{"id":105286,"date":"2016-11-30T09:25:04","date_gmt":"2016-11-30T14:25:04","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=105286"},"modified":"2016-11-30T11:20:00","modified_gmt":"2016-11-30T16:20:00","slug":"high-on-hunters-supply-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/11\/30\/high-on-hunters-supply-and-other-news\/","title":{"rendered":"High on Hunter\u2019s Supply, and Other News"},"content":{"rendered":"<div id=\"attachment_105287\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/11\/hunters.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-105287\" class=\"wp-image-105287\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/11\/hunters.jpg\" width=\"1000\" height=\"523\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/11\/hunters.jpg 1200w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/11\/hunters-300x157.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/11\/hunters-768x402.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/11\/hunters-1024x536.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-105287\" class=\"wp-caption-text\">Why not smoke what this guy did?<\/p><\/div>\n<p>&nbsp;<\/p>\n<ul>\n<li>Even when an author\u2019s life is over, his life<em>style<\/em> can live on. I don\u2019t mean through his books\u2014I\u2019m not some starry-eyed undergrad! No, I mean through <em>merchandise<\/em>. Hunter S. Thompson died in 2005, but his widow, Anita Thompson, is now ready to bring his estate into the emerging market of boutique cannabis strains: a more lucrative field than any kind of publishing could be. Andrew Travers reports, \u201c<a href=\"http:\/\/www.aspentimes.com\/entertainment\/whats-next-for-hunter-s-thompsons-owl-farm\/\" target=\"_blank\">Thompson said she \u2026 saved six different strains of cannabis that the <em>Fear and Loathing in Las Vegas<\/em> author actually smoked<\/a>. She is now working with a cannabis company to grow those strains\u2014or hybrids of them\u2014and sell them to the public. She said she was glad that she held off on partnering on a marijuana brand until it could be done right \u2026 \u2018I was always steering toward his work and away from his lifestyle, but now I feel like I can talk more openly about his lifestyle,\u2019 she said. \u2018I\u2019m proud to do it now. Before, it was a little too risky.\u2019 She added with a laugh: \u2018I\u2019m looking forward to being a drug lord.\u2019 \u201d (No word yet on whether he was an indica or a sativa guy.)<\/li>\n<\/ul>\n<ul>\n<li>Today in small marvels of directorial dedication: Pedro Almod\u00f3var. Here, at last, is a director willing to go the distance with his actors. Per D. T. Max: \u201c<a href=\"http:\/\/www.newyorker.com\/magazine\/2016\/12\/05\/the-evolution-of-pedro-almodovar?mbid=social_twitter\" target=\"_blank\">Almod\u00f3var goes to remarkable lengths to offer guidance<\/a>. In 1985, he was filming the final scene in <em>Matador<\/em>, with Assumpta Serna. He was not sure whether Nacho Mart\u00ednez, playing the wounded matador who was about to make love to her, should graze her crotch directly with his mouth or do so with a rosebud between his teeth. Almod\u00f3var tried it out himself. \u2018I realized it was better to put some distance between the actor\u2019s tongue and the girl\u2019s sex,\u2019 he said, during an appearance on a Spanish talk show. \u2018I do it all,\u2019 he added.\u201d\u00a0<\/li>\n<\/ul>\n<p><!--more--><\/p>\n<ul>\n<li>While we\u2019re talking crotches: everyone loves to put down bad sex writing, but so few are inclined to celebrate <em>good <\/em>sex writing. Jonathan Gibbs offers a few citations, among them James Salter: \u201c \u2018\u2026<a href=\"http:\/\/www.the-tls.co.uk\/articles\/public\/good-sex-fiction\/\" target=\"_blank\">while in his own dream he rises a little and defines the moist rim of her cunt with his fingers, and as he does, he comes like a bull<\/a>.\u2019 \u2018Like a bull\u2019 is a false step, to be sure, but this contrast between unabashed, precise physical description and more unexpected, imaginative leaps is characteristic of Salter\u2019s approach to the subject. The image of the bull pales next to another animal simile in Salter\u2019s last novel,\u00a0<em>All That Is\u00a0<\/em>(2013). In it he describes a man as coming \u2018like a drinking horse,\u2019 so falling foul of Gibbs\u2019s Law of Reversible Similes: if you can describe something as being like something else, then that comparison should work equally well in reverse. I am yet to see a horse drink \u2018like a man coming,\u2019 and hope I never will.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Sarah Gerard remembers the consumerist dreams that fuelled her family\u2019s involvement with Amway, everyone\u2019s favorite pyramid scheme\u2014er, multilevel marketing model: \u201c<a href=\"https:\/\/granta.com\/going-diamond\/\" target=\"_blank\">Nothing was wrong with our life before Amway\u2014we didn\u2019t join it to fill a void<\/a>. We were happy, until we were told we could be happier \u2026 Dreambuilding is Amway\u2019s profit engine. Tour the house for motivation\u2014but then how do you buy the house now that you want it? Buy tickets to the Amway-hosted functions. Buy training tapes and manuals sold by upper-level Amway distributors. Build The Business. Prospect others. Buy Glister\u2122 and Satinique\u2122. Building dreams was like building a house: it wouldn\u2019t work with wishes alone. Wishes were ephemeral; we needed something concrete. In order for our dreams to feel real, we had to construct them from tangible things. The Plan and The Business were our brick and our mortar.\u201d<\/li>\n<\/ul>\n<ul>\n<li>In search of a viable way for artists to resist Trump, Cathy Park Hong remembers an art collective from the Reagan era: \u201c<a href=\"http:\/\/hyperallergic.com\/341276\/modeling-artistic-resistance-in-the-era-of-trump\/\" target=\"_blank\">If we are looking for models of resistance, I cannot think of a more relevant and necessary artist to honor than\u00a0Julie Ault<\/a> \u2026 Along with eight other artists, Julie helped found\u00a0Group Material, a political art collective that struggled against Reagan\u2019s conservatism and the callow excesses of the eighties art boom. Group Material\u2019s emphasis on the series rather than the discrete object, on art-making as inquiry, documentation, and a model for political action, have influenced two decades of artists engaged in social practice. Group Material also arose out of the <small>AIDS<\/small> crisis, when gay artists had no choice but to be activists, because it was a matter of survival.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Even when an author\u2019s life is over, his lifestyle can live on. I don\u2019t mean through his books\u2014I\u2019m not some starry-eyed undergrad! No, I mean through merchandise. Hunter S. Thompson died in 2005, but his widow, Anita Thompson, is now ready to bring his estate into the emerging market of boutique cannabis strains: a [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[25957,25954,17822,2564,25960,5466,369,25959,25956,1650,6690,25958,20257,25955],"class_list":["post-105286","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-amway","tag-anita-thompson","tag-cannabis","tag-cathy-park-hong","tag-group-material","tag-hunter-s-thompson","tag-james-salter","tag-julie-ault","tag-literary-sex","tag-marijuana","tag-pedro-almodovar","tag-pyramid-schemes","tag-sex-writing","tag-weed"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Get High on Hunter S. 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