{"id":102587,"date":"2016-09-13T13:30:43","date_gmt":"2016-09-13T17:30:43","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=102587"},"modified":"2016-09-13T13:38:38","modified_gmt":"2016-09-13T17:38:38","slug":"flying-saucers-art-department","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/13\/flying-saucers-art-department\/","title":{"rendered":"Flying Saucers Over the Art Department!"},"content":{"rendered":"

How the book designers of the fifties and sixties\u00a0tackled alien invasions.\u00a0<\/em><\/p>\n

<\/a>

A still from Forbidden Planet<\/i>, 1956.<\/p><\/div>\n

It\u2019s impossible to know what sort of cover design will make a book fly off the shelves. Through timidity, this often leads to a certain monotony in covers, especially when they\u2019re genre specific\u2014\u201cIf it worked before, it\u2019ll have to work again, eventually.\u201d At times the uniformity is comical: it\u2019s hard for book people of a certain age not to remember, say, the gothic romance subgenre without bringing to mind the same cover that was on every one by the end of the sixties\u2014a woman, at night, dashing (often in a white nightgown) from a darkened mansion in sinister woods. Familiarity bred contentment; every reader knew what to expect when they saw the lady running.<\/p>\n

Flying saucers<\/em>\u00a0as a phrase entered the modern English vocabulary at the end of June 1947, immediately after the initial sightings by Kenneth Arnold in Washington State\u2014which, as it happened, turned out to be the first of thousands of such sightings. The subject was becoming more popular by the week, and publishing houses such as Henry Holt, Fawcett, and Citadel were quick to recognize the need for books on it. But what kind of a cover should go on a book about flying saucers? At the outset, there was no consensus as to what the saucers even actually looked like: they were described as blinking lights, purple blobs, flying wings, boomerangs, shiny metal balls, floating kerosene lamps, pie plates, hubcaps from an old Terraplane; in photos, during the first ten years, the most popular model resembled either the top of a chicken incubator, or part of the casing of a 1937 Electrolux vacuum cleaner.\u00a0<\/p>\n

If no preconceived image of flying saucers existed, imagine the confusion surrounding whoever flew these saucers. They were Russians, possibly, or U.S. airmen, some believed. Satan, said fundamentalist ministers. Atomic fear, said Jung. The early days of any new genre inevitably see the blossoming of unhindered imagination, and our notions of saucer pilots were especially random in those first years: onboard we might\u2019ve found intelligent insects, sky amoebas, animated tree stumps, or female space commanders straight out of a prewar serial. Only later did the genre\u2019s parameters in respect to aliens harden into, first, an image of benevolent if astonishingly boring blond, blue-eyed Space Brothers, indistinguishable from Perfect Tommy save for their longer hair; and then into what\u2019s today the far more inescapable image of malevolent little Grays, staring blankly, offering no wisdom, wielding Cronenbergian probes with alacrity.<\/p>\n

*<\/p>\n

For books that were, at least nominally, nonfiction, the flying-saucer subgenre had cover art that was wildly imaginative. But hardcover publishers generally played it safe. Early books on flying saucers tended to come in one of four designs: typeface alone, either on a plain dust jacket or embossed onto the book (The Coming of the Saucers<\/em>, Amherst, 1952); random photos of unrelated astronomical phenomena (Flying Saucers and Common Sense<\/em>, Citadel, 1956); grainy photos of \u201csaucers\u201d taken directly from the book (The White Sands Incident<\/em>, Best Books, 1966); or spooky, ethereal illustrations based loosely on photos (Flying Saucers Have Landed<\/em>, Werner Laurie, 1953).<\/p>\n

\"arc028-ufo-arnold-k-palmer-r-coming-of-the-saucers-the-copy\"<\/a><\/p>\n

\"arc028-ufo-girvan-w-flying-saucers-and-common-sense-copy\"<\/a><\/p>\n

\"arc028-ufo-fry-d-white-sands-incident-the-copy\"<\/a><\/p>\n

\"arc028-ufo-adamski-g-leslie-d-flying-saucers-have-landed-copy\"<\/a><\/p>\n

Even so, the most revealing example of how seriously publishers (and audiences) took flying saucers is the UK edition of H. T. Wilkins\u2019s\u00a0Flying Saucers on the Moon <\/em>(Peter Owen, 1954), whose cover\u2014with zipping missiles and wide, uneven script\u2014appears to have been designed overnight, at the last minute, by the editor\u2019s most talented child. Once seen, its genuine na\u00efvet\u00e9 is not easily forgotten.<\/p>\n

\"arc028-ufo-wilkins-hj-flying-saucers-on-the-moon\"<\/a><\/p>\n

The paperback publishers of the classic pulp era (roughly 1935\u00a0to\u00a01960) gained renown for their stylized, often lurid covers, and for the talented illustrators behind them: artists such as Robert Bonfils, Robert McGinnis, Michele Avanti, and Paul Rader left a distinctive mark on the form, and you might expect to find their contributions to the flying-saucer subgenre. But no: nearly all of the early saucer paperbacks had publishers who seem to have budgeted more for takeout than they did for cover art. An especially choice example is the hardcover of The Truth About Flying Saucers<\/em><\/a>, which uses a stock photo featuring three would-be spectators gazing up at a supposed saucer overhead\u2014but all three are clearly looking in the opposite direction. But, no matter, that\u2019ll do. (Around this time, Hollywood stepped in to bring us the canonical image of the flying saucer\u2014a wide disc with an orb at its center, its bottom sometimes shooting a geyser of light\u2014through the 1956 films Forbidden Planet<\/em> and Earth vs. the Flying Saucers.<\/em>)<\/p>\n

The paucity of great flying-saucer cover art ended in the sixties with the publication of such genuine hardcover best sellers as Flying Saucers\u2014Serious Business<\/em><\/a> (Lyle Stuart, 1966), but independent publishers continued to retain the same kind of cover design: ad hoc, often inadvertently comical, sometimes charming, and sometimes baffling.<\/p>\n

*<\/p>\n

The majority of the art on early flying-saucer books is uncredited, but we do know a few of the illustrators. The Canadian Gene Duplantier was known for his artwork in science-fiction zines of the 1960s, and for books (some of which he wrote himself) on cattle mutilation. Most of Duplantier\u2019s flying-saucer work was for Gray Barker, the noted and notorious head of Saucerian Press, which published the most outr\u00e9, baffling, oft-exaggerated tales of saucer escapades, several of which proved to be complete hoaxes. Among a few of the many titles he did for that imprint are Flying Saucers and the Three Men<\/em> (1962), UFO Warning<\/em> (1963), The Strange Case of Morris K. Jessup<\/em>, and The Silver Bridge<\/em> (1970). His interior illustrations for UFO Warning <\/em>are far and away among the most memorable in the field\u2014there\u2019s really not enough you can say about his depiction of a web-footed alien.<\/p>\n

Elizabeth Fort appears to have been a local West Virginia freelancer for Saucerian. Her cover for My Contact with Flying Saucers<\/em> nicely captures the vague sense of half-dreamed unreality that seems inherent to any saucer sighting\u2014perhaps the most real feature of the phenomenon at all.<\/p>\n

Another of the multitalented individuals in Saucerdom was Calvin C. Girvin, whose artwork for Howard Menger\u2019s From Outer Space to You<\/em> (Saucerian, 1959) is a touching rendition of a historic moment in Menger\u2019s life, and one of the finest examples of thrift-store art in the last century: it depicts a little boy (Howard), a blonde lady in white (the Space Sister who in time proves to be the original manifestation of his wife, Connie), and the traditional 1937 Electrolux lid in the sky overhead. Girvin was also the author of The Night Has a Thousand Saucers<\/em> (Understanding Publishers, 1958), which tells of encounters with his own space brothers, starting with his occasional hookups in the military and continuing until the day his body was taken over by a spaceman. (It was evidently relinquished after a spell.)<\/p>\n

\"arc028-ufo-hudson-j-sexy-saucer-people-those\"<\/a><\/p>\n

Then there\u2019s Ed Smith, about whom nothing is known save that his name is possibly a pseudonym. He was one of the regular illustrators for Earl Kemp\u2019s reliably pornographic Greenleaf Press, although Those Sexy Saucer People<\/em> (1967) is a surprisingly straightforward recounting of the experiences of those who got a little closer than expected to the Space Brothers, or who were seduced by lady aliens with distinct \u00e9lan. Greenleaf Press went out of business\u2014and Kemp went, for a time, to prison\u2014after the Nixon administration prosecuted them for having published a large-size reprint of the Presidential Commission\u2019s Report on Pornography, with hundreds of pornographic illustrations.<\/p>\n

Last but not least, let us salute Frank Tinsley, a magazine illustrator who specialized in machines and worked most often for Mechanix Illustrated. <\/em>It was Tinsley who contributed the cover art for the first book on flying saucers\u2014Donald Keyhoe\u2019s The Flying Saucers Are Real<\/em> (Fawcett Gold Medal, 1950). Confronted with the task of more or less inventing a visual shorthand for a new genre, Tinsley did the smartest thing possible: he painted a science-fiction cover for a (theoretically) nonfiction book.<\/p>\n

\"arc028-ufo-palmer-r-hidden-world-the-issue-no-a5-spring-1962\"<\/a> \"arc028-ufo-onec-o-ufo-from-venus-i-came\"<\/a><\/p>\n

\"arc028-ufo-miichael-c-round-trip-to-hell-in-a-flying-saucer\"<\/a><\/p>\n

Jack Womack\u2019s book<\/em>\u00a0Flying Saucers Are Real!<\/a>\u00a0is out this month. He\u2019s the author of <\/em>Ambient (1987), <\/em>Terraplane (1988), <\/em>Heathern (1990), <\/em>Elvissey (1993), <\/em>Random Acts of Senseless Violence (1994), <\/em>Let\u2019s Put the Future Behind Us (1996), and <\/em>Going, Going, Gone (2001). He has taught writing at the Clarion West Writers Workshop in Seattle and was the cowinner of the Philip K. Dick Award in 1994.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

How the book designers of the fifties and sixties\u00a0tackled alien invasions.\u00a0 It\u2019s impossible to know what sort of cover design will make a book fly off the shelves. Through timidity, this often leads to a certain monotony in covers, especially when they\u2019re genre specific\u2014\u201cIf it worked before, it\u2019ll have to work again, eventually.\u201d At times […]<\/p>\n","protected":false},"author":1058,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[894],"tags":[24504,13175,24490,17,24491,9899,4550,216,24502,24507,7924,13771,24493,24495,24497,24498,24506,24501,9105,7002,24508,24509,23945,24512,24500,24505,200,2428,878,24494,24511,24499,24496,24503,24510,24492],"class_list":["post-102587","post","type-post","status-publish","format-standard","hentry","category-on-design","tag-alien-invasion","tag-aliens","tag-book-designs","tag-books","tag-cover-designs","tag-covers","tag-david-cronenberg","tag-design","tag-designers","tag-earl-kemp","tag-erotica","tag-fifties","tag-flying-saucers","tag-flying-saucers-and-common-sense","tag-flying-saucers-have-landed","tag-flying-saucers-over-the-moon","tag-frank-tinsley","tag-gene-duplantier","tag-genre","tag-genre-fiction","tag-greenleaf-press","tag-jack-womack","tag-outer-space","tag-round-trip-to-hell-in-a-flying-saucer","tag-saucerian-press","tag-saucers","tag-science-fiction","tag-sixties","tag-space","tag-the-coming-of-the-saucers","tag-the-hidden-world","tag-the-truth-about-flying-saucers","tag-the-white-sands-incident","tag-those-sexy-saucer-people","tag-ufo-from-venus-i-came","tag-ufos"],"acf":[],"yoast_head":"\nFlying Saucers Over the Art Dept.! 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