{"id":105607,"date":"2016-12-07T17:39:07","date_gmt":"2016-12-07T22:39:07","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=105607"},"modified":"2016-12-08T11:29:35","modified_gmt":"2016-12-08T16:29:35","slug":"wave-phenomena","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/12\/07\/wave-phenomena\/","title":{"rendered":"Wave Phenomena"},"content":{"rendered":"<p><em>A recent group of Ara Peterson\u2019s interlaced relief paintings are on display at <a href=\"http:\/\/www.derekeller.com\/exhibitions\/ara-peterson\/press-release\" target=\"_blank\">Derek Eller Gallery<\/a> through December 23.<\/em>\u00a0<em>The paintings, according to the gallery, evoke \u201cthe elegance of New England transcendentalism, the overwhelming geographies of H. P. Lovecraft, the crisp sonic landscapes of Steely Dan, and the vertiginous feeling of swimming out to sea \u2026 Peterson begins his process with a lengthy period of\u00a0 development rooted in the visualization of wave phenomena. For each work, he plots the relationships between color, mood, scale, weight, surface tension, and directional flow.\u201d<\/em><\/p>\n<div id=\"attachment_105612\" style=\"width: 910px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/9bdec953f1421674ddeec7c7a86a1595.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-105612\" class=\"wp-image-105612 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/9bdec953f1421674ddeec7c7a86a1595.jpeg\" width=\"900\" height=\"420\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/9bdec953f1421674ddeec7c7a86a1595.jpeg 900w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/9bdec953f1421674ddeec7c7a86a1595-300x140.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/9bdec953f1421674ddeec7c7a86a1595-768x358.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-105612\" class=\"wp-caption-text\">Ara Peterson, <i>Untitled<\/i>, 2015, acrylic on wood, 18.5&#8243; x 45&#8243; x 2&#8243;.<\/p><\/div>\n<p>\u00a0<!--more--><\/p>\n<p><div id=\"attachment_105608\" style=\"width: 910px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-105608\" class=\"wp-image-105608\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara.jpeg\" width=\"900\" height=\"592\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara.jpeg 900w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara-300x197.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara-768x505.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-105608\" class=\"wp-caption-text\"><i>Untitled<\/i>, 2015, acrylic on wood, 40&#8243; x 65&#8243; x 2&#8243;.<\/p><\/div> <div id=\"attachment_105609\" style=\"width: 910px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara2.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-105609\" class=\"wp-image-105609 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara2.jpeg\" width=\"900\" height=\"717\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara2.jpeg 900w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara2-300x239.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara2-768x612.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-105609\" class=\"wp-caption-text\"><i>Untitled<\/i>, 2014, acrylic on wood, 94&#8243; x 142.75&#8243; x 3&#8243;.<\/p><\/div> <div id=\"attachment_105610\" style=\"width: 910px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara3.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-105610\" class=\"wp-image-105610 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara3.jpeg\" width=\"900\" height=\"632\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara3.jpeg 900w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara3-300x211.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara3-768x539.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-105610\" class=\"wp-caption-text\"><i>Untitled<\/i>, 2016, acrylic on wood, 70&#8243; x 164&#8243; x 4&#8243;.<\/p><\/div> <div id=\"attachment_105611\" style=\"width: 910px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara4.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-105611\" class=\"wp-image-105611 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara4.jpeg\" width=\"900\" height=\"486\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara4.jpeg 900w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara4-300x162.jpeg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/ara4-768x415.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-105611\" class=\"wp-caption-text\"><i>Untitled<\/i>, 2015, acrylic on wood, 45&#8243; x 219.5&#8243; x 4&#8243;.<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ara Peterson&#8217;s art evokes \u201cthe elegance of New England transcendentalism\u201d and \u201cthe overwhelming geographies of H. P. Lovecraft.\u201d Oh, and Steely Dan\u2026<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[26121,35,9241,17791,16425,7676,6861,13916,13808,4154,2125,24989,11902,26122],"class_list":["post-105607","post","type-post","status-publish","format-standard","hentry","category-look","tag-ara-peterson","tag-art","tag-artists","tag-derek-eller-gallery","tag-exhibitions","tag-galleries","tag-h-p-lovecraft","tag-openings","tag-painters","tag-paintings","tag-process","tag-steely-dan","tag-transcendentalism","tag-waveforms"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Wave Phenomena: Paintings by Ara Peterson<\/title>\n<meta name=\"description\" content=\"Showing at Derek Eller Gallery, Ara Peterson&#039;s art evokes \u201cthe elegance of New England transcendentalism \u2026 the overwhelming geographies of H. 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