{"id":102545,"date":"2016-09-12T18:05:02","date_gmt":"2016-09-12T22:05:02","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=102545"},"modified":"2016-09-12T18:10:23","modified_gmt":"2016-09-12T22:10:23","slug":"time-speeds-up","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/12\/time-speeds-up\/","title":{"rendered":"Time Speeds Up"},"content":{"rendered":"<p><em>Amy Bennett\u2019s exhibition \u201c<a href=\"http:\/\/www.amy-nyc.com\/exhibitions\/amy-bennett\" target=\"_blank\">Time Speeds Up<\/a>\u201d is showing in New York at Ameringer McEnery Yohe\u00a0through October 8. Bennett, who works in Beacon, New York, paints her landscapes after dioramas she\u2019s painstakingly constructed at a 1\/500 scale. She carves\u00a0valleys and rivers into\u00a0Styrofoam and freckles the map with wooden houses and wiry trees; over time, she adds farmland, grocery stores, and schools. \u201cThe creation and gradual alterations of these models allow Bennett to indulge a novelistic sensibility,\u201d Eleanor Heartney writes in an essay to accompany the exhibition. \u201cThe settings she selects are precisely those in which the American ideals of freedom and security clash.\u201d<\/em><\/p>\n<div id=\"attachment_102546\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ab_low_lands_284360.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102546\" class=\"wp-image-102546\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ab_low_lands_284360.jpg\" width=\"600\" height=\"437\" \/><\/a><p id=\"caption-attachment-102546\" class=\"wp-caption-text\">Amy Bennett, <i>Lowlands<\/i>, 2016, oil on canvas, 40&#8243; x 56&#8243;.<\/p><\/div>\n<p>\u00a0<!--more--><\/p>\n<p><div id=\"attachment_102547\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ab_sweetness_in_the_air_283550.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102547\" class=\"wp-image-102547\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ab_sweetness_in_the_air_283550.jpg\" width=\"600\" height=\"438\" \/><\/a><p id=\"caption-attachment-102547\" class=\"wp-caption-text\"><i>Sweetness in the Air<\/i>, 2016, oil on canvas, 20 1\/8&#8243; x 28&#8243;.<\/p><\/div> <div id=\"attachment_102548\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ab_the_fat_of_the_land_284370.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102548\" class=\"wp-image-102548\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ab_the_fat_of_the_land_284370.jpg\" width=\"600\" height=\"435\" \/><\/a><p id=\"caption-attachment-102548\" class=\"wp-caption-text\"><i>Lowlands<\/i>, 2016, oil on canvas, 40&#8243; x 56&#8243;.<\/p><\/div> <div id=\"attachment_102549\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ab_this_is_the_before_from_diptych_iv_282930.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102549\" class=\"wp-image-102549\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ab_this_is_the_before_from_diptych_iv_282930.jpg\" width=\"600\" height=\"437\" \/><\/a><p id=\"caption-attachment-102549\" class=\"wp-caption-text\"><i>This Is the Before (from Diptych IV)<\/i>, 2014\/2015, monotype, 5&#8243; x 7&#8243;.<\/p><\/div> <div id=\"attachment_102550\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ab_and_then_from_diptych_iv_282930.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102550\" class=\"wp-image-102550\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ab_and_then_from_diptych_iv_282930.jpg\" width=\"600\" height=\"443\" \/><\/a><p id=\"caption-attachment-102550\" class=\"wp-caption-text\"><i>And Then (from Diptych IV)<\/i>, 2014\/2015, monotype, 5&#8243; x 7&#8243;.<\/p><\/div> <div id=\"attachment_102551\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ab_this_is_the_before_from_diptych_i_282880.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102551\" class=\"wp-image-102551\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ab_this_is_the_before_from_diptych_i_282880.jpg\" width=\"600\" height=\"437\" \/><\/a><p id=\"caption-attachment-102551\" class=\"wp-caption-text\"><i>This Is the Before (from Diptych V)<\/i>, 2014\/2015, monotype, 5&#8243; x 7&#8243;.<\/p><\/div> <div id=\"attachment_102552\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ab_this_is_the_before_from_diptych_vi_282892.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102552\" class=\"wp-image-102552\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ab_this_is_the_before_from_diptych_vi_282892.jpg\" width=\"600\" height=\"456\" \/><\/a><p id=\"caption-attachment-102552\" class=\"wp-caption-text\"><i>This Is the Before (from Diptych VI)<\/i>, 2014\/2015, monotype, 5&#8243; x 7&#8243;.<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Amy Bennett\u2019s exhibition \u201cTime Speeds Up\u201d is showing in New York at Ameringer McEnery Yohe\u00a0through October 8. Bennett, who works in Beacon, New York, paints her landscapes after dioramas she\u2019s painstakingly constructed at a 1\/500 scale. She carves\u00a0valleys and rivers into\u00a0Styrofoam and freckles the map with wooden houses and wiry trees; over time, she adds [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[22082,24470,35,24472,24469,14245,24471,16425,7676,14521,8148,12232,124,13916,67],"class_list":["post-102545","post","type-post","status-publish","format-standard","hentry","category-look","tag-ameringer-mcenery-yohe","tag-amy-bennett","tag-art","tag-beacon","tag-communities","tag-dioramas","tag-eleanor-hearney","tag-exhibitions","tag-galleries","tag-landscapes","tag-miniatures","tag-models","tag-new-york","tag-openings","tag-painting"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Time Speeds Up: Paintings by Amy Bennett<\/title>\n<meta name=\"description\" content=\"Bennett builds intricate models of suburban and rural landscapes and bases her paintings on them.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/09\/12\/time-speeds-up\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Time Speeds Up by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"September 12, 2016 \u2013 Amy Bennett\u2019s exhibition \u201cTime Speeds Up\u201d is showing in New York at Ameringer McEnery Yohe\u00a0through October 8. 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