{"id":103137,"date":"2016-09-27T18:03:21","date_gmt":"2016-09-27T22:03:21","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=103137"},"modified":"2016-09-27T18:07:16","modified_gmt":"2016-09-27T22:07:16","slug":"bare-shouldered-beauty","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/27\/bare-shouldered-beauty\/","title":{"rendered":"Bare Shouldered Beauty"},"content":{"rendered":"<p><em>Suellen Rocca\u2019s \u201c<a href=\"http:\/\/www.matthewmarks.com\/new-york\/exhibitions\/2016-09-09_suellen-rocca\/\" target=\"_blank\">Bare Shouldered Beauty: Works from 1965 to 1969<\/a>\u201d is showing at Matthew Marks Gallery through October 22. In the late sixties, Rocca was part of the Hairy Who, a group of six imagist artists from Chicago; their exhibitions gained renown for their magpie approach, drawing influences from pop culture, magazines, comic books, and \u201ctrash treasures,\u201d as Rocca\u2019s collaborator\u00a0Ray Yoshida called them. Rocca has\u00a0referred to her work from this period as her \u201cautobiography.\u201d\u00a0\u201c<a href=\"http:\/\/hyperallergic.com\/225284\/suellen-rocca-in-the-1960s\/\" target=\"_blank\">I was this young mother making these paintings<\/a>,\u201d she told <\/em>Hyperallergic<em> last year. \u201cIt was a wonderful period. My son would take a nap and I\u2019d rush to my knotty pine studio and work on a painting. Having a toddler and a baby and all these exciting shows, it was wonderful. It was a happy time.\u201d<\/em><\/p>\n<div id=\"attachment_103141\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/suellen2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-103141\" class=\"wp-image-103141\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/suellen2.jpg\" width=\"600\" height=\"737\" \/><\/a><p id=\"caption-attachment-103141\" class=\"wp-caption-text\">Suellen Rocca, <i>Palm Finger<\/i>, 1968, oil on canvas, 20 1\/2&#8243; x 16 1\/2&#8243;.<\/p><\/div>\n<p>\u00a0<!--more--><\/p>\n<p><div id=\"attachment_103138\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/suellen5.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-103138\" class=\"wp-image-103138\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/suellen5.jpg\" width=\"600\" height=\"766\" \/><\/a><p id=\"caption-attachment-103138\" class=\"wp-caption-text\"><i>Untitled (pillow, legs, towel)<\/i>, 1968, ink on paper, 24 1\/8&#8243; x 19&#8243;.<\/p><\/div> <div id=\"attachment_103142\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/suellen1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-103142\" class=\"wp-image-103142\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/suellen1.jpg\" width=\"600\" height=\"597\" \/><\/a><p id=\"caption-attachment-103142\" class=\"wp-caption-text\"><i>Paul\u2019s Umbrella Painting<\/i>, 1968, oil on canvas, 14&#8243; x 14&#8243;.<\/p><\/div> <div id=\"attachment_103139\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/suellen3.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-103139\" class=\"wp-image-103139\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/suellen3.jpg\" width=\"600\" height=\"756\" \/><\/a><p id=\"caption-attachment-103139\" class=\"wp-caption-text\"><i>Easy to Handle<\/i>, 1968, colored pencil, ink, and cotton on paper, 29 1\/8&#8243; x 23&#8243;.<\/p><\/div> <div id=\"attachment_103140\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/suellen4.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-103140\" class=\"wp-image-103140\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/suellen4.jpg\" width=\"600\" height=\"758\" \/><\/a><p id=\"caption-attachment-103140\" class=\"wp-caption-text\"><i>Dancing Curls<\/i>, c. 1968, ink and colored pencil on paper, 24 1\/8&#8243; x 19 1\/8&#8243;.<\/p><\/div><\/p>\n<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/suellen2.jpg\">\u00a0<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Suellen Rocca\u2019s \u201cBare Shouldered Beauty: Works from 1965 to 1969\u201d is showing at Matthew Marks Gallery through October 22. In the late sixties, Rocca was part of the Hairy Who, a group of six imagist artists from Chicago; their exhibitions gained renown for their magpie approach, drawing influences from pop culture, magazines, comic books, and [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[35,24818,24816,12976,16425,20198,4154,23760,24815,24817,13512],"class_list":["post-103137","post","type-post","status-publish","format-standard","hentry","category-look","tag-art","tag-bare-shouldered-beauty","tag-chicago-imagists","tag-drawings","tag-exhibitions","tag-matthew-marks-gallery","tag-paintings","tag-shows","tag-suellen-rocca","tag-the-hairy-who","tag-the-sixties"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Bare Shouldered Beauty: Suellen Rocca\u2019s Art from the Sixties<\/title>\n<meta name=\"description\" content=\"Her latest solo show is at Matthew Marks Gallery through October 22.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/09\/27\/bare-shouldered-beauty\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bare Shouldered Beauty by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"September 27, 2016 \u2013 Suellen Rocca\u2019s \u201cBare Shouldered Beauty: Works from 1965 to 1969\u201d is showing at Matthew Marks Gallery through October 22. 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