{"id":100902,"date":"2016-07-27T09:37:21","date_gmt":"2016-07-27T13:37:21","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=100902"},"modified":"2016-07-27T11:43:26","modified_gmt":"2016-07-27T15:43:26","slug":"not-that-new-york-review-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/07\/27\/not-that-new-york-review-and-other-news\/","title":{"rendered":"Not That <i>New York Review<\/i>, and Other News"},"content":{"rendered":"<div id=\"attachment_100903\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/image15.jpeg\" rel=\"attachment wp-att-100903\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-100903\" class=\"wp-image-100903\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/image15.jpeg\" alt=\"\" width=\"600\" height=\"660\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/image15.jpeg 806w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/image15-273x300.jpeg 273w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/image15-768x844.jpeg 768w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-100903\" class=\"wp-caption-text\">One of the underground papers from the exhibition \u201cRealize Your Desires.\u201d<\/p><\/div>\n<ul>\n<li>Congratulations to <em>The Paris Review<\/em>\u2019s contributors David Means, Ottessa Moshfegh, and David Szalay, <a href=\"https:\/\/www.theguardian.com\/books\/gallery\/2016\/jul\/27\/man-booker-prize-2016-longlist-in-pictures\" target=\"_blank\">all of whom have been long-listed for this year\u2019s Man Booker Prize<\/a>. (Paul Beatty, <a href=\"https:\/\/www.theparisreview.org\/blog\/2015\/05\/07\/our-thing-an-interview-with-paul-beatty\/\" target=\"_blank\">interviewed last year<\/a> on the <em>Daily<\/em>, is nominated, too.)<\/li>\n<\/ul>\n<ul>\n<li>To all the rich folks shopping for Common Projects sneakers and neon signs: your \u201cminimalist\u201d aesthetic isn\u2019t the latest iteration of an artistic philosophy. It\u2019s just consumer culture. As Kyle Chayka writes, \u201c<a href=\"http:\/\/www.nytimes.com\/2016\/07\/31\/magazine\/the-oppressive-gospel-of-minimalism.html\" target=\"_blank\">Despite its connotations of absence, \u2018minimalism\u2019 has been popping up everywhere lately, like a bright algae bloom in the murk of postrecession America<\/a> \u2026 So long as it\u2019s stylishly austere, it seems, it\u2019s minimalist. Part pop philosophy and part aesthetic, minimalism presents a cure-all for a certain sense of capitalist overindulgence. Maybe we have a hangover from pre-recession excess\u2014McMansions, S.U.V.s, neon cocktails, fusion cuisine\u2014and minimalism is the salutary tonic. Or perhaps it\u2019s a method of coping with recession-induced austerity, a collective spiritual and cultural cleanse because we\u2019ve been forced to consume less anyway. But as an outgrowth of a peculiarly American (that is to say, paradoxical and self-defeating) brand of Puritanical asceticism, this new minimalist lifestyle always seems to end in enabling new modes of consumption, a veritable excess of less. It\u2019s not really minimal at all.\u201d<\/li>\n<\/ul>\n<ul>\n<li>From Melville to Wallace, most of your prototypical \u201coffice novelists\u201d are dudes, and their takes on bureaucracy are concerned less with work than with minute social shifts in hierarchy and class. Office novels by women have a different agenda, Lydia Kiesling writes: \u201c<a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/the-office-politics-of-workplace-fiction-by-women?intcid=mod-latest\" target=\"_blank\">The last two decades have seen a boom in workplace novels written by and mostly marketed to women<\/a> \u2026 These books provide mapping, contextualizing, and rich illustration of women\u2019s working lives. They form a kind of counter-tradition of office literature, dealing with the same bureaucracies and white-collar doldrums that have inspired male novelists but reflecting the particular challenges and preoccupations of women in the workforce \u2026 These novels often arrive at the same place: a woman who can\u2019t cope with the demands of family and modern work finds a more flexible arrangement, usually capitalizing on her latent creative or entrepreneurial spirit.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Today in news about Bertolt Brecht\u2019s son: Bertold Brecht\u2019s son (Stefan) kept a really enormous collection of underground newspapers in his attic, and now they are yours for the seeing. A new exhibition, \u201cRealize Your Desires,\u201d chronicles Brecht\u2019s collection and in the broader context of the underground press: \u201c<a href=\"http:\/\/hyperallergic.com\/313889\/the-underground-press-and-its-extraordinary-moment-in-us-history\/\" target=\"_blank\">The Underground Press Syndicate\u00a0(UPS), the overriding body of the underground press, began in 1966 with a humble assembly of five newspapers<\/a>: the\u00a0<em>East Village Other<\/em>\u00a0(NYC), the\u00a0<em>Los Angeles Free Press<\/em>, the\u00a0<em>Berkeley Barb<\/em>, the\u00a0<em>Fifth Estate<\/em>\u00a0(Detroit), and the <em>Paper<\/em>\u00a0(Michigan). Only\u00a0six years later, Tom Forcade, leader of the UPS,\u00a0<a href=\"https:\/\/peopleslibrary.wordpress.com\/2012\/02\/07\/protest-history-underground-press-syndicate\/\">claimed<\/a>\u00a0three hundred papers and twenty million readers.\u201d<\/li>\n<\/ul>\n<ul>\n<li>The Chilean writer Roberto Merino remembers his early experiences with television: \u201c<a href=\"http:\/\/www.asymptotejournal.com\/nonfiction\/television-the-thousand-and-one-nights\/\">A Sunday session of <em>Tugar,\u00a0tugar<\/em>, the dance program which\u00a0<em>Baila domingo<\/em>\u00a0later replaced, was a protracted sexual torment<\/a>. Ah, what ochre sundowns were whiled away in fantasies of oneself waiting outside the Manuel Plaza gymnasium for the most ravishing of the contestants before sauntering off with a careless arm around her, drinking in that longed-for blend of odors: the scent my mother would have disdained as \u2018cheap,\u2019 the sweat, the cigarette smoke infused into the denim jacket, the fading sweetness of Adams or Bazooka chewing gum in the brazen kisses.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Congratulations to The Paris Review\u2019s contributors David Means, Ottessa Moshfegh, and David Szalay, all of whom have been long-listed for this year\u2019s Man Booker Prize. (Paul Beatty, interviewed last year on the Daily, is nominated, too.) To all the rich folks shopping for Common Projects sneakers and neon signs: your \u201cminimalist\u201d aesthetic isn\u2019t the latest [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[15227,6847,19522,256,18316,1049,6509,15605,10199,17241,23551,54,23550],"class_list":["post-100902","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-bureaucracy","tag-chile","tag-consumerism","tag-david-means","tag-david-szalay","tag-man-booker-prize","tag-minimalism","tag-office-novels","tag-ottessa-moshfegh","tag-paul-beatty","tag-roberto-merino","tag-television","tag-underground-press"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Stefan 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