{"id":100964,"date":"2016-07-28T15:48:16","date_gmt":"2016-07-28T19:48:16","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=100964"},"modified":"2016-07-28T15:48:16","modified_gmt":"2016-07-28T19:48:16","slug":"the-moving-picture-principle","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/07\/28\/the-moving-picture-principle\/","title":{"rendered":"The Moving-Picture Principle"},"content":{"rendered":"<p><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/muybridgehorseinmotion.jpg\" rel=\"attachment wp-att-100965\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-100965\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/muybridgehorseinmotion-1024x554.jpg\" alt=\"muybridgehorseinmotion\" width=\"600\" height=\"325\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/muybridgehorseinmotion-1024x554.jpg 1024w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/muybridgehorseinmotion-300x162.jpg 300w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/muybridgehorseinmotion-768x415.jpg 768w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/muybridgehorseinmotion.jpg 1799w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><\/p>\n<p><em>Lauren Wilcox\u2019s poem \u201cThe Motion-Picture Principle\u201d first appeared in our <a href=\"https:\/\/www.theparisreview.org\/back-issues\/170\" target=\"_blank\">Summer 2004 issue<\/a>. She has also been published in the <\/em>Antioch Review<em>\u00a0and the\u00a0<\/em>Oxford American<em>.\u00a0<\/em><!--more--><\/p>\n<blockquote>\n<p><em>for Eadweard Muybridge<\/em><\/p>\n<\/blockquote>\n<p>Your staggered lenses, trained on an empty track,<br \/>recorded what straggled into view<br \/>and out again, a dust cloud and a leaning pack<br \/>of horses. Silver decomposed to black<\/p>\n<p>inside your boxes. You followed light\u2014<br \/>you weren\u2019t confused by motion\u2014how an arc<br \/>could splinter, how something dropped<br \/>could fall in small and helpless stages, break,\u00a0<\/p>\n<p>and rise again, reassembling in air.<br \/>You watched your wife step from the bath<br \/>and knew that this, too, was a brief scene<br \/>repeating, a strip of naked women<\/p>\n<p>dealt like a deck of cards. In the muffled street,<br \/>in winter, your plates darkened on a snow<br \/>that stuttered down again in springtime,<br \/>dim and slow, on a sheet hung in the garden.<\/p>\n<p>Gray and halting faces approached<br \/>and backed away; a woman withdrew<br \/>through a shutting door.<br \/>Time was a string of knots, a spiked wheel,<\/p>\n<p>a seam that you could split and heal\u2014<br \/>As a boy, reclining on horsehair<br \/>one morning on a train,<br \/>you watched the countryside,<\/p>\n<p>a single light-filled frame<br \/>in which lives flickered, drawn forward<br \/>like a train along a track; you saw yourself,<br \/>suspended in a fractured, endless motion,<\/p>\n<p>going, never going back.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lauren Wilcox\u2019s poem \u201cThe Motion-Picture Principle\u201d first appeared in our Summer 2004 issue. She has also been published in the Antioch Review\u00a0and the\u00a0Oxford American.\u00a0<\/p>\n","protected":false},"author":1025,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1188],"tags":[23587,23583,3153,23586,23577,23579,17097,79,19907,2861,23580,23588,23582,14826,23581,15558,23578,8160,3539,23584,1447,165,7355,21127,2306,426,3209,23585],"class_list":["post-100964","post","type-post","status-publish","format-standard","hentry","category-from-the-archive","tag-american","tag-antioch-review","tag-camera","tag-countryside","tag-eadweard-muybridge","tag-early-movies","tag-experiments","tag-film","tag-from-the-archive","tag-history","tag-horse","tag-issue-170","tag-lauren-wilcox","tag-learning","tag-lens","tag-light","tag-motion-picture","tag-oxford-american","tag-poem","tag-poem-from-the-archive","tag-poet","tag-poetry","tag-science","tag-silver","tag-studying","tag-the-paris-review","tag-train","tag-wheel"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Poem: The Moving-Picture Principle<\/title>\n<meta name=\"description\" content=\"A poem by Lauren Wilcox from the archive.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theparisreview.org\/blog\/2016\/07\/28\/the-moving-picture-principle\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Moving-Picture Principle by Lauren Wilcox\" \/>\n<meta property=\"og:description\" content=\"July 28, 2016 \u2013 Lauren Wilcox\u2019s poem \u201cThe Motion-Picture Principle\u201d first appeared in our Summer 2004 issue. 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