{"id":102883,"date":"2016-09-20T16:01:55","date_gmt":"2016-09-20T20:01:55","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=102883"},"modified":"2016-09-20T16:05:39","modified_gmt":"2016-09-20T20:05:39","slug":"elements","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/20\/elements\/","title":{"rendered":"Elements"},"content":{"rendered":"<p><em>Dan Walsh\u2019s exhibition \u201c<a href=\"http:\/\/www.paceprints.com\/2016\/dan-walsh-prints-multiples\" target=\"_blank\">Prints and Multiples<\/a>\u201d is at Pace Prints, in New York, through October 22. \u201c<a href=\"https:\/\/www.theparisreview.org\/blog\/2011\/07\/05\/dan-walsh\/\" target=\"_blank\">I always regarded the space in a painting as the soul of a painting<\/a>,\u201d he told the<\/em>\u00a0Daily\u00a0<em>in 2011.<\/em><em>\u00a0\u201cI\u2019m working to find a space I can interact with on a day-to-day basis, something neutral and malleable: one of the goals of minimalism was to experience qualities of materials, forms, colors and remove psychological space.\u201d<\/em><\/p>\n<div id=\"attachment_102885\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/925-015_axis-bat.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102885\" class=\"wp-image-102885\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/925-015_axis-bat.jpg\" width=\"600\" height=\"600\" \/><\/a><p id=\"caption-attachment-102885\" class=\"wp-caption-text\">Dan Walsh, <i>Axis<\/i>, 2016, reduction woodcut, 22&#8243; x 22&#8243;.<\/p><\/div>\n<p>\u00a0<!--more--><\/p>\n<p><div id=\"attachment_102886\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/925-500-001_elements-i.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102886\" class=\"wp-image-102886\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/925-500-001_elements-i.jpg\" width=\"600\" height=\"599\" \/><\/a><p id=\"caption-attachment-102886\" class=\"wp-caption-text\"><i>Elements I<\/i>, 2016, monoprint, 28 5\/8&#8243; x 28 5\/8&#8243;.<\/p><\/div> <div id=\"attachment_102887\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/925-500-002_elements-ii.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102887\" class=\"wp-image-102887\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/925-500-002_elements-ii.jpg\" width=\"600\" height=\"599\" \/><\/a><p id=\"caption-attachment-102887\" class=\"wp-caption-text\"><i>Elements II<\/i>, 2016, monoprint, 28 1\/4&#8243; x 28 1\/2&#8243;.<\/p><\/div> <div id=\"attachment_102888\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/925-500-007_elements-vii.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102888\" class=\"wp-image-102888\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/925-500-007_elements-vii.jpg\" width=\"600\" height=\"601\" \/><\/a><p id=\"caption-attachment-102888\" class=\"wp-caption-text\"><i>Elements VII<\/i>, 2016, monoprint, 28 5\/8&#8243; x 28 5\/8&#8243;.<\/p><\/div> <div id=\"attachment_102889\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/2016-09-walsh_05.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102889\" class=\"wp-image-102889\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/2016-09-walsh_05.jpg\" width=\"600\" height=\"400\" \/><\/a><p id=\"caption-attachment-102889\" class=\"wp-caption-text\">Walsh at work.<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dan Walsh\u2019s exhibition \u201cPrints and Multiples\u201d is at Pace Prints, in New York, through October 22. \u201cI always regarded the space in a painting as the soul of a painting,\u201d he told the\u00a0Daily\u00a0in 2011.\u00a0\u201cI\u2019m working to find a space I can interact with on a day-to-day basis, something neutral and malleable: one of the goals [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[35,9241,2750,24660,16425,7676,20760,24659,18599,16815,9528,24658],"class_list":["post-102883","post","type-post","status-publish","format-standard","hentry","category-look","tag-art","tag-artists","tag-dan-walsh","tag-elements","tag-exhibitions","tag-galleries","tag-gallery-openings","tag-monoprints","tag-pace-gallery","tag-pace-prints","tag-prints","tag-shapes"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Elements: Monoprints by Dan Walsh<\/title>\n<meta name=\"description\" content=\"The artist shows new work at Pace Prints through October 22.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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