{"id":101955,"date":"2016-08-26T08:54:47","date_gmt":"2016-08-26T12:54:47","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=101955"},"modified":"2016-08-26T10:45:37","modified_gmt":"2016-08-26T14:45:37","slug":"right-drink-conservative-taste-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/08\/26\/right-drink-conservative-taste-news\/","title":{"rendered":"The Right Drink for the Conservative Taste, and Other News"},"content":{"rendered":"<div id=\"attachment_101958\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/07_cans-goldwater-johnson.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-101958\" class=\"wp-image-101958\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/07_cans-goldwater-johnson.jpg\" width=\"600\" height=\"406\" \/><\/a><p id=\"caption-attachment-101958\" class=\"wp-caption-text\">Drink up your propaganda, kids!<\/p><\/div>\n<ul>\n<li>Today in farts: there\u2019s a new movie called <em>Swiss Army Man<\/em>, and it\u2019s full of \u2018em. Don\u2019t write it off as stupid. Don\u2019t pretend you\u2019re not seduced by the fusillade of flatulence. There is life in those farts, Annie Julia Wyman writes: \u201c<a href=\"https:\/\/lareviewofbooks.org\/article\/send-farts-swiss-army-man\/\" target=\"_blank\">The idea for <em>Swiss Army Man<\/em> began with a fart joke: a man trapped on a desert island feeds a corpse beans so that he can ride it back to civilization<\/a>. But a fart joke\u2014like every increment of comedy, however large or small\u2014is a simple encapsulation of <em>Swiss Army Man<\/em>\u2019s optimism and of the beneficence, the real miracle, which is art \u2026 Movies of this kind are highly wrought, spiritually advanced, super-durable versions of the space inhabited by children and old people, by beginners and artists and students, by those of us who are still learning and always will be: that is, by everyone, if they can let the farts in.\u201d\u00a0<\/li>\n<\/ul>\n<p><!--more--><\/p>\n<ul>\n<li>Television changed presidential elections forever\u2014in part because it diminished the amount of <em>neat stuff <\/em>the candidates had to plaster their names on to gain exposure. A new exhibition, \u201cCampaigning for the Presidency, 1960\u20131972: Selections from the Museum of Democracy,\u201d\u00a0reveals the bizarreries of electoral material culture. Andy Battaglia writes, \u201c<a href=\"http:\/\/www.wsj.com\/articles\/quirky-tools-of-past-presidential-campaigns-find-a-new-audience-1472087252\" target=\"_blank\">Highlights from 1964 include bottles of punnily branded Gold Water cologne and aftershave\u2014\u2018an aftershave for Americans,\u2019 the label makes clear<\/a>. The grooming products might have resonated as a rebuke to the era\u2019s beatniks and hippies \u2026 Voters were encouraged to literally consume the candidates\u2019 messages. Gold Water also served as the name of a canned campaign beverage dubbed \u2018the right drink for the conservative taste.\u2019 And a can of lemon-lime-flavored Johnson Juice soda was emblazoned with a bucking donkey logo and a message that belies the sweetened beverage within: \u2018a drink for health care.\u2019 \u201d<\/li>\n<\/ul>\n<ul>\n<li>Michael Heizer is making land art built to last\u2014none of this flashy <em>Lightning Field <\/em>shit for him. When your goal is duration, cheap materials are your friend: \u201c<em><a href=\"http:\/\/www.newyorker.com\/magazine\/2016\/08\/29\/michael-heizers-city\" target=\"_blank\">City<\/a><\/em><a href=\"http:\/\/www.newyorker.com\/magazine\/2016\/08\/29\/michael-heizers-city\" target=\"_blank\"> is a monumental architectonic work, with dimensions comparable to those of the National Mall, in Washington, D.C., and a layout informed by pre-Columbian ritual cities like Teotihuacan<\/a>. Heizer started it in 1972, when he was in his late twenties and had already established himself as an instigator of the earthworks movement, a group of artists, including Robert Smithson and Walter De Maria, who made totemic outdoor sculptures, often in the majestic wastelands of the American West. <em>City<\/em> is made almost entirely from rocks, sand, and concrete that Heizer has mined and mixed on site. The use of valueless materials is strategic, a hedge against what he sees as inevitable future social unrest. \u2018My good friend Richard Serra is building out of military-grade steel,\u2019 he says. \u2018That stuff will all get melted down. Why do I think that? Incans, Olmecs, Aztecs\u2014their finest works of art were all pillaged, razed, broken apart, and their gold was melted down. When they come out here to fuck my <em>City<\/em>\u00a0sculpture up, they\u2019ll realize it takes more energy to wreck it than it\u2019s worth.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Hannah Black has a reminder for anyone who thinks, Maybe if disenfranchised people just state their cases really rationally and articulately, people will notice them and effect vast social change! Well, didn\u2019t we try that? \u201c<a href=\"http:\/\/hazlitt.net\/feature\/i-feel-everything-shouldnt-exist-interview-hannah-black\" target=\"_blank\">[James] Baldwin\u2019s amazing, and sometimes when I think about him it\u2019s like\u2014he does this incredible \u2018I\u2019m being very reasonable\u2019 tone, he makes these citadels of reasonable argument and excellent prose<\/a>. If anything\u2019s going to emerge from reasonable argument and excellent prose, I feel like Baldwin would\u2019ve already done it. It\u2019s a bit like looking at the early Soviet graphic design, you\u2019re like, if graphic design could\u2019ve changed the world, this would\u2019ve changed the world.\u201d<\/li>\n<\/ul>\n<ul>\n<li>This September brings <em>The Complete Orsinia<\/em>, the first-ever collection of Ursula K. Le Guin\u2019s \u201chistorical\u201d fiction. The book\u2019s editor, Brian Attebery, says, \u201c<a href=\"https:\/\/www.loa.org\/news-and-views\/1180-ursula-k-le-guin-the-emissary-from-orsinia-crosses-borders-and-challenges-expectations\" target=\"_blank\">Orsinia does not exist, any more than Middle Earth exists<\/a>. It isn\u2019t real, though its troubles are. One of the problems it poses is to figure out what kind of lever spans the gap between the imaginary place and the earth that is to be moved: in other words, what genre are we dealing with? \u2026 An orientation to the story-world of Orsinia can start from the word <em>alternative<\/em>, which suggests difference, distance, otherness, and options. Alternative beliefs challenge orthodoxy. Alternative lifestyles de-naturalize social norms. Alternative societies can be utopian and dystopian at once \u2026 And alternatives alternate\u2014as readers find themselves alternating between the fictional world and the world of experience. Each Orsinian story flickers between its own historical present and the reader\u2019s own moment, which it alternately illuminates and critiques.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Today in farts: there\u2019s a new movie called Swiss Army Man, and it\u2019s full of \u2018em. Don\u2019t write it off as stupid. Don\u2019t pretend you\u2019re not seduced by the fusillade of flatulence. There is life in those farts, Annie Julia Wyman writes: \u201cThe idea for Swiss Army Man began with a fart joke: a man [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[24178,7165,18587,24180,881,10548,23645,24179,81,24181,24177,964,24176,3989],"class_list":["post-101955","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-barry-goldwater","tag-ephemera","tag-farts","tag-hannah-black","tag-james-baldwin","tag-land-art","tag-lyndon-b-johnson","tag-michael-heiser","tag-movies","tag-orsinia","tag-presidential-elections","tag-sculpture","tag-swiss-army-man","tag-ursula-k-le-guin"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Lost Art of Goofy Election Merchandise<\/title>\n<meta name=\"description\" content=\"This and more in today\u2019s roundup.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/26\/right-drink-conservative-taste-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Right Drink for the Conservative Taste, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"August 26, 2016 \u2013 Today in farts: there\u2019s a new movie called Swiss Army Man, and it\u2019s full of \u2018em. Don\u2019t write it off as stupid. Don\u2019t pretend you\u2019re not seduced by the\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/26\/right-drink-conservative-taste-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-08-26T12:54:47+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-08-26T14:45:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/26\/right-drink-conservative-taste-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/26\/right-drink-conservative-taste-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"The Right Drink for the Conservative Taste, and Other News\",\"datePublished\":\"2016-08-26T12:54:47+00:00\",\"dateModified\":\"2016-08-26T14:45:37+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/26\/right-drink-conservative-taste-news\/\"},\"wordCount\":812,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/26\/right-drink-conservative-taste-news\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/07_cans-goldwater-johnson.jpg\",\"keywords\":[\"Barry Goldwater\",\"ephemera\",\"farts\",\"Hannah Black\",\"James Baldwin\",\"Land Art\",\"Lyndon B. 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