{"id":101365,"date":"2016-08-09T18:28:16","date_gmt":"2016-08-09T22:28:16","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=101365"},"modified":"2016-08-09T23:17:37","modified_gmt":"2016-08-10T03:17:37","slug":"long-gone-and-missing","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/","title":{"rendered":"Long Gone and Missing"},"content":{"rendered":"<p><em>Peyton Freiman\u2019s exhibition \u201c<a href=\"http:\/\/www.shin-gallery.com\/Exhibition\/?ex_cd=27&amp;view_fg=U&amp;site_gb=1&amp;tab=0\" target=\"_blank\">Long Gone and Missing<\/a>\u201d opens Wednesday, August 10, at <a href=\"http:\/\/www.shin-gallery.com\/\" target=\"_blank\">Shin Gallery<\/a>, in New York. Freiman, based in Brooklyn, uses his work to explore \u201cfeelings of disillusionment with institutional systems,\u201d with a special fondness for \u201cjejune colloquialisms.\u201d His show is up through September 10.<\/em><\/p>\n<div id=\"attachment_101371\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/jfk.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-101371\" class=\"wp-image-101371\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/jfk.jpg\" width=\"600\" height=\"317\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/jfk.jpg 1373w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/jfk-300x158.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/jfk-768x406.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/jfk-1024x541.jpg 1024w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-101371\" class=\"wp-caption-text\">Peyton Freiman, <i>JFK was a Realist<\/i>, 2015, mixed media on paper mounted on canvas, 6&#8243; x 3.5&#8243;.<\/p><\/div>\n<p>\u00a0<!--more--><\/p>\n<p><div id=\"attachment_101367\" style=\"width: 356px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/wee.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-101367\" class=\"wp-image-101367 size-full\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/wee.jpg\" width=\"346\" height=\"691\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/wee.jpg 346w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/wee-150x300.jpg 150w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-101367\" class=\"wp-caption-text\"><i>Wee<\/i>, 2015, oil on gesso on canvas with grommets, 11&#8243; x 6&#8243; x 11&#8243;.<\/p><\/div> <div id=\"attachment_101368\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/1963cubadothemath.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-101368\" class=\"wp-image-101368\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/1963cubadothemath.jpg\" width=\"600\" height=\"456\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/1963cubadothemath.jpg 954w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/1963cubadothemath-300x228.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/1963cubadothemath-768x584.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-101368\" class=\"wp-caption-text\"><i>1963. Cuba. Do the math MAN<\/i>, 2015, mixed media on paper, 5.6&#8242; X 6.5&#8242;.<\/p><\/div> <div id=\"attachment_101369\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/chadstimeshare.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-101369\" class=\"wp-image-101369\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/chadstimeshare.jpg\" alt=\"chadstimeshare\" width=\"600\" height=\"517\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/chadstimeshare.jpg 842w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/chadstimeshare-300x258.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/chadstimeshare-768x661.jpg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-101369\" class=\"wp-caption-text\"><i>Chad&#8217;s Tahitian Time-Share<\/i>, 2015, mixed media on paper on canvas, 6&#8242; x 5.4&#8242;.<\/p><\/div> <div id=\"attachment_101370\" style=\"width: 492px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/floridaisforstrippers.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-101370\" class=\"wp-image-101370\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/floridaisforstrippers.jpg\" width=\"482\" height=\"721\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/floridaisforstrippers.jpg 485w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/floridaisforstrippers-201x300.jpg 201w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-101370\" class=\"wp-caption-text\"><i>Florida is for Strippers<\/i>, 2015, mixed media on paper, 3.2&#8242; x 2.1&#8242;.<\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Peyton Freiman\u2019s exhibition \u201cLong Gone and Missing\u201d opens Wednesday, August 10, at Shin Gallery, in New York. Freiman, based in Brooklyn, uses his work to explore \u201cfeelings of disillusionment with institutional systems,\u201d with a special fondness for \u201cjejune colloquialisms.\u201d His show is up through September 10. \u00a0<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2384],"tags":[958,9756,7676,20760,17122,4154,23854,23855],"class_list":["post-101365","post","type-post","status-publish","format-standard","hentry","category-look","tag-brooklyn","tag-conspiracy-theories","tag-galleries","tag-gallery-openings","tag-institutions","tag-paintings","tag-peyton-freiman","tag-shin-gallery"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Long Gone and Missing: Paintings by Peyton Freiman<\/title>\n<meta name=\"description\" content=\"The painter\u2019s solo show opens at Shin Gallery on August 10.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Long Gone and Missing by Dan Piepenbring\" \/>\n<meta property=\"og:description\" content=\"August 9, 2016 \u2013 Peyton Freiman\u2019s exhibition \u201cLong Gone and Missing\u201d opens Wednesday, August 10, at Shin Gallery, in New York. Freiman, based in Brooklyn, uses his work to\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/\" \/>\n<meta property=\"og:site_name\" content=\"The Paris Review\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/parisreview\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-08-09T22:28:16+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-08-10T03:17:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/jfk.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1373\" \/>\n\t<meta property=\"og:image:height\" content=\"725\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dan Piepenbring\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parisreview\" \/>\n<meta name=\"twitter:site\" content=\"@parisreview\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dan Piepenbring\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/\"},\"author\":{\"name\":\"Dan Piepenbring\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\"},\"headline\":\"Long Gone and Missing\",\"datePublished\":\"2016-08-09T22:28:16+00:00\",\"dateModified\":\"2016-08-10T03:17:37+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/\"},\"wordCount\":143,\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/jfk.jpg\",\"keywords\":[\"Brooklyn\",\"conspiracy theories\",\"galleries\",\"gallery openings\",\"institutions\",\"paintings\",\"Peyton Freiman\",\"Shin Gallery\"],\"articleSection\":[\"Look\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/\",\"name\":\"Long Gone and Missing: Paintings by Peyton Freiman\",\"isPartOf\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/jfk.jpg\",\"datePublished\":\"2016-08-09T22:28:16+00:00\",\"dateModified\":\"2016-08-10T03:17:37+00:00\",\"description\":\"The painter\u2019s solo show opens at Shin Gallery on August 10.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/#primaryimage\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/jfk.jpg\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/jfk.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.theparisreview.org\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Long Gone and Missing\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#website\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"name\":\"The Paris Review\",\"description\":\"The best prose, interviews, poetry, and art. Since 1953.\",\"publisher\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#organization\",\"name\":\"The Paris Review\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"contentUrl\":\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png\",\"width\":696,\"height\":696,\"caption\":\"The Paris Review\"},\"image\":{\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/parisreview\/\",\"https:\/\/x.com\/parisreview\",\"https:\/\/www.instagram.com\/parisreview\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8\",\"name\":\"Dan Piepenbring\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g\",\"caption\":\"Dan Piepenbring\"},\"url\":\"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Long Gone and Missing: Paintings by Peyton Freiman","description":"The painter\u2019s solo show opens at Shin Gallery on August 10.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/","og_locale":"en_US","og_type":"article","og_title":"Long Gone and Missing by Dan Piepenbring","og_description":"August 9, 2016 \u2013 Peyton Freiman\u2019s exhibition \u201cLong Gone and Missing\u201d opens Wednesday, August 10, at Shin Gallery, in New York. Freiman, based in Brooklyn, uses his work to","og_url":"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/","og_site_name":"The Paris Review","article_publisher":"https:\/\/www.facebook.com\/parisreview\/","article_published_time":"2016-08-09T22:28:16+00:00","article_modified_time":"2016-08-10T03:17:37+00:00","og_image":[{"width":1373,"height":725,"url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/jfk.jpg","type":"image\/jpeg"}],"author":"Dan Piepenbring","twitter_card":"summary_large_image","twitter_creator":"@parisreview","twitter_site":"@parisreview","twitter_misc":{"Written by":"Dan Piepenbring","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/#article","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/"},"author":{"name":"Dan Piepenbring","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8"},"headline":"Long Gone and Missing","datePublished":"2016-08-09T22:28:16+00:00","dateModified":"2016-08-10T03:17:37+00:00","mainEntityOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/"},"wordCount":143,"publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/jfk.jpg","keywords":["Brooklyn","conspiracy theories","galleries","gallery openings","institutions","paintings","Peyton Freiman","Shin Gallery"],"articleSection":["Look"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/","url":"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/","name":"Long Gone and Missing: Paintings by Peyton Freiman","isPartOf":{"@id":"https:\/\/www.theparisreview.org\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/#primaryimage"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/#primaryimage"},"thumbnailUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/jfk.jpg","datePublished":"2016-08-09T22:28:16+00:00","dateModified":"2016-08-10T03:17:37+00:00","description":"The painter\u2019s solo show opens at Shin Gallery on August 10.","breadcrumb":{"@id":"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/#primaryimage","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/jfk.jpg","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/08\/jfk.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.theparisreview.org\/blog\/2016\/08\/09\/long-gone-and-missing\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.theparisreview.org\/blog\/"},{"@type":"ListItem","position":2,"name":"Long Gone and Missing"}]},{"@type":"WebSite","@id":"https:\/\/www.theparisreview.org\/blog\/#website","url":"https:\/\/www.theparisreview.org\/blog\/","name":"The Paris Review","description":"The best prose, interviews, poetry, and art. Since 1953.","publisher":{"@id":"https:\/\/www.theparisreview.org\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.theparisreview.org\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.theparisreview.org\/blog\/#organization","name":"The Paris Review","url":"https:\/\/www.theparisreview.org\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","contentUrl":"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2025\/04\/tpr-hadada-roundell-logo-square.png","width":696,"height":696,"caption":"The Paris Review"},"image":{"@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/parisreview\/","https:\/\/x.com\/parisreview","https:\/\/www.instagram.com\/parisreview"]},{"@type":"Person","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/6b16ca558fc538230f135c3220dfd3c8","name":"Dan Piepenbring","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.theparisreview.org\/blog\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6fde7ced443ba5b52db3b06239dca8a2eaeff111fccecd7bf483663c99d2762b?s=96&d=mm&r=g","caption":"Dan Piepenbring"},"url":"https:\/\/www.theparisreview.org\/blog\/author\/dpiepenbring\/"}]}},"_links":{"self":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/101365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/comments?post=101365"}],"version-history":[{"count":5,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/101365\/revisions"}],"predecessor-version":[{"id":101379,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/posts\/101365\/revisions\/101379"}],"wp:attachment":[{"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/media?parent=101365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/categories?post=101365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theparisreview.org\/blog\/wp-json\/wp\/v2\/tags?post=101365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}