{"id":104373,"date":"2016-10-31T16:31:16","date_gmt":"2016-10-31T20:31:16","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=104373"},"modified":"2016-10-31T17:00:34","modified_gmt":"2016-10-31T21:00:34","slug":"light-and-dark-2","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/10\/31\/light-and-dark-2\/","title":{"rendered":"Light and Dark"},"content":{"rendered":"<p><em>Marcos Bontempo\u2019s exhibition \u201c<a href=\"http:\/\/riccomaresca.com\/exhibitions-current\/\" target=\"_blank\">Light and Dark<\/a>\u201d is at Ricco Maresca Gallery in New York through November 26. Bontempo lives and works in\u00a0Andalusia; he paints on the floor using ink and salt on paper, which he prefers to canvas. \u201c<a href=\"http:\/\/riccomaresca.com\/floating-bodies\/\" target=\"_blank\">The shapes express the poor reality, the mutilation of an ill body that does not want to be forgotten by God<\/a>,\u201d he\u2019s said of his abstracted human forms, often depicted in extremis. \u201cI do not let them alone in their ordeal \u2026\u00a0I think I am a schizophrenic.\u201d<\/em><\/p>\n<div id=\"attachment_104376\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/10\/marcos-bontempo-07b.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-104376\" class=\"wp-image-104376\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/10\/marcos-bontempo-07b.jpg\" width=\"600\" height=\"836\" \/><\/a><p id=\"caption-attachment-104376\" class=\"wp-caption-text\">Marcos Bontempo, <i>Untitled<\/i>, 2016, ink and salt on paper, 25.5&#8243; x 19.5&#8243;.<\/p><\/div>\n<p>\u00a0<!--more--><\/p>\n<p><div id=\"attachment_104380\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/10\/marcos-bontempo-19.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-104380\" class=\"wp-image-104380\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/10\/marcos-bontempo-19.jpg\" width=\"600\" height=\"836\" \/><\/a><p id=\"caption-attachment-104380\" class=\"wp-caption-text\"><i>Untitled<\/i>, 2016, ink and salt on paper, 48&#8243; x 32&#8243;.<\/p><\/div> <div id=\"attachment_104375\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/10\/marcos-bontempo-12b.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-104375\" class=\"wp-image-104375\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/10\/marcos-bontempo-12b.jpg\" width=\"600\" height=\"836\" \/><\/a><p id=\"caption-attachment-104375\" class=\"wp-caption-text\"><i>Untitled<\/i>, 2015, ink and salt on paper, 48&#8243; x 32&#8243;.<\/p><\/div> <div id=\"attachment_104377\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/10\/marcos-bontempo-09b.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-104377\" class=\"wp-image-104377\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/10\/marcos-bontempo-09b.jpg\" width=\"600\" height=\"836\" \/><\/a><p id=\"caption-attachment-104377\" class=\"wp-caption-text\"><i>Untitled<\/i>, 2016, ink and salt on paper, 25.5&#8243; x 19.5&#8243;.<\/p><\/div> <div id=\"attachment_104378\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/10\/marcos-bontempo-04b.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-104378\" class=\"wp-image-104378\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/10\/marcos-bontempo-04b.jpg\" width=\"600\" height=\"836\" \/><\/a><p id=\"caption-attachment-104378\" class=\"wp-caption-text\"><i>Untitled<\/i>, 2016, ink and salt on paper, 16.5&#8243; x 12&#8243;.<\/p><\/div> <div id=\"attachment_104379\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/10\/marcos-bontempo-18.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-104379\" class=\"wp-image-104379\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/10\/marcos-bontempo-18.jpg\" width=\"600\" height=\"836\" \/><\/a><p id=\"caption-attachment-104379\" class=\"wp-caption-text\"><i>Untitled<\/i>, 2016, ink and salt on paper, 12&#8243; x 8.5&#8243;.<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marcos Bontempo\u2019s exhibition \u201cLight and Dark\u201d is at Ricco Maresca Gallery in New York through November 26. Bontempo lives and works in\u00a0Andalusia; he paints on the floor using ink and salt on paper, which he prefers to canvas. \u201cThe shapes express the poor reality, the mutilation of an ill body that does not want to [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[35,7676,20760,25475,4154,25476,18560,15410],"class_list":["post-104373","post","type-post","status-publish","format-standard","hentry","category-look","tag-art","tag-galleries","tag-gallery-openings","tag-marcos-bontempo","tag-paintings","tag-ricco-maresca","tag-ricco-maresca-gallery","tag-suffering"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Light and Dark: 7 Paintings by Marcos Bontempo<\/title>\n<meta name=\"description\" content=\"The painter\u2019s latest exhibition is at Ricco Maresca Gallery through November 26.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/10\/31\/light-and-dark-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Light and Dark by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"October 31, 2016 \u2013 Marcos Bontempo\u2019s exhibition \u201cLight and Dark\u201d is at Ricco Maresca Gallery in New York through November 26. 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