826 and walked the entire road from Marseilles to Paris. <\/p>\n","protected":false},"author":1105,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[22700],"tags":[26348,26350,25841,8124,26344,26345,538,865,26342,26352,26349,26346,26347,26351,26353,10631,14062,26354,270,26343,232,26341,25362,123,5143,26355,26340],"class_list":["post-105990","post","type-post","status-publish","format-standard","hentry","category-our-correspondents","tag-26348","tag-a-la-girafe","tag-animals-strike-curious-poses","tag-beasts","tag-charles-x","tag-etienne-geoffroy-saint-hilaire","tag-fashion","tag-france","tag-giraffe","tag-giraffe-belly","tag-handlers","tag-jardins-des-plantes","tag-john-mandeville","tag-journal-des-dames","tag-long-neck","tag-marseilles","tag-necks","tag-ocean-voyage","tag-paris","tag-ship","tag-style","tag-the-beautiful-animal-of-the-king","tag-transport","tag-travel","tag-travel-writing","tag-voyage","tag-zarafa"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Beautiful Animal of the King: Zarafa\u2019s Long Walk to Paris<\/title>\n<meta name=\"description\" content=\"Zarafa the giraffe created a national sensation when she arrived in France in 1826 and walked the entire road from Marseilles to Paris.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Beautiful Animal of the King by Elena Passarello\" \/>\n<meta property=\"og:description\" content=\"December 20, 2016 \u2013 Zarafa the giraffe created a national sensation when she arrived in France in 1826 and walked the entire road from Marseilles to Paris.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-12-20T21:14:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-12-20T23:40:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/zafara-01.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Elena Passarello\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Elena Passarello\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/\"},\"author\":{\"name\":\"Elena Passarello\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/b40817b68f41c642ec267bcba639a73f\"},\"headline\":\"Beautiful Animal of the King\",\"datePublished\":\"2016-12-20T21:14:28+00:00\",\"dateModified\":\"2016-12-20T23:40:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/\"},\"wordCount\":1635,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/zafara-01.jpg\",\"keywords\":[\"1826\",\"\u00e0 la girafe\",\"Animals Strike Curious Poses\",\"Beasts\",\"Charles X\",\"\u00c9tienne Geoffroy Saint-Hilaire\",\"fashion\",\"France\",\"giraffe\",\"giraffe belly\",\"handlers\",\"Jardins des Plantes\",\"John Mandeville\",\"Journal des Dames\",\"long neck\",\"Marseilles\",\"necks\",\"ocean voyage\",\"Paris\",\"ship\",\"style\",\"The Beautiful Animal of the King\",\"transport\",\"travel\",\"travel writing\",\"voyage\",\"Zarafa\"],\"articleSection\":[\"Our Correspondents\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/\",\"name\":\"Beautiful Animal of the King: Zarafa\u2019s Long Walk to Paris\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/zafara-01.jpg\",\"datePublished\":\"2016-12-20T21:14:28+00:00\",\"dateModified\":\"2016-12-20T23:40:45+00:00\",\"description\":\"Zarafa the giraffe created a national sensation when she arrived in France in 1826 and walked the entire road from Marseilles to Paris.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/zafara-01.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/zafara-01.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Beautiful Animal of the King\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/b40817b68f41c642ec267bcba639a73f\",\"name\":\"Elena Passarello\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/3dbd935cda8e3eccd35a4a80b5ead494fdfefe4bd625a1da0adf0914da0cd23d?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/3dbd935cda8e3eccd35a4a80b5ead494fdfefe4bd625a1da0adf0914da0cd23d?s=96&d=mm&r=g\",\"caption\":\"Elena Passarello\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/elena-passarello\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Beautiful Animal of the King: Zarafa\u2019s Long Walk to Paris","description":"Zarafa the giraffe created a national sensation when she arrived in France in 1826 and walked the entire road from Marseilles to Paris.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/","og_locale":"en_US","og_type":"article","og_title":"Beautiful Animal of the King by Elena Passarello","og_description":"December 20, 2016 \u2013 Zarafa the giraffe created a national sensation when she arrived in France in 1826 and walked the entire road from Marseilles to Paris.","og_url":"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2016-12-20T21:14:28+00:00","article_modified_time":"2016-12-20T23:40:45+00:00","og_image":[{"width":2400,"height":1800,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/zafara-01.jpg","type":"image\/jpeg"}],"author":"Elena Passarello","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Elena Passarello","Est. reading time":"8 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/"},"author":{"name":"Elena Passarello","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/b40817b68f41c642ec267bcba639a73f"},"headline":"Beautiful Animal of the King","datePublished":"2016-12-20T21:14:28+00:00","dateModified":"2016-12-20T23:40:45+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/"},"wordCount":1635,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/zafara-01.jpg","keywords":["1826","\u00e0 la girafe","Animals Strike Curious Poses","Beasts","Charles X","\u00c9tienne Geoffroy Saint-Hilaire","fashion","France","giraffe","giraffe belly","handlers","Jardins des Plantes","John Mandeville","Journal des Dames","long neck","Marseilles","necks","ocean voyage","Paris","ship","style","The Beautiful Animal of the King","transport","travel","travel writing","voyage","Zarafa"],"articleSection":["Our Correspondents"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/","url":"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/","name":"Beautiful Animal of the King: Zarafa\u2019s Long Walk to Paris","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/zafara-01.jpg","datePublished":"2016-12-20T21:14:28+00:00","dateModified":"2016-12-20T23:40:45+00:00","description":"Zarafa the giraffe created a national sensation when she arrived in France in 1826 and walked the entire road from Marseilles to Paris.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/zafara-01.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/zafara-01.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/12\/20\/beautiful-animal-of-the-king\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Beautiful Animal of the King"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/b40817b68f41c642ec267bcba639a73f","name":"Elena Passarello","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/3dbd935cda8e3eccd35a4a80b5ead494fdfefe4bd625a1da0adf0914da0cd23d?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3dbd935cda8e3eccd35a4a80b5ead494fdfefe4bd625a1da0adf0914da0cd23d?s=96&d=mm&r=g","caption":"Elena Passarello"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/elena-passarello\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/105990","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/1105"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=105990"}],"version-history":[{"count":13,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/105990\/revisions"}],"predecessor-version":[{"id":106031,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/105990\/revisions\/106031"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=105990"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=105990"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=105990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}