{"id":105479,"date":"2016-12-05T14:40:28","date_gmt":"2016-12-05T19:40:28","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=105479"},"modified":"2016-12-05T16:07:12","modified_gmt":"2016-12-05T21:07:12","slug":"our-winter-issue-rankine-gray-murray-and-more","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/12\/05\/our-winter-issue-rankine-gray-murray-and-more\/","title":{"rendered":"Our Winter Issue: Rankine, Gray, Murray, and More"},"content":{"rendered":"

\"issue219_3d_rev-copy\"<\/a><\/p>\n

 <\/p>\n

The interviews in\u00a0our new\u00a0Winter issue<\/a>\u00a0feature\u00a0three writers who have defied received wisdom\u2014writers who have expanded art\u2019s role in the national conversation.\u00a0The first is one of the most politically engaged poets of our time; the second is a novelist whose experimental forms\u00a0have made him a hero in his native Scotland, though he remains underread\u00a0in the U.S.; and the third is with a critic who devoted his career to asserting and celebrating the centrality of the black experience\u00a0to\u00a0American culture.<\/p>\n

First, there\u2019s\u00a0Claudia Rankine on the art of poetry<\/a>, finding the lyric in nontraditional spaces, and reaching as wide an American audience as possible:\u00a0<\/p>\n

\n

How do you get the work to arrive at readers in a way that allows them to stay with it and not immediately dismiss it? It\u2019s something I think about, because I know I\u2019m also writing for people who don\u2019t always hold my positions. It\u2019s not that I think white people are my only audience. It\u2019s that I think of America as my audience, and inside that space are white people as well as people of color. Some white people still believe that white privilege and white mobility are the universal position. If a writer has a different experience of the world, the work is no longer seen as transcendent or universal. So as I\u2019m moving around in a piece, I am hearing all those voices in opposition.\u00a0<\/p>\n<\/blockquote>\n

And in the Art of Fiction No. 202<\/a>, Scotland\u2019s Alasdair Gray talks about\u00a0how socialism has shaped his fiction:\u00a0<\/p>\n

\n

I think social justice is necessary to everybody. There are those who can take the political establishment of the time for granted, as being something quite good enough, to get on well with and to live well in if you exercise enough tact. This is certainly the opinion of Jane Austen. But it\u2019s a view that very few people\u2014well, very few thinking people\u2014would adopt nowadays, because we\u2019re all aware that our society is in transition, and that there is no normalcy to return to.<\/p>\n<\/blockquote>\n

There\u2019s also a lost interview with Albert Murray<\/a>,\u00a0conducted in his Harlem apartment in 1978:\u00a0<\/p>\n

\n

When I spoke of Jelly Roll Morton, Count Basie, and Duke Ellington, I meant that not many writers have been more successful than these musicians in stylizing American experience. This immediately leads us into a problem that confronts me personally\u2014that not very much of my immediate experience has been processed into literature to my satisfaction. I can\u2019t think of many examples that bear too favorable a comparison to what I\u2019ve experienced of the literature of other cultures.\u00a0<\/p>\n<\/blockquote>\n

Plus\u00a0new fiction by\u00a0Tom Bissell<\/a>, Amparo D\u00e1vila<\/a>, Alexander Kluge<\/a>, and Christine Lincoln<\/a>; and poems by Cyrus Console<\/a>, Tadeusz Dabrowski<\/a>, Timothy Donnelly<\/a>, Stephen Dunn<\/a>, Tony Hoagland<\/a>, Fanny Howe<\/a>, Sarah Manguso<\/a>, and Frederick Seidel<\/a>.\u00a0<\/p>\n

Hilton Als has curated a portfolio of Alice Neel\u2019s East Harlem portraits<\/a>. \u201cFive years ago,\u201d he says, \u201cpeople would not have been inclined to do a show on Alice Neel\u2019s paintings of colored people, meaning people of non-\u00adEuropean descent, because they would feel that we\u2014the curators, the gallery\u2014were \u00adessentializing the people in the pictures. But in fact, what we\u2019re doing is talking about one of Alice\u2019s major interests, meaning these communities, the people, the men.\u201d<\/p>\n

Get your copy\u00a0now<\/a>. And remember,\u00a0a subscription to\u00a0The Paris Review\u00a0<\/em>makes a great gift<\/a>\u2014especially when it comes with access to our new\u00a0digital archive. Now subscribers can read every piece from The Paris Review<\/em>\u2019s sixty-three-year history online; you can also sign up for\u00a0a free ten-day trial<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

The interviews in our new Winter issue feature three writers who have expanded the role of art in the national conversation.<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2559],"tags":[26068,11817,16207,1659,26063,35,26064,18531,16586,26065,26067,25912,364,2011,71,712,465,26061,311,269,165,2047,16380,2363,7845,10203,1444,26066,7782,7519,10997,2608,10205,1445,157],"class_list":["post-105479","post","type-post","status-publish","format-standard","hentry","category-bulletin","tag-alasdair-gray","tag-albert-murray","tag-alexander-kluge","tag-alice-neel","tag-amparo-davila","tag-art","tag-christine-lincoln","tag-claudia-rankine","tag-critics","tag-cyrus-console","tag-david-l-ulin","tag-digital-archive","tag-essays","tag-fanny-howe","tag-fiction","tag-frederick-seidel","tag-hilton-als","tag-issue-219","tag-literary-magazine","tag-magazines","tag-poetry","tag-poets","tag-portfolios","tag-sarah-manguso","tag-short-stories","tag-stephen-dunn","tag-subscriptions","tag-tadeusz-dabroski","tag-the-art-of-fiction","tag-the-art-of-poetry","tag-timothy-donnelly","tag-tom-bissell","tag-tony-hoagland","tag-winter-issue","tag-writers"],"acf":[],"yoast_head":"\nOur Winter Issue: Claudia Rankine, Albert Murray, and More<\/title>\n<meta name=\"description\" content=\"The interviews in our new Winter issue feature three writers who have expanded the role of art in the national conversation.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/05\/our-winter-issue-rankine-gray-murray-and-more\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Our Winter Issue: Rankine, Gray, Murray, and More by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"December 5, 2016 \u2013 The interviews in our new Winter issue feature three writers who have expanded the role of art in the national conversation.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/05\/our-winter-issue-rankine-gray-murray-and-more\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-12-05T19:40:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-12-05T21:07:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/issue219_3d_rev-copy.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"700\" \/>\n\t<meta property=\"og:image:height\" content=\"909\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/05\/our-winter-issue-rankine-gray-murray-and-more\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/05\/our-winter-issue-rankine-gray-murray-and-more\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Our Winter Issue: Rankine, Gray, Murray, and More\",\"datePublished\":\"2016-12-05T19:40:28+00:00\",\"dateModified\":\"2016-12-05T21:07:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/05\/our-winter-issue-rankine-gray-murray-and-more\/\"},\"wordCount\":625,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/12\/05\/our-winter-issue-rankine-gray-murray-and-more\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/12\/issue219_3d_rev-copy.jpg\",\"keywords\":[\"Alasdair Gray\",\"Albert Murray\",\"Alexander Kluge\",\"Alice Neel\",\"Amparo Davila\",\"art\",\"Christine Lincoln\",\"Claudia Rankine\",\"critics\",\"Cyrus Console\",\"David L. 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