{"id":101500,"date":"2016-08-15T09:21:39","date_gmt":"2016-08-15T13:21:39","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=101500"},"modified":"2016-08-15T13:32:02","modified_gmt":"2016-08-15T17:32:02","slug":"hemingways-antlers-returned-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/08\/15\/hemingways-antlers-returned-and-other-news\/","title":{"rendered":"Hemingway\u2019s Antlers Returned, and Other News"},"content":{"rendered":"<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 49.1477272727% 0; text-align: center; width: 100%;\">\u00a0<\/div>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/BI8FuBDBRP5\/\" target=\"_blank\">A photo posted by aspentimes (@aspentimes)<\/a> on <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2016-08-10T18:51:48+00:00\">Aug 10, 2016 at 11:51am PDT<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script src=\"\/\/platform.instagram.com\/en_US\/embeds.js\" async=\"\" defer=\"defer\"><\/script><\/p>\n<ul>\n<li>Try to stay calm, everyone, but I have some <em>very <\/em>exciting news: <a href=\"https:\/\/www.theguardian.com\/books\/2016\/aug\/15\/antlers-hunter-s-thompson-stole-from-hemingways-home-returned-to-family?CMP=twt_books_b-gdnbooks\" target=\"_blank\">it\u2019s about Hemingway\u2019s antlers<\/a>. Back in 1964, Hunter S. Thompson stole a set of elk antlers right off the guy\u2019s wall, only three years after he\u2019d shot himself \u2026 Thompson felt bad about it and meant to return the antlers promptly, but you know how it is, the decades go by, stuff piles up in your garage, and you just sort of <em>forget <\/em>that you have these priceless antlers sitting around, and then it\u2019s 2005 and you\u2019re dead, too. So it fell to Thompson\u2019s widow, Anita, to return the property to the Hemingways last week: \u201c<a href=\"https:\/\/www.theguardian.com\/books\/2016\/aug\/15\/antlers-hunter-s-thompson-stole-from-hemingways-home-returned-to-family?CMP=twt_books_b-gdnbooks\" target=\"_blank\">They were warm and kind of tickled<\/a> \u2026 They were so open and grateful, there was no weirdness \u2026 Still, it\u2019s something that was stolen from the home. They were grateful to have them back. They had heard rumors. Sean Hemingway, the grandson, was the first family member that I\u2019d heard from. He spoke with other Hemingway family members and he said that everyone agreed that he should have them. He lives in New York, where he curates a museum. So now that I\u2019m back from Ketchum we\u2019re actually shipping them to Sean.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Finally, New York\u2019s newspaper of record has taken it upon itself that humblest of tasks: defining <em>punk<\/em>. Since 1976, the punk-rock spirit has been noxious, amorphous, and utterly unreconstructed. That was okay, but isn\u2019t it better to have the Gray Lady trotting out a bunch of musician types to tell you what it\u2019s <em>really <\/em>all about? One twenty-five-year-old says that punk as \u201c<a href=\"http:\/\/www.nytimes.com\/2016\/08\/15\/arts\/music\/punk-rock-defined-buzzcocks-henry-rollins.html?smid=tw-nytimesarts&amp;smtyp=cur\" target=\"_blank\">like a massive piece of denim, and with that denim you can make something really cool<\/a>. You can make a jacket, you can make some cool jeans, or you can make a cushion or a cover. There\u2019s nothing that\u2019s wrong or right about it, it\u2019s just a thing that gives anything you want to do some backing.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Walter Benjamin wrote of the age of the mechanical reproduction\u2014how quaint! In 2016, a good 3-D scanner-printer combo can do what mere mechanics never could; we have arrived, as Noah Charney writes, in the Age of the Mechanical Reproduction. \u201c<a href=\"http:\/\/www.slate.com\/articles\/technology\/future_tense\/2016\/08\/are_digital_replicas_sucking_the_soul_out_of_the_art_world.html\" target=\"_blank\">When we speak of scanned and printed works of art, copies made by computers and a fabrication mechanism rather than a human hand, it is a different story altogether<\/a>. It might look good, but what about Benjamin\u2019s \u2018aura\u2019? \u2026 A danger arises when amateurs and bogus experts aren\u2019t able to tell the difference between what\u2019s real and what\u2019s reproduced. Worse, they might see the digital copy and decide that it is not worth the effort to see the original. They might not think that the work is better, but it is unarguably more convenient to access.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Two new books, <em>American Girls <\/em>and <em>Girls and Sex<\/em>, see a kind of crisis in young women today, and of course social media is to blame\u2014these girls\u2019 parents didn\u2019t grow up with Instagram, so Instagram can only be the enemy. Zoe Heller raises an eyebrow: \u201c<a href=\"http:\/\/www.nybooks.com\/articles\/2016\/08\/18\/hot-sex-young-girls\/\" target=\"_blank\">To be sure, certain kinds of sexism have been amplified\u2014or perhaps transmitted more efficiently\u2014in the Internet era, and girls are now under pressure to present themselves as pliable sexual creatures at a much earlier age than they have been in the past<\/a>. But even in the far-off 1970s and 1980s, young women experienced their share of exploitation, abuse, and unsatisfactory sex \u2026 If the good old days were never as good as both writers are wont to imply, the dark days of our present era are not quite as unremittingly desperate either.\u201d<\/li>\n<\/ul>\n<ul>\n<li><em>Hitchcock\/Truffaut<\/em>, a book of atypically intimate interviews between the two filmmakers, turns fifty this year, and it\u2019s still \u201cone of the sharpest, most enthralling studies of creative thought\u201d in print, Nathan Heller says: \u201c<a href=\"http:\/\/www.newyorker.com\/culture\/cultural-comment\/the-book-that-gets-inside-alfred-hitchcocks-mind?intcid=mod-latest\" target=\"_blank\">As Truffaut presses Hitchcock on decision after decision, in film after film, an elaborate, reasoned logic rises to the fore\u2014a point that both directors, similarly inclined toward meticulous visual formalism, were keen to drive home<\/a>. Hitchcock is occasionally self-dismissive in a way that seems self-blind. My first destination, on paging through, was the discussion of <em>Rear Window<\/em>, from 1954, which to me seems Hitchcock\u2019s greatest \u2026 Yet the director\u2019s account extends from indifference to dissatisfaction. He dismisses the Franz Waxman score\u2014whose weaving through a wash of overlapping urban sounds is striking even today\u2014as disappointing. Not even the most deterministic director in the movies, it would seem, could see a clear path to his full achievement.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 A photo posted by aspentimes (@aspentimes) on Aug 10, 2016 at 11:51am PDT Try to stay calm, everyone, but I have some very exciting news: it\u2019s about Hemingway\u2019s antlers. Back in 1964, Hunter S. Thompson stole a set of elk antlers right off the guy\u2019s wall, only three years after he\u2019d shot himself \u2026 [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[2643,23926,35,571,5402,6677,23927,5466,10911,6412,18832,18888,353,1725],"class_list":["post-101500","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-alfred-hitchcock","tag-antlers","tag-art","tag-ernest-hemingway","tag-francois-truffaut","tag-girls","tag-hitchcocktruffaut","tag-hunter-s-thompson","tag-instagram","tag-punk","tag-punk-rock","tag-reproduction","tag-teenagers","tag-walter-benjamin"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Rest Easy, Everyone, Hemingway\u2019s Antlers Are Safe<\/title>\n<meta name=\"description\" content=\"This and more in today\u2019s roundup.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/15\/hemingways-antlers-returned-and-other-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hemingway\u2019s Antlers Returned, and Other News by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"August 15, 2016 \u2013 \u00a0A photo posted by aspentimes (@aspentimes) on Aug 10, 2016 at 11:51am PDTTry to stay calm, everyone, but I have some very exciting news: it\u2019s about\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/15\/hemingways-antlers-returned-and-other-news\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-08-15T13:21:39+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-08-15T17:32:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/15\/hemingways-antlers-returned-and-other-news\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/15\/hemingways-antlers-returned-and-other-news\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Hemingway\u2019s Antlers Returned, and Other News\",\"datePublished\":\"2016-08-15T13:21:39+00:00\",\"dateModified\":\"2016-08-15T17:32:02+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/15\/hemingways-antlers-returned-and-other-news\/\"},\"wordCount\":779,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"keywords\":[\"Alfred Hitchcock\",\"antlers\",\"art\",\"Ernest Hemingway\",\"Fran\u00e7ois Truffaut\",\"Girls\",\"Hitchcock\/Truffaut\",\"Hunter S. 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