{"id":102413,"date":"2016-09-07T17:07:15","date_gmt":"2016-09-07T21:07:15","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=102413"},"modified":"2016-09-07T17:15:58","modified_gmt":"2016-09-07T21:15:58","slug":"loose-ankles","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/","title":{"rendered":"Loose Ankles"},"content":{"rendered":"<p><em>Caitlin Keogh\u2019s exhibition \u201c<a href=\"http:\/\/bortolamigallery.com\/exhibitions\/loose-ankles\/\" target=\"_blank\">Loose Ankles<\/a>\u201d opens September 8\u00a0at Bortolami Gallery. Keogh lives in Brooklyn.<\/em><\/p>\n<div id=\"attachment_102421\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7707.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102421\" class=\"wp-image-102421\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7707.jpg\" width=\"600\" height=\"760\" \/><\/a><p id=\"caption-attachment-102421\" class=\"wp-caption-text\">Caitlin Keogh, <i>Loose Ankles<\/i>, 2016, acrylic on panel, 23&#8243; x 17 1\/2&#8243;.<\/p><\/div>\n<p>\u00a0<!--more--><\/p>\n<p><div id=\"attachment_102415\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7561.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102415\" class=\"wp-image-102415\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7561.jpg\" width=\"600\" height=\"752\" \/><\/a><p id=\"caption-attachment-102415\" class=\"wp-caption-text\"><i>Headless Woman with Parrot<\/i>, 2016, acrylic on canvas, 96&#8243; x 72&#8243;.<\/p><\/div> <div id=\"attachment_102416\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7562.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102416\" class=\"wp-image-102416\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7562.jpg\" width=\"600\" height=\"762\" \/><\/a><p id=\"caption-attachment-102416\" class=\"wp-caption-text\"><i>The Gentle Art of Making Friends<\/i>, 2016, acrylic on canvas, 96&#8243; x 72&#8243;.<\/p><\/div> <div id=\"attachment_102417\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7563.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102417\" class=\"wp-image-102417\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7563.jpg\" width=\"600\" height=\"751\" \/><\/a><p id=\"caption-attachment-102417\" class=\"wp-caption-text\"><i>Wuthering Nephron<\/i>, 2016, acrylic on canvas, 96&#8243; x 72&#8243;.<\/p><\/div> <div id=\"attachment_102418\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7564.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102418\" class=\"wp-image-102418\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7564.jpg\" width=\"600\" height=\"774\" \/><\/a><p id=\"caption-attachment-102418\" class=\"wp-caption-text\"><i>Interiors<\/i>, 2016, acrylic on canvas, 84&#8243; x 63&#8243;.<\/p><\/div> <div id=\"attachment_102420\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7566.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102420\" class=\"wp-image-102420\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7566.jpg\" width=\"600\" height=\"777\" \/><\/a><p id=\"caption-attachment-102420\" class=\"wp-caption-text\"><i>Repeating Autobiography<\/i>, 2016, acrylic on canvas, 84&#8243; x 63&#8243;.<\/p><\/div> <div id=\"attachment_102419\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7565.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102419\" class=\"wp-image-102419\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7565.jpg\" width=\"600\" height=\"775\" \/><\/a><p id=\"caption-attachment-102419\" class=\"wp-caption-text\"><i>Renaissance Painting<\/i>, 2016, acrylic on canvas, 84&#8243; x 63&#8243;.<\/p><\/div> <div id=\"attachment_102414\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102414\" class=\"wp-image-102414\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7560.jpg\" width=\"600\" height=\"780\" \/><p id=\"caption-attachment-102414\" class=\"wp-caption-text\"><i>Correspondences<\/i>, 2016, acrylic on canvas, 96&#8243; x 72&#8243;.<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Caitlin Keogh\u2019s exhibition \u201cLoose Ankles\u201d opens September 8\u00a0at Bortolami Gallery. Keogh lives in Brooklyn. \u00a0<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[35,9241,24386,24385,24387,20760,13916,4154],"class_list":["post-102413","post","type-post","status-publish","format-standard","hentry","category-look","tag-art","tag-artists","tag-bortolami-gallery","tag-caitlin-keogh","tag-female-form","tag-gallery-openings","tag-openings","tag-paintings"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Look: Eight Paintings by Caitlin Keogh<\/title>\n<meta name=\"description\" content=\"The artist\u2019s exhibition \u201cLoose Ankles\u201d opens September 8 at Bortolami Gallery.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Loose Ankles by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"September 7, 2016 \u2013 Caitlin Keogh\u2019s exhibition \u201cLoose Ankles\u201d opens September 8\u00a0at Bortolami Gallery. Keogh lives in Brooklyn.\u00a0\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-09-07T21:07:15+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-09-07T21:15:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Loose Ankles\",\"datePublished\":\"2016-09-07T21:07:15+00:00\",\"dateModified\":\"2016-09-07T21:15:58+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/\"},\"wordCount\":127,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7707.jpg\",\"keywords\":[\"art\",\"artists\",\"Bortolami Gallery\",\"Caitlin Keogh\",\"female form\",\"gallery openings\",\"openings\",\"paintings\"],\"articleSection\":[\"Look\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/\",\"name\":\"Look: Eight Paintings by Caitlin Keogh\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7707.jpg\",\"datePublished\":\"2016-09-07T21:07:15+00:00\",\"dateModified\":\"2016-09-07T21:15:58+00:00\",\"description\":\"The artist\u2019s exhibition \u201cLoose Ankles\u201d opens September 8 at Bortolami Gallery.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7707.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7707.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Loose Ankles\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Look: Eight Paintings by Caitlin Keogh","description":"The artist\u2019s exhibition \u201cLoose Ankles\u201d opens September 8 at Bortolami Gallery.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/","og_locale":"en_US","og_type":"article","og_title":"Loose Ankles by Dan Piepenbring","og_description":"September 7, 2016 \u2013 Caitlin Keogh\u2019s exhibition \u201cLoose Ankles\u201d opens September 8\u00a0at Bortolami Gallery. Keogh lives in Brooklyn.\u00a0","og_url":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2016-09-07T21:07:15+00:00","article_modified_time":"2016-09-07T21:15:58+00:00","og_image":[{"width":1200,"height":675,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png","type":"image\/png"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"Loose Ankles","datePublished":"2016-09-07T21:07:15+00:00","dateModified":"2016-09-07T21:15:58+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/"},"wordCount":127,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7707.jpg","keywords":["art","artists","Bortolami Gallery","Caitlin Keogh","female form","gallery openings","openings","paintings"],"articleSection":["Look"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/","url":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/","name":"Look: Eight Paintings by Caitlin Keogh","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7707.jpg","datePublished":"2016-09-07T21:07:15+00:00","dateModified":"2016-09-07T21:15:58+00:00","description":"The artist\u2019s exhibition \u201cLoose Ankles\u201d opens September 8 at Bortolami Gallery.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7707.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/09\/ck7707.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/09\/07\/loose-ankles\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Loose Ankles"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/102413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=102413"}],"version-history":[{"count":4,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/102413\/revisions"}],"predecessor-version":[{"id":102428,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/102413\/revisions\/102428"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=102413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=102413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=102413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}