{"id":100775,"date":"2016-07-25T09:01:13","date_gmt":"2016-07-25T13:01:13","guid":{"rendered":"https:\/\/www.theparisreview.org\/blog\/?p=100775"},"modified":"2016-07-25T10:27:36","modified_gmt":"2016-07-25T14:27:36","slug":"photograph-in-c-and-other-news","status":"publish","type":"post","link":"https:\/\/www.theparisreview.org\/blog\/2016\/07\/25\/photograph-in-c-and-other-news\/","title":{"rendered":"Photograph in C#, and Other News"},"content":{"rendered":"<div id=\"attachment_100777\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/csharp.jpg\" rel=\"attachment wp-att-100777\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-100777\" class=\"wp-image-100777\" src=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/csharp.jpg\" alt=\"\" width=\"600\" height=\"610\" srcset=\"https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/csharp.jpg 733w, https:\/\/www.theparisreview.org\/blog\/wp-content\/uploads\/2016\/07\/csharp-295x300.jpg 295w\" sizes=\"auto, (min-width: 62.5em) 67vw, 100vw\" \/><\/a><p id=\"caption-attachment-100777\" class=\"wp-caption-text\">Jeff Louviere and Vanessa Brown, <em>Photograph in C#<\/em>, 48&#8243; x 48&#8243;. Image via <em>Nautilus<\/em><\/p><\/div>\n<ul>\n<li>Wherever there are Freudian dynamics afoot\u2014whenever latent sexual tension and homosocial tendencies take the national stage\u2014there you\u2019ll find our country\u2019s fan-fiction writers doing their best work. You can only imagine, then, the hay they\u2019ve made of the 2016 election. Talia Lavin spoke to one especially fecund writer who goes by Chuck Tingle: \u201c<a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/the-political-erotica-of-2016?intcid=mod-latest\" target=\"_blank\">After the Brexit vote, Tingle published \u2018Pounded by the Pound: Turned Gay by the Socioeconomic Implications of Britain Leaving the European Union.\u2019<\/a> Another recent Tingle story is about a character he calls Domald Tromp. In Tingle\u2019s fictional universe, Tromp is the presumptive Republican nominee\u2014although, unlike Donald J. Trump, Tromp has faked his birth certificate and is really a native of Scotland. More specifically, he is the Loch Ness monster in disguise. (\u2018There is something incredible about being taken by such a strong, patriotic beast, even if he is really from Scotland,\u2019 the narrator, a twenty-two-year-old journalist, thinks at one point.)\u201d<\/li>\n<\/ul>\n<ul>\n<li>In reality, though, the political scene is far less enchanting\u2014though no less fantastical, as commentators on both sides have noted in the aftermath of the Republican National Convention: \u201c<a href=\"http:\/\/www.lrb.co.uk\/blog\/2016\/07\/22\/christian-lorentzen\/cleveland-day-four\/\" target=\"_blank\">When Trump\u2019s speech had already leaked, Ramesh Ponnuru of\u00a0<em>National Review<\/em>, whose adorable campaign to stop Trump has been going for months, bummed a cigarette off me<\/a>. I told him I was heading to the Q after I\u2019d read the speech. \u2018I\u2019ve read it,\u2019 he said. \u2018It\u2019s like the plot of\u00a0<em>Batman<\/em>.\u2019 \u201d<\/li>\n<\/ul>\n<ul>\n<li>When politicians aren\u2019t behaving like fictional characters or remaking the world in a kind of proto-fictional mold, they do, unfortunately, attempt to write <em>nonfiction<\/em>. Here, too, they are often thwarted. Take the case of Boris Johnson, Brexit architect and all-around turd\u2014the<em>\u00a0Guardian <\/em>reports that his \u201c<a href=\"https:\/\/www.theguardian.com\/books\/2016\/jul\/23\/boris-johnson-shakespeare-biography-brexit-riddle-of-genius\" target=\"_blank\">widely anticipated biography of Shakespeare is on ice, indefinitely<\/a>. Originally scheduled for release this October\u2014rather late for the 400th anniversary of the playwright\u2019s death back in April\u2014<em>Shakespeare: The Riddle of Genius\u00a0<\/em>\u2018will not be published for the foreseeable future,\u2019 says its publisher, Hodder &amp; Stoughton \u2026 Among professional Shakespeareans\u2014think the conspirators in\u00a0<em>Julius Caesar<\/em>, only with sharper daggers\u2014there has been a mixture of glee and remorse. On the one hand, many thought the biography wasn\u2019t likely to be very good. On the other, everyone would have had a great deal of fun saying so. Even before the announcement, speculation was rife that not a word had actually been written, and that several prominent academics had been begged for last-minute assistance.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Now that I\u2019ve got you in a pessimistic frame of mind: the early photos in a new survey at the Whitney Museum, \u201cDanny Lyon: Message to the Future,\u201d remind of all varieties of sociopolitical turmoil. As Max Nelson writes, \u201c<a href=\"http:\/\/www.nybooks.com\/daily\/2016\/07\/20\/danny-lyon-whitney-films-what-i-couldnt-say-myself\/\" target=\"_blank\">Lyon has always taken risks to earn the status of sympathetic insider in the communities he shoots<\/a>. The photographs he took across the South in his early twenties were forceful enough visions of outrage and disgust\u2014a group of young black women languishing in the Leesburg stockade; a protestor splayed out in midair as the object of a violent tug-of-war contest between an onlooker and a pack of riot police\u2014that the Student Nonviolent Coordinating Committee (SNCC) soon made Lyon their staff photographer \u2026 Lyon would never align himself so completely with another group\u2019s mission and goals, but most of his subsequent projects have involved a similar degree of intense, life-consuming commitment. To make\u00a0<em>The Bikeriders\u00a0<\/em>(1968), the first book of photographs for which he had sole credit, he spent a year as a member of the Chicago Outlaws; for <em>Conversations with the Dead\u00a0<\/em>(1971), his third book, he lived in Texas for still longer taking pictures in the state\u2019s prisons.\u201d<\/li>\n<\/ul>\n<ul>\n<li>Maybe the only solace is in art without people. <em>Resonantia<\/em>, a series of portraits last year by the artists Jeff Louviere and Vanessa Brown, finds beauty in cymatics\u2014the patterns produced by sound waves in physical objects. \u201c<a href=\"http:\/\/nautil.us\/blog\/this-is-what-musical-notes-actually-look-like\" target=\"_blank\">Louviere was struck by the idea that each note produces a particular shape in liquid<\/a>. To investigate these patterns, he rigged up a contraption involving a frequency generator on his laptop, a rebuilt amp with a speaker pointing upward into a plastic vitrine filled with ink-black water, and a guitar tuner. Louviere vibrated the water with the amp by adjusting the generator\u2019s frequency \u2026 He used his tuner to seek out the frequency of each of the twelve notes\u2014A, B, C through G, plus the five halftones. While Louviere dialed the knobs, Brown stood on a ladder above the contraption illuminating the water with a ring light, her camera in hand. When the tuner registered a note\u2014reading 220 hertz, the frequency that produces an A, for instance\u2014Louviere stopped adjusting. As each note\u2019s unique vibration induced its characteristic pattern into the water, Brown captured it with her camera. The pair worked together to obtain a \u2018portrait\u2019 of each of the twelve notes.\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Wherever there are Freudian dynamics afoot\u2014whenever latent sexual tension and homosocial tendencies take the national stage\u2014there you\u2019ll find our country\u2019s fan-fiction writers doing their best work. You can only imagine, then, the hay they\u2019ve made of the 2016 election. Talia Lavin spoke to one especially fecund writer who goes by Chuck Tingle: \u201cAfter the Brexit [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2512],"tags":[23491,22948,23490,23494,9387,19381,9147,6746,23492,100,948,13817,23495,23493],"class_list":["post-100775","post","type-post","status-publish","format-standard","hentry","category-on-the-shelf","tag-boris-johnson","tag-brexit","tag-chuck-tingle","tag-cymatics","tag-danny-lyon","tag-donald-trump","tag-elections","tag-fan-fiction","tag-jeff-louviere","tag-photography","tag-shakespeare","tag-sound","tag-sound-waves","tag-vanessa-brown"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>What Sound Looks Like<\/title>\n<meta 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