{"id":103688,"date":"2016-10-14T09:43:39","date_gmt":"2016-10-14T13:43:39","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=103688"},"modified":"2016-10-14T10:36:31","modified_gmt":"2016-10-14T14:36:31","slug":"ghoulish-stained-glass-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/10\/14\/ghoulish-stained-glass-news\/","title":{"rendered":"Some Ghoulish Stained Glass for You, and Other News"},"content":{"rendered":"<div id=\"attachment_103689\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/10\/stainedglass.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-103689\" class=\"wp-image-103689\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/10\/stainedglass.jpg\" width=\"600\" height=\"406\" \/><\/a><p id=\"caption-attachment-103689\" class=\"wp-caption-text\">Harry Clarke,\u00a0<i>Our Lady of the Sorrows\u00a0<\/i>(detail), 1917. Photo: Kelly Sullivan<\/p><\/div>\n<ul>\n<li>I know you have plenty to worry about, but Sam Kriss is here to warn you about the fabulously rich tech bros who really, honestly, actually believe that we may be living in a simulated reality generated by some hyperadvanced species of the future: \u201c<a href=\"http:\/\/www.theatlantic.com\/technology\/archive\/2016\/10\/silicon-valley-is-obsessed-with-a-false-notion-of-reality\/503963\/\" target=\"_blank\">Ignore for a moment any objections you might have to the simulation hypothesis, and everything impractical about the idea that we could somehow break out of reality, and think about what these people are trying to do<\/a>. The two billionaires \u2026 are convinced that they\u2019ll emerge out of this drab illusion into a more shining reality, lit by a brighter and more beautiful star. But for the rest of us the experience would be very different\u2014you lose your home, you lose your family, you lose your life and your body and everything around you. Simulation or not, everything would disappear. It would be the end of the world. Comic-book movies, in their own sprawling simulated narrative universes, have been raising the stakes to this level for years: every summer we watch dozens of villains plotting to blow up the entire universe, but the motivations are always hazy. Why, exactly, does the baddie want to destroy everything again? Now we know.\u201d<\/li>\n<\/ul>\n<ul>\n<li>It\u2019s never a bad time to think about Dada. (Please don\u2019t put that on a T-shirt. I call dibs. I need the money.) In the wake of six new Dadaist exhibitions around the world, Alfred Brendel reconsiders the slipperiest movement of the modern era: \u201c<a href=\"http:\/\/www.nybooks.com\/articles\/2016\/10\/27\/growing-charm-of-dada\/\" target=\"_blank\">Dada relished contradictions. A famous Dada saying claimed that whoever is a Dadaist is against Dada<\/a>. In his Dada manifesto of 1918, Tzara informs us that, as the editor, he wants to emphasize that he feels unable to endorse any of the opinions being published since he was against manifestoes in principle. But also against principles. Theo van Doesburg called Dada the \u2018art form on account of which its producer doesn\u2019t take a stand for anything. This relative art form is accompanied by laughter\u2019 \u2026 Traditionalists see Dadaists as silly people. To a degree, they are right. Silliness was liberating from the constraints of reason. Silliness has the potential to be funny, to provoke laughter, and make people realize that laughter is liberating. Raoul Hausmann mentioned the sanctity of nonsense and \u2018the jubilation of orphic absurdity.\u2019 To Dadaists, Charlie Chaplin was the greatest artist in the world.\u201d\u00a0<\/li>\n<\/ul>\n<p><!--more--><\/p>\n<ul>\n<li>Today in stained glass: Kelly Sullivan looks back at the work of Harry Clarke, an Irish artist who helped the nation find its own stained-glass identity, as all nations must. \u201c<a href=\"http:\/\/publicdomainreview.org\/2016\/10\/12\/harry-clarkes-looking-glass\/\" target=\"_blank\">As one of the leading artists of the Irish Arts and Crafts Movement, Clarke\u2019s windows (and those his studio continued to produce in his style up until the 1970s) are instantly recognizable<\/a>. His oftentimes strange vision became part of the established visual idiom of a newly independent Ireland in the 1920s and 1930s. Ireland had no indigenous stained-glass work, but Clarke\u2019s careful study of medieval aesthetics and techniques led critics to think of him as the inheritor of a broader European tradition. He traveled to see Medieval glass in the great cathedrals of Chartres, Rouen, Amiens, and elsewhere. The playfulness and horror of the gothic grotesque no doubt captured his imagination, and he brings a gothic-influenced depiction of suffering, trauma, and death\u2014often combined with a jesting playfulness\u2014to his own glasswork.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Writers will do almost anything not to write, including, apparently, embarking on doomed redecorating projects: \u201c<a href=\"http:\/\/www.nytimes.com\/2016\/10\/14\/arts\/design\/twain-and-stowe-homes-being-renovated-for-historical-accuracy.html\" target=\"_blank\">Harriet Beecher Stowe and Mark Twain lived on adjoining properties in Hartford, and they each agonized over decorating choices and related expenses<\/a> \u2026 Jean Dunbar, a historic interiors consultant for the restoration, said Stowe stocked up on wallpaper rolls, curtain fabrics, fringe and carpets, even if she didn\u2019t have use for them. Stowe would explain to her relatives that the prices for a particular paper or textile seemed low, so she would make purchases \u2018because I couldn\u2019t help it, it was so pretty.\u2019 Stowe had, Ms. Dunbar said, \u2018a very serious shopping problem.\u2019 \u201d<\/li>\n<\/ul>\n<ul>\n<li>Njideka Akunyili Crosby makes dense, large-scale artworks depicting domestic life: \u201c<a href=\"https:\/\/www.1843magazine.com\/culture\/the-daily\/njideka-akunyili-crosbys-scrapbook\" target=\"_blank\">Her work is figurative and richly patterned, combining\u00a0collage, drawing, painting and printmaking<\/a>. Home, family, and the artifacts and trappings of diaspora are recurring motifs. What doesn\u2019t come across in reproduction is the scale. These are big works, measuring\u00a0three or four meters across \u2026 She weaves images from her Nigerian childhood\u2014family photos, pictures of pop stars, generals, politicians, failed coups and adverts\u2014into the surface in ways that overlap and merge with the figures and their surroundings. Like scenes from a private scrapbook these can only be read close-up.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>I know you have plenty to worry about, but Sam Kriss is here to warn you about the fabulously rich tech bros who really, honestly, actually believe that we may be living in a simulated reality generated by some hyperadvanced species of the future: \u201cIgnore for a moment any objections you might have to the [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[35,24465,16341,22724,12883,2576,25118,1120,25121,14752,25120,6664,22723,25119,21308,224],"class_list":["post-103688","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-art","tag-dada","tag-dadaism","tag-elon-musk","tag-futurism","tag-harriet-beecher-stowe","tag-harry-clarke","tag-ireland","tag-njideka-akunyili-crosby","tag-reality","tag-redecorating","tag-shopping","tag-simulations","tag-stained-glass","tag-tech-bros","tag-technology"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Harry Clarke and the Art of Stained Glass<\/title>\n<meta name=\"description\" content=\"This and more in 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